Your website is now irrelevant

NOTE: This is, unapologetically, long post. You will know why once you read it!


The thing is, I am so busy with various projects I rarely find the time to write anything of substance for these ramblings, and I don’t want to fill these pages with the type of uninteresting drivel I see on so many people’s blogs.

I assume they do so simply to fill their pages with ‘content’, regardless of quality. Something I am not prepared to do.

This post, which I have titled ‘Your website is now irrelevant’, came from a discussion I watched on the BBC last night, or rather during the early hours of this morning. (11th of January 2022)

The subject of the conversation was regarding the first anniversary of the Capitol Riots in the USA when ‘a violent mob’ stormed the Capitol building as Congress was certifying Joe Biden’s victory in the 2020 election. (The ‘riots’ happened on January 6th 2021)

Now, the TV program was about the media action/reaction to this event more than the actual event itself.

During this discussion, an editor from Vibe Media, (I did not catch her name), said something which I found interesting enough for me to be motivated to write this post, as it is something I believe we, as indie authors, who self-market our books, try and maintain a strong social media presence, and promote our ‘brand’, should take seriously.

We all know the world, particularly in respect of the internet and communications, is exponentially changing, and this continuous transformation is difficult to keep abreast of.

One of the basic premises of marketing most indie authors have adopted is having an author or brand website.

We use this as our home for all things bookish and publishing. We use it as the solid base from where we promote and market our works. To entertain and inform our readers, to attract ‘new’ readers to our books.

We spend hours creating, editing, altering, and polishing our websites to make them attractive enough to seduce people to buy our books. (Not to mention the costs involved in maintaining a good site.)

These sites are often treated as our ‘babies’. The hub of our author presence on the net, the web, and on social media.

However…

I love a ‘however’, so I’ll say it again.

However…

According to Vibe Media, your website, my website, most, if not all websites, are now archaic forms of internet interaction.

Soon websites, as we know them, will become superfluous.

They are becoming outmoded with every day that passes and will soon be redundant.

This got me thinking… and researching.

Now I agree.

This ground shift is happening, and it’s happening right now.

It’s all to do with effective connection to the masses.

You see a website, any website, yours, mine, theirs, is a static medium.

To get traffic you must attract people to visit your site. This means promoting the site, advertising, posting, and such.

Secondly, you need them to interact, buy, click links, comment, subscribe and, most importantly, and return frequently.

I don’t know your websites numbers, such as visitors, bounces, returners, or how long visitors spend browsing, or even buying stuff.

I guess it’s not as many as you wish, and not often enough, even if you have spent a fortune on learning about funnelling or paying a tech guru to assist you.

Author websites are good for storing a ton of information about you and your products/books, but not good for ongoing engagement in the marketplace.

I mean, when was the last time you found people working their way through your site’s archives and reading the information and posts? (I won’t wait for an answer.)

Taking into consideration you need to write and curate a ton of fresh content, constantly and continually. It’s a lot of hard work, especially when you should be promoting your books and writing the next.

Bearing this in mind, I agree with Vibe.

Websites are no longer the go-to places people look for engaging content. Especially the younger ones, those born since the year 2000.

This age group prefers online media, TikTok, Instagram, Snapchat, YouTube, Twitter, Tumblr, Live.me, and Facebook.

Of course, there’s more site our younger generations adopt; WhatsApp, Omegal, MeetMe, Yubo, Monkey, Whisper, and so on. These tend to be ‘Chat’ sites, many only known by the Gen X’s and Millennials.

Some of these are ‘self-destructing’, they erase all, (text and images) after a certain time making communication private… and possibly dangerous… I’ll just leave that one here.

So, what is the point of this post from our, the indie author position, and our rapidly becoming redundant websites.

It is for us to accept change is inevitable and to change our ways along with the inexorable shift. (Yep, it all happens so quickly ‘Nowadays’!)

I am taking a leaf out of Vibes marketing strategy. My author website will remain, but only as a repository for information, such as my library and author info.

I will not be promoting it as much as previously. I certainly won’t be spending hours creating and curating content, which after posting about new content, the initial flow of visitors dries up, meaning you need to do the same all over again.

Instead, I shall concentrate on creating posts I can post directly onto the social platforms where there are either substantial numbers of people hungrily devouring its content, or directly onto sites, pages, and platforms where I know my target market is engaging.

The time and effort in doing this will only equal, if not be less than the time needed to housekeep my website, or websites… some I’ll soon be closing, as time is more important to create quality media which will be seen, rather than simply tending to what was once my baby.

Although I doubt William Faulkner could have envisaged the internet, let alone social media, I do think his quote, “You must kill off your Darlings” expresses this concept perfectly, even if we need to interpret it in a new light.

Let me know your thoughts.

Keep Happy, Paul


While I still have a website! Please visit and browse through my books, artworks & Photography. I am certain you’ll find something you’ll enjoy reading or seeing.

http://bit.ly/paulswebsite

F**k your writing. Or…(an essay regarding the use of expletives and profane language in fictional writings)

In polite, or politically correct circles, one may refer to it as the ‘F word’.

This word first became a public literary issue after it was used in a major novel, Norma Mailer’s ‘The Naked and the Dead’, published in 1948.

Only, it was NOT.

Mailer’s publisher prevailed upon him to change this expletive; this four-lettered, description of sex, to ‘Fug’, so that it did not offend readers.

Given the fact the book is about men during a war, ‘Fug’ occurred an awful lot of times.

The result was a backlash, a cluster of criticism and discussion in literary circles. This gave rise to the anecdote about Tallulah Bancroft saying to Mailer, “Oh, you’re the man who can’t spell that word”.

However, times change.

Nowadays, the F-word has lost much of its ability to shock. Far fewer people are now offended by its inclusion in a book or, for that matter, in conversation. Still, authors often debate the role of ‘racy-talk’ in literature.

How much is too much? When have you gone too far, or not far enough?

Okay, before we get stuck with just this one word, let us consider the vast and rich palette of risqué words available, and to clarify their ‘technical’ differences. Once we can differentiate between profanities, obscenities, curses, and the like, it should be easier to determine how, why and if we should use them.

PROFANITY

Is often used to denote an objectionable word. ‘Profanity’ literally means words that are proscribed profane – that is words described by religious doctrine. ‘Proscribed’, in this context means ‘forbidden by written order’, such as, in Judeo-Christian tradition, taking the Lord’s name in vain (that is, not in Prayer).

“For the love of God, stop complaining,” or “Jesus Christ, look at the size of that thing.”

CURSES

These call upon a deity, or fate, to cause harm in a visitation.

(Mild) “Damn this zipper.”

(Strong) “God Damn her.”

‘Damned’ is to be condemned to Hell.

‘Hell’ can also be a curse, “Go to Hell,” or a mild profanity, as in “Oh, Hell, the rivers polluted again.”

SWEAR WORDS

To swear means to take an oath, or to proclaim an oath.

Now, for anyone uncertain about oaths, (married folk take note.) An oath is a resolution or promise which calls upon a deity’s assistance in carrying it out. (Think about how many are in your marriage now!).

Examples: “God is my witness, I’ll never go hungry again,” or simpler, “By God, I’ll show you.”

You can swear to bear witness, as in “I swear, you are the best cook in this town.”

OBSCENITIES

These are words that denote something disgusting or morally abhorrent. (Often connoting sex). The F-word is considered one of the most objectionable, along with the C-word.

The modern inclusion of adding the prefix ‘Mother’ often ups-the-ante.

Non, or less objectionable variants of the present participle form of the F-word, besides ‘fugging.’ include, fecking, freaking, flipping, and fricking.

To be honest, I have no idea why the letter ‘U’ is so ‘flaming’ important.

‘Screw’ is accepted as of the milder, and therefore more acceptable terms. Please note, both the F-word and ‘screw’ are used, not just used, to describe intercourse, but to connote ‘Taking advantage of’.

“That Garage screwed me out of £300 for unnecessary repairs.”

Generally, words referring to both male and female pelvic areas are considered obscenities.

VULGERISMS

I like this one because this word, this term, covers a lot of bases. If it is crude, objectionable, and falls outside the aforementioned categories, you have a vulgarism.

‘Bitch’, ‘Son of a Bitch’, ‘Bastard’, ‘Jackass/Ass, Asshole’, and even ‘Crap’, fall under this heading.

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Now…whether use should use, or not use, any (or all) of the above?

The literary world is divided around the use of spicy talk, which should not be surprising as our readers are equally split.

Take two ‘Tough-Guy’ authors, Lee Child, and Tom Clancy. Lee does not use any profanities in his writing. Most readers do not notice this. Whereas Tom’s books are littered with profanities…and he certainly sells a lot of copies.

Some readers may be turned off by even one, single, solitary curse word…possible? Maybe. But what is certain is that no one will buy your books purely because you use raw language. (Although at one time, years ago, they may have done so).

Does all this mean your safest path is to use no raw language at all?

Writing is a journey, and all journeys involve some form of risk. History proves some writers achieved success, or at least notoriety because they shunned propriety. Harry Caulfield’s ‘Catcher in the Rye’ was shocking in its era.

As you write, look for a balance with what you feel comfortable writing, what you, as the narrator feels is right within your style for this book, and what suits the characters and the story you are creating.

What may be right for one piece of work may be wrong for another.

Okay…Why ‘TO USE’

We humans get angry. We crave precise expression and there is something about cursing and using vulgar language that works for us as a release valve for our emotions.

Who has not, at some time, experienced a moment when a string of expletives has not felt exquisitely sublime rolling off your tongue?

The same is so for your fictional characters. Be true, be honest with them. Let them have their voice.

Moreover, if you want your stories to be realistic about the settings, battlefields, bars, and domestic disharmony, well-written raw language will bring your characters to life, and give them a heartbeat and authenticity.

HOW TO USE

Spicy language works best when it’s used sparingly, or at least in moderation. That way, you preserve the element of the unexpected, which can be a pressure-reliever for both character and the reader. Aside from conveying anger or frustration, raw talk can also be humorous, in that it reveals how a character truly feels about something.

Take this line for instance: “I ate another doughnut.”

Compare it with: “I ate another goddamned doughnut.”

You instantly get a clue about this character and her relationship with doughnuts.

You may have one character who habitually uses profanity, in contrast to others who don’t. That, in itself, is a good individualiser.

If you, yourself, are not too familiar with foul language, a problem can occur when used wrongly, or as often happens with inexperienced writers, it is thrown in will-nilly. If it is used it MUST sound real. If you are uncertain, try visiting areas where this language is commonly used, construction sites, wharves, military establishments, and prisons for example. Grab a coffee in a nearby café at lunchtime and eavesdrop on the clientele’s conversations.

However, a word of warning. Even if, say a group of Miners, use an expletive every other word, it is unnecessary for you to make your own characters speak exactly that way. Just as when using dialects and accents, you must use raw talk wisely. This helps keep the reader grounded in your imaginary world and avoids the pitfalls of over-use/overdoing it.

Consider your characters, and employ common sense.

A hospital Matron, wearing a starched linin apron, may not utter a single un-PC word in public, but she may let loose a barrage in the principal’s office over a dispute, or howl out a string of profanities during sexual fulfillment.

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How NOT to USE

I mentioned some writers, Norman Mailer and Tom Clancy, who chose to include bad language in their works, but they pale into insignificance when it comes to the literary genius. The bard himself, William Shakespeare, knew how to spice up his writings, and attract an audience in doing so.

He wrote the mother of all literary cuss-outs. (Cuss is simply a variant of Curse), in King Lear; but interestingly there is no profanity or obscenity as we know it, merely terrifically imaginative vulgarisms, delivered with passion. Here it is, the Earl of Kent preparing to thrash the crap out of Goneril’s loathsome lackey, Oswald:

KENT (TO OSWALD): “A knave; a rascal; an eater of broken meats; a base, proud, shallow, beggarly, three-suited, hundred-pound, filthy, worsted-stocking knave; a lily-liver’d, action-taking, whoreson, glass-gazing, super serviceable, finical rogue; one-trunk-inheriting slave; one that wouldst be a bawd in way of good service, and art nothing but the composition of a knave, beggar, coward, pander, and the son and heir of a mongrel bitch, one whom I will beat into clamorous whining if thou deniest the least syllable of thy addition”.

Knowing the historical references helps; for example, “broken meats” means leftover table scraps. But even without that, we can luxuriate in the rant. This is a beautiful speech for many reasons: It’s forceful, it’s unique, it covers many aspects of insult, it clearly communicates one character’s contempt of another, and, important for many in Shakespeare’s audience, it avoids serious curses and obscenities.

It’s a shining example of how a writer can invent insults way more entertaining than those found in the standard lexicon.

You can do it by brainstorming aspects of your characters and their circumstances:

“He was as appealing as a baboon’s butt.”

“You are the worst thing to happen to the world since call waiting.”

“May you be condemned to an eternity of weak coffee, warm gin, and a driveway paved with roofing nails.”

By now, I think you will agree that it’s useful to explore, and even challenge, your own comfort zone.

Certainly, if it is not you, it won’t ring true. But whether you decide to write common curses and vulgarisms or not, your characters do need a verbal pressure valve. Do not use tacky asterisks to replace vowels. Just have fun with the process and remember that a ‘fug’ by any other name might sound remarkably original.

NOTE.

If your novel purports to reflect real life, then it must include profanity, if the life they reflect includes the use of profanities.

Let’s get real folks, you may have grown up in an era when books and movies were censored, but do you really think that in the Old West, cowboys actually said “You no-good-so-and-so,” before drawing their six-shooters and blowing holes in one another?

Did the troops, dug into their foxholes during WWII, always speak to each other in such a decorous manner?

I think not.

Some popular entertainment admittedly goes OTT in drenching dialogue in profanity, such as in the awful opening sequences of ‘Born on the 4th of July’, but that is an exaggeration, not a fabrication, of reality.

So, why do people swear?

This will not cover any unfamiliar territory. I expect every angle regarding this has been covered in every bar, in every corner of the world.

People swear because most of the profanity is emotionally charged. It can express anger, fear, sadness, joy, despair, frustration, ignorance, racism, homophobia, ageism, violence, sexism, and all the other ‘isms’ and ‘tions’ you can name.

Occasionally, a swear word can encompass all the above in a single word. That one word can grab people’s attention like no other when timed appropriately and, let us face it, very few things are quite as entertaining as listening to a person who has raised profanity to an art form.

You may disagree with those statements. I do not give a flying fug… see what I mean.

When you read that you do so as if I had written the word in full. Even though I ‘bleeped’ it out of your mind by supplying alternative details. Now your reaction was either positive or negative, depending on your personal personality. But you reacted.

As I mentioned above, nothing groundbreaking. Just a prelude to the answer you are seeking.

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‘Should YOU use profanity in YOUR writing?’

Writing is a process that takes pieces of us and puts it ‘out there’ for the world to see. It does not matter if you are writing literary fiction or genre fiction. Every character, setting, plot, and sub-plot reveals a little about who we, as writers, are.

I doubt, very much, if a single day passes without you worrying about what you are writing.

(Read that again if you wish, I’ll wait.)

You see, every word we scribe invites judgment, criticism, commentary, and, introspection. When we write something which surprises us, we often, most times, question where it came from.

That is because we writers are a self-conscious group. We are often scared of rejection. But if we filtered every word, considered the perception of each sentence through, say our mothers, or fathers, minds we would write nothing. Nothing at all.

What we have, what is so special, so personal, is that little bit of ourselves we add to the mix. Some reveal themselves in the plot, some in character, but most in the voice, in the narration, in our storytelling. That is where much of our fears lie, in revealing too much of ourselves, exposing our innermost to ridicule and rejection.

BUT… if you do not add it to the mix the reader will smell you coming from a mile away. You will be small like a fake, read like a fake, and be discarded as a fake.

So, how does that answer the question about using profanities in your writing?

CONSIDERATIONS

As a writer, you need to be true to yourself. You need to be true to your characters and voice. But don’t forget the other people you need to be true to:

Your Audience/Genre – If you forget who your audience is, for a single sentence or word, you will have lost them. If your audience demands a lack of profanity, then you had better not allow profanity to slip into your work. Not unless you are OK with alienating the very people you are trying to reach.

Your Editor – Your editor wants you to succeed. Your editor wants you…needs you…to sell books. You ignore your editor’s advice at your own peril.

Yourself – I know I have said this, but I repeat it here for a different reason. If profanity is something that you are personally uncomfortable with then you will sound fake if you try to use it, regardless of the character in question. In fact, if a lack of profanity is one of your defining personal characteristics, then your characters will sound fake if you use it. Because your characters are nothing more than an extension of yourself. An audience can smell a fake a mile away. Be true to yourself, whether that means using profanity or avoiding it.

I am not going to tell you the world is going to smell like roses after you write something that raises people’s eyebrows. Especially if those eyebrows belong to people who are closely related to you, or who travel in social groups that are important to you. But you did not become a writer to fit in, did you?

I hope not.

Your writing has a chance to entertain, to move, and bring people together.

It has a chance to shine a light on topics you care about in ways other writers have not.

It also has a chance to alienate you.

There is a chance your writing will be considered so offensive that society wants nothing to do with you. It is doubtful it will ever get that bad. Yet all writing is taking a risk. Every time you put pen to paper you are stripping down and getting naked in front of the world.

There is never going to be a time when you do not question, at least once, “should I have written that?”

Recently, I have read plentiful cursing in Stephen King novels, Nora Roberts books, and even (very sparingly) in John Grisham stories.

I have seen the use of cursing in both genre fiction and literary fiction. In some books just a little and in some a fair amount.

So, in full and final answer to the question… You are a writer. Welcome aboard the crazy train.

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© Paul White 2016


Love reading? Then check out Electric Eclectic books.

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Fantastic Journeys Into Fantasy

I am very happy to have Mr. Tom Fallwell, a friend and fellow ‘Awethor’ as my guest blogger today.

Tom is a fantastic writer of captivating and enchanting fantasy fiction, including his latest book ‘Where Shadows Fall’

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There are many genres for stories. Whether they are told in books, in novels, in games, or some other format. There are just as many fans with the same variety of tastes that clamor for them. I have a great passion for reading and watching movies both, and I read and watch many different genres, but there is one that I find the most enjoyable, Fantasy. So what is it about this particular genre that grabs me? What makes it my favorite? There are many reasons, but if I had to describe why in one word, it would be “limitless”.

I don’t read to escape real life. In fact, I like my life, so I have no desire to escape it. I read for one reason, entertainment. The same reason I watch a movie or a television show. I am simply desiring some moments of entertainment. With a movie, it’s over in a couple of hours, but with a good novel, I can spend days, weeks maybe, reading, and that’s even better. So, my sole reason is for entertainment, and the more entertaining, the better.

Fantasy, as a genre, provides me with a vast universe of entertainment. I can go anywhere, be anyone, do anything. There are no limits in fantasy. No hard cut rules that must be followed. Fantasy can take you into the past, to the present, and even into the future. It can happen right here in our own world, or it can take you to a whole new world beyond imagination. Any possible race can be portrayed in fantasy, any possible creature, any possible setting.

I think, more than anything else, it is this limitless macrocosm of possibilities that make fantasy my genre of choice. I had one reader of my first novel, Dragon Rising, once tell me that my characters having quivers was incorrect, that they did not use quivers in medieval times. I thought, “What medieval times? This is another world, not ours. Of course they can have quivers”. Fantasy is not bound by such rules, at least not in my mind.

It is the unbound possibilities that draws me to fantasy. Sure, you can do the same with other genres, like science-fiction, but with those other genres, you have to make a plausible explanation about why or how. With fantasy, you can just say it is, because it is. Readers may have different views, like the one who thought I should not use quivers, but there are just as many readers that will not even think of such a limitation. So fantasy gives me a sense of freedom in writing that I don’t find in other genres.

Limitless boundaries to a limitless imagination. That is what fantasy is to me. Are you a fantasy fan? Why do you like fantasy? Feel free to tell me, or ask questions about my books. Stop by my website and use the Contact Form to get in touch. I would love to hear what you think. Happy reading!

Tom Fallwell

 

Visit me at my website or on Facebook.

http://tomfallwell.com

http://facebook.com/TomFallwellAuthor

Books by Tom Fallwell

Dragon Rising: http://www.amazon.com/dp/B00RGZU56Q  

A Whisper In The Shadows: http://www.amazon.com/dp/B00VYL2426

Where Shadows Fall: http://www.amazon.com/dp/B00VYL2426

 

Don’t let the rain drown your novel

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Too many times do I read the same old, same old, scene.

It’s raining, grey clouds overhead. Drizzle, cold wind.

Why?

Because it is a funeral, or someone has discovered a friend’s death.

OR

There is a tempest, heavy rain, thunder, lightning. Gale force winds rattling the windows.

Why?

Because its eerie, a big house, a derelict building, a graveyard. Or the cars broken down on a country road.

OH, PLEASE. Come on. Enough is enough.

I know you want to set the scene, make the reader ‘feel and see what is in your mind. But not like this; not again.

Hollywood and television overworked this format years ago. Mary Shelly used it way back in 1817… (yes, I know Frankenstein’s Monster was not published until 1818. 11 March 1818 to be precise! but Mary completed her work in May 1817).

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After that, I can understand some writers utilising Mary’s techniques (which she stole anyway!); but that was almost two hundred years ago! Surely you can work your wordsmithing magic without falling back on this old literary cliché?

Let’s take a look at the graveside scene again. This time, dismiss the notion of grey skies and rain.

Try and build that ‘feeling’ you want, let’s say, for this exercise, sadness and sorrow. (Although in another version it could be joy and relief, dependent on your character’s viewpoint).

‘The solemn parade of black clad mourners slowly crunched their way over the gravel and melted into the dimness of the church, passing under the gothic arches of time worn stone’.

Here the tone is set using a few simple, but descriptive words, to create the mood. ‘Solemn, black, mourners, slowly, melted, dimness, gothic, time-worn’ All carefully selected words that imply the general emotion of the procession.

An alternative may be something along these lines.

‘James glanced at Mary, her eyes glistened as tears formed. Small dew-drops of sadness sparkling, reflecting in the sunlight. The scent of yew trees and grass added to James’s sense of numbness as he watched the coffin being lowered into the grave’.

IMG_4424Approaching the scene from an oblique angle often offers the author an opportunity to ‘drip-feed’ the reader, only giving them a small bite sized piece of the overall scene with each sentence. This allows for an element of surprise, or revelation.

Neither of the above paragraphs have fallen back to the old ‘grey sky and rain’ chestnut. Yet they convey the very essence of emotion which one wishes to communicate with the reader.


 

Onto the scary stuff!

The haunted house? The killer lurking in the dark woods, the stranded car on that country lane.

Hey, guess what?

You’re right, it’s NOT raining here either! No lightning, no storms and no doors banging in the wind.

So, how to get away from those ‘same old, movie style embedded notions’.

Well, let’s try. Let’s start with an approach to that (possibly) haunted house or old barn.

‘Two huge stone eagles balanced precariously on the dilapidated columns. The bindweed twisting about their talons as if securing them, denying them of flight. Framed between and beyond stood the old mansion house. The bright sunlight reflecting from the walls enhanced the blindness of long lost windows. Empty hollows, gaping holes beckoning us towards them’.

Locals say the owner of Ohio’s Milan Mansion was a practicing witch.

Note the ‘bright sunlight’. This time using the opposite, of what has become expected, to enhance the ‘darkness’, the brooding mood.

Not a raindrop in sight and the clock is not about to strike midnight!

As for breaking down on a country lane, perhaps having to abandon your vehicle to seek help…Let’s attempt to approach this in an unexpected style too.

‘He had been foolish for stopping; but nature would not wait and the hedgerow of holly offered the ideal shelter to hide behind while he answered her call. The car was going nowhere. The tyres just spun in the deep snow. With each attempt they sank lower until now; now the car was axel deep. He was stranded.

In the far distance the occasional puff of smoke drifted upwards into the crystal blue, cloudless sky. Turning his collar up, ramming his hands as far into his overcoat pockets as they would go, he started to plod through ankle deep snow towards the smoke. Gregory guessed it was from a cottage chimney. How wrong he was…’

Here I have constructed the paragraphs to portray a relatively normal situation, feeding the reader small tidbits about the weather, not only to ‘set the scene’, but as miss-direction, so that I can increase the effect of the final few words.

I beg you, if you are about to write, (or re-write), a section of your novel where you have been sucked in by the old ‘rain & storm’ caper, alter it. Dismiss the rain; freshen up your narration, pleasantly surprise your readers with something new and exciting.

Please do not let the rain make your book a wash-out.

Thanks for reading, Paul

Feel free to comment, leave feedback and ‘follow’ Ramblings from a Writers Mind.

Oh, don’t forget to read the new edition of CQ Magazine. It is jam packed full of great ‘stuff’!

https://issuu.com/ramblingawaymagzine/docs/cq4prt1_1_2016

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HOW TO “WRITER”

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Originally posted on http://coolerbs.com/  (Now updated & re-posted here!)

 JANUARY 17, 2015

 

For everyone who wants to be a writer, I present the honest answers to all of your questions:

What are writers?

People who write words, preferably ones that chain together to mean something.

Can I become a writer?

Yes.

Who can be a writer?

Anyone.

Is (blank) a writer?

Does that person write words? If so, then yes.

How do I become a writer? 

Write.

What do writers do?

Write.

How do I become a professional writer?

Write for free until someone offers to pay you for it. Then, write for them.

Does writing take practice?

Yes. Everything takes practice.

Do writers make a lot of money?

BWAHAHAHAHAHAHAHA… not usually.

Will I become a professional writer?

Statistically? Probably not.

Do I need to write every day?

You don’t need to, but I recommend it.

Do writers need to read books?

Yes, constantly. How do you think we manage to get all of those words into our heads?

What is the worst thing you can do as a writer?

Mass murder.

Can I make a living as a writer?

That really depends on what type of writing you want to do. Fiction writing is really risky and hard. You could crash and burn at any moment, and that’s assuming you manage to get off the ground at all. Ghostwriting or technical writing, on the other hand, is fairly consistent work, and pays decent. Editing, which is sort of like writing in its own way, also pays well. Writing for a website is actually feasible, but the website has to be really successful. It’s entirely possible, but it’s an upward battle.

Will writers exist in one hundred years?

I hope so.

Why are writers important?

Because, without us, all you would have to read are the labels on food packages.

Why do writers not like people?

We like people! We just don’t like being around people.

Does writing give you a God Complex?

Yes.

Why are writers crazy/depressed/weird?

Couple of reasons:

  • We’re isolated all the time, partially by choice.
  • We create and kill fictional people.
  • A combination of crippling self-doubt and an over-inflated ego.
  • We’re constantly told we’re supposed to be crazy.
  • We’re in our heads all the time, and sometimes we forget to come out.
  • We have to wait for things to happen without any guarantees.
  • We have to survive on the money we make writing.
  • Critics.

Why are writers alcoholics/drug-users?

That’s a stereotype.

How do I write a book?

In no particular order:

  • Write thousands of words.
  • Rewrite thousands of words.
  • Overcome writers block.
  • Create a plot.
  • Create characters.
  • Create conflict.
  • Cry a little.
  • Fight carpal tunnel syndrome.
  • Learn about yourself.
  • Learn about what it means to be human.
  • Cry heavily.
  • Spend years on it.
  • Spend more years on it.
  • Procrastinate
  • Write an ending.
  • Rewrite nearly everything.
  • Have a party
  • Finish the book.

What is the best genre to write?

If you’re going by sales, then probably Erotica or Young Adult Dystopian Fiction.

Can I write about Werewolves/Vampires?

Yes, but I won’t like you very much.

What should I write about?

Really? You’re asking me? If you don’t already have hundreds of ideas, then I think you are in the wrong line of work my friend.

What is a “Muse”?

A little voice in our heads that tell us what to write about.

What is “Writer’s Block”?

When your “Muse” stops talking to you.

How do I know when I’m done writing a book?

When it’s the exact story you want to tell, and has absolutely no grammar errors, spelling errors, font issues, size issues, formatting mistakes, or plot holes.

Self-Publishing or Traditional?

Both are fine. Choose what you think will work better.

Do I need to get my book professionally edited?

Yes.

Do I need to get it professionally illustrated?

Yes.

Do I need to get my cover professionally made?

Yes.

What’s a first draft?

The first version of a book, before you go back in and tear the whole thing apart, fixing errors as you go.

How many drafts are there of a book?

As many as needed, sometimes more than 10.

Will my first book get published?

Unlikely. Sorry.

Am I going to become famous when I publish my first book?

No.

How do celebrities write books?

They don’t. Usually a ghostwriter does it for them.

How does James Patterson and Stephen King write so many books?

They write all day. Every day. Till their fingers bleed, heal, and then bleed again.

What is NANOWRIMO?

A contest where you have a month to write the first draft of a book.

What is a manuscript?

According to Google:  “A manuscript is any document written by hand, or manually typewritten, as opposed to being mechanically printed or reproduced in some automated way.”

Why does no one like my writing?

I’m sure someone likes your writing.

Am I a good writer?

Possibly.

Am I a great writer?

If you think you’re a great writer, then you’re probably not. The greats are hyper-critical of themselves.

What are the downsides of being a writer?

  • Eye strain.
  • Loneliness.
  • Hand cramps.
  • Back cramps.
  • Self-doubt.
  • Awkward at parties.
  • Madness.

What are the upsides of being a writer?

The things you create are immortal.

How hard do writers work?

Harder then you could possibly imagine.

Is it worth it?

Yes.

Rambling from a Writers Mind now gives you the best Amazon deals around.

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Revealed. The websites no Writer or Author can do without.

As we all try and make sense of the process of writing and publishing our books many of us find particular hosts, sites, programmes and applications which, at least at first, look as if they will aid us, help us reach our goal of producing a great work.

A work which has minimal mistakes if any at all. One that is beta read, proof read, edited and formatted to near perfection as it is possible to achieve.

We are the creatives, the dreamers, the weavers of fantasy and make-believe. It is an often lonely and arduous task. So anything we can find that will allow us, help us accomplish our tasks more efficiently, even in an easier way must be welcomed.

The same is true of marketing, of promotion, of finding ways to put our carefully crafted works of magical wordcraft in the eye line of potential readers, those strangely elusive souls who may be the ones, when suitably tempted, to put their hands into their pockets and withdraw a handful of mysterious tokens called ‘coin’.

.

RumpledSheets-1024x656Oh the dreams of easy writing, of superb marketing strategy and wondrous, ever climbing sales……yeh okay…you can wake up now!

However that is not to say that there are a number of sites and services that can actually help, albeit to varying degrees.

I for one am of the super sceptical when it comes to paying for a service, particularly when it is (from my point) untried and untested.

That means putting my faith in promises. That means believing marketing bumf and advertising. Not something I do lightly, particularly if I am to be parted with hard earned cash, even hard-yet-to-be-earned-cash.

So I am ever cautious.

In fact I have been so very careful you can call my a ‘tight-wad’ if you wish; but to date I have Indie published five books; Empty Walletone full length novel, one long-short-story eBook, two books of poetry and a very dirty adult erotic anthology. I have also contributed to four collaborative anthologies and produced two stories for a website/video site. Yet I have not spent a bean, not a single Penny, a loose Dime, an odd Rupee on anything.

Honest.

I have written, read, re-written. I have had my stories beta read and edited. I have formatted them. I have designed all my own covers, promoted, marketed and sold them all off my own back. I consider myself a truly independent author and publisher.

No, I have not made a fortune (yet!), neither have I, as yet, created an ongoing passive income large enough to see me through retirement until the day I shuffle off this mortal coil….but I am working on it!

I carry this ‘Modus Operandi’ onto the things I do to help others.

small buttonMy book promotion site ‘Sneak Peek’ offers free listings. I re-blog on ‘Brilliant Blogshare’, ‘Ramblings from a Writers Mind’ & ‘Further Ramblings’ and carry others stories on ‘A Little more Fiction’. FeaturesAwards note2 and Showcases in CQ Magazine are also offered at no cost. I will suggest, coach, aid and do whatever I can to help other authors and artists all without thought of personal gain.

I cannot promise that the way I work would be right or suitable for you. You may well be far more eager for returns and results than I. You may not think you have the skills or the knowledge, or have the time to learn, or the time to commit. So I am not going to get into a ‘how to’ or a ‘how I achieved’ thingy!

Nor have I, or do I, intend to write a book on the subject!

Neither am I asking for you to pay me to tell you what or how I have done what I have. Those of you who know me will know that is not what I am about, it is not how I ‘tick’.

What I do enjoy, what gives the greatest satisfaction is helping others achieve their own dreams, goals, or targets or whatever term you want to use. Put simply I like to help everyone to be happy.

So on that basis I am listing here the websites and services that I use, have used, intend to use, or think could be beneficial at some point.

The overriding fact is that ALL of these are FREE, or have a free basic level with options to upgrade to a paid level(s) at a later stage if you wish. That ‘if you wish’ is all important. It is open-ended, no trail periods, no right to cancel at some future point. IF YOU wish to upgrade to utilise other services that is YOUR choice not theirs.

I guess I have said enough about my principles on this subject so that you get my gist!

So OK. Here is my list and my brief reasons for using and/or liking these sites/hosts. They are not listed in any particular order or categorised in any way, so it is best if you read through them all and choose which you wish to use (or not!).

I do hope that you will find at least one helpful or useful to yourself.

.

  • http://www.howmanysyllables.com/ Love this site. Syllable dictionary, syllable counter, Poetry workshop, English Grammar & more. No poet should be without this site in their armoury.
  • http://authl.it/ If you publish in Kindle format this site is indispensable. Create multi-region Kindle book links.
  • http://nibbler.silktide.com/ I use this to safeguard my research. Tests the quality, safety and security of most websites. Don’t browse unsafely, use this as an additional aid to stop malware, phishing etc.
  • https://www.canva.com/ Not a bad site for some basic image layouts for social media etc. Not a image editor, but good fun.
  • http://www.qrstuff.com/ QR code generation. Download, print, email, even print on ‘tee-shirts’! Use QR codes on back cover of you books, bookmarks & all promo material to lead to your website etc.
  • http://authorsdb.com/ Author profiles & book listings….but more…cover competitions, community, promotional stuffAUTHORSdb, services & more. One of my favourites. Contactable, responsive. Site takes some navigation but the end result is worth it.
  • http://www.authorgraph.com/ Get and send your autograph to your eBook readers. Worth checking out & using as an extra marketing tool.ag_logo-e82121c0b20665eb28fa8a9be15d7572
  • http://www.wix.com/ I think this is the best free website on the market at present. Lots of additional features like blogs and ‘shoutouts’. Premium available but as a single person author I have not sensed the need to upgrade yet.

I Love WordPress

  • https://wordpress.com I think the best blogging format at present. I also use WordPress for Sneak Peek.
  • https://about.me If you do not have an ‘aboutme’ page go get one NOW. This is the webs new ‘calling card’. Honestly get your page now, like today…go on…go do it!
  • http://promocave.com/ Love Promocove. Book promo & author profile etc. But much more. Best go take a look. J6_2_IJCFriendly and responsive team too.
  • https://takeasneakpeak.wordpress.com/  OK, so I am biased here large buttonthis is my book promotion site primarily for indie authors. its FREE, so you have absolutely nothing to loose and only new readers to gain. I’ll say no more!

Ok that will do you for now. I am not giving ALL my secrets away!

Any questions, comments, feedback or if you know of any other sites that are free and good, please leave a comment or email me.

Cheers, Paul.

How do your characters move?

Three men wearing masks,and holding guns while running(blurred motion)

It has been far too long since I have written a new post for this blog. The reason is that I have been busy writing my own stories for future publication.

During this time, as I reviewed and edited, I noticed how often I fell into the same trap as many others writers.

You see, as we writers scribble down our words our poor little fingers cannot keep up with the flow of information coming from our minds, so we tend, at least in the first draft, to use words, or a set of words which are the easiest, it is not a matter of laziness, because we know that we shall have to come back and make adjustments and corrections. It is simply a way of getting our thoughts on paper (or the computer screen).

But how dull, how boring and undescriptive that leaves our work, and how darned repetitive is ‘she said, he said’ or ‘he walked to the door, she walked to the door’. Yet it is often the way one must scribe their initial thoughts before they flit from our minds and disappear forever into the gloom of the forgotten.

My pet hate, the one I shall address here, is about movement, the descriptive movement of the characters which inhabit the fictitious worlds of our stories.

When I read that someone has ‘suddenly stood up’ or ‘started to walk to the door’ I cannot help but cringe.

No one ‘suddenly’ stands, they either stand or they do not.

No one ‘starts’ to walk, they either walk or they do not.

So my friends I have a little, sorry, a rather long list of possible alternatives which are far more descriptive. This is not, in any way, a definitive list, but merely an Aide-mémoire to help when we have a ‘mind-block’.

(For simplicity you will see they are all ‘he’-‘she’, but you will get the gist!)

I do however hope you find it useful, or in the least suggestive. Feel free to cut/paste/copy/bookmark or whatever you will. I have, after all, written this to help us all.

THE LIST!

he lowered his head

she hung her head

he ducked

she bowed her head

he covered his eyes with a hand

she pressed her hands to her cheeks

she raised her chin

he lifted his chin

her hands squeezed into fists

his hands tightened into fists

she clenched her fists

she balled her fists

he unclenched his fists

her arms remained at her sides

he shrugged

she gave a half shrug

he lifted his shoulder in a half shrug

she gave a dismissive wave of her hand

she raised a hand in greeting

he waved

she held up her hands

he lifted his hands

she held up her palms

he threw his hands in the air

she brushed her palms together

he rubbed his hands together

she made a steeple of her fingers

he spread his hands

she gesticulated

he waved his hands

she clapped her hands

he snapped his fingers

she held up a finger

he pointed

she gestured with a thumb

he jerked his thumb toward…

she extended her middle finger toward him

he gave her the finger

she gave him the thumbs up

she put her hands on her hips

she shoved her hands in her pockets

he jammed his hands in his front pockets

she rested a hand on her hip

she jutted out her hip

she folded her arms

he crossed his arms over his chest

she hugged herself

he wrapped his arms around himself

she rocked back and forth

she spread her arms wide

he held out his arms

she held out her hand

he extended a hand

he shook his head

she nodded

he bobbed his head

she tilted her head

he cocked his head

she inclined her head

he jerked her head in the direction of…

she turned her face away

he looked away

his breaths quickened

she panted

she was breathing hard

his chest rose and fell with rapid breaths

she took in a deep breath

he drew in a long breath

she took in a sharp breath

he gasped

she held her breath

he let out a harsh breath

she exhaled

he blew out his cheeks

she huffed

he sighed

she snorted

she laughed

he giggled

she guffawed

he chuckled

she gave a bitter laugh

he gave mirthless laugh

she tittered

he cackled

she rubbed her shoulder

he kneaded his shoulder

he rolled his shoulders

she tensed her shoulders

he massaged the back of his neck

she rubbed her temples

she rubbed her hands on her thighs

she ran her hand through her hair

he threaded a hand through his hair

he raked his fingers through his hair

he shoved his hair back away from his face

she toyed with a lock of hair

she played with her hair

she twirled her hair

she wrapped a curl around her finger

she tucked a lock of hair behind her ear

she undid her ponytail and shook out her hair

she tossed her hair

he buried his hands in his hair

he stroked his beard

he scratched his beard

she tugged at her earlobe

he bit a nail

she chewed on a cuticle

she picked at her nails

she inspected her fingernails

he plucked at the cuff of his shirt

she picked a piece of lint from her sleeve

he adjusted the lapels of his jacket

she fiddled with her earring / bracelet

he twisted the wedding ring on his finger

she played with her cell phone

he tugged at his shirt collar

he adjusted his tie

she smoothed down her skirt

she scratched her nose

he scratched his head

he rubbed his forehead

she rubbed her eyes

she pinched the bridge of her nose

he held his nose

she slapped her forehead

he smacked his forehead

he facepalmed

he slapped a hand over her mouth

she covered her mouth with her hand

she pressed her fingers to her lips

he held his finger up to his lips

he rubbed his chin

she pressed a hand to her throat

he clutched his chest

he leaned against the wall

she bounced on her toes

she jumped up and down

he tapped his foot

she stomped her foot

she folded her hands in her lap

she drummed her fingers on the table

he tapped his fingers on the table

he slammed his hand on the table

she pounded her fist on the table

she set her palms down flat on the table

he rested his hands on the table

she set her hands on the table, palms up

he leaned back in his chair

she hooked her feet around the chair legs

he gripped the arm of the chair

she put her hands behind her head

he put his feet on the desk

he fidgeted

she jiggled her foot

he swung his leg

she crossed her legs

he uncrossed his legs

she crossed her ankles in front of her

she stretched out her legs in front of her

he sprawled out

he put his feet on the desk

she cringed

he shuddered

she flinched

he shivered

she trembled

his body shook

she cowered

he shrank from…

she huddled in the corner

he pulled away

she jerked away

he turned away

she jolted upright

he stiffened

she straightened

he tensed

he jumped

she jumped to her feet

he stood up

she rose from her seat

she relaxed

he hunched

she slouched

her shoulders sagged

his shoulders slumped

she wilted

he went limp

he rolled his shoulders

she squared her shoulders

she clasped her hands behind her back

he puffed out his chest

she thrust out her chest

he propped his chin on his hand

she rested her chin on her palm

he yawned

she stretched

he turned around

she whirled around

he pivoted

she reeled

she stepped away

she drew nearer

he leaned closer

she inched forward

he loomed closer

he paced

she shifted from one foot to the other

he swayed on his feet

she dragged her feet

she pumped a fist

he thrust his fists in the air

she punched the air

Seven indispensable sites no Author or Writer should be without.

writers-block As you will know, the normal style of my posts are to bumble away rather randomly about various topics or subjects which are playing on my mind at any given moment. This post is not one of those. I believe, at certain times there comes a point when a more direct approach serves better. This post is one of those! I hope you find it informative and useful. Please let me know, thank you, Paul. No matter how an experienced writer we are we always, I will say that again, ‘Always’ need help, assistance or guidance at some point during the writing, editing, publishing or marketing process. Over the years I have been writing I have amassed a collection of various sites which I find invaluable. I have mentioned some of these in a previous post, http://wp.me/p5nj7r-8h & have also shared Melanie Rockets blog http://wp.me/p5nj7r-86 which I hope you will take a look at as it contains so much useful information. I have not however, until now, shared other sites which I use on a frequent basis. These are a rather eclectic collection covering a wide range of topics, not all are directly connected to the actual act of writing, but all are indispensable as far as I am concerned.


So here they are, in no particular order!

How many syl-la-bles I enjoy this! It is primarily an educational site for teaching poetry, but take a look at all the helpful pages like the Syllable counter, syllable dictionary, English grammar, How to count syllables, poem workshop and teaching resources. I am certain you will find some things more than helpful and keep returning as I do. http://www.howmanysyllables.com/poem_syllable_counter_workshop/


Author It. For all with eBooks this is a great app. It creates a ‘short link’ from your books ‘ASIN’ so when a potential reader clicks on the link it takes them to an intermediate window which shows the national flags associated with each Amazon server. The reader just ‘clicks’ on the relevant flag and is directed to the correct countries Amazon site for purchasing your book. So no more searching and listing a whole host of links, this one does the lot! I recommend you check this out. Helpful Authl.it is brought to you in association with the Kindle Users Form. Authl.it is designed to make linking and promoting Kindle eBooks as easy as possible worldwide. With our system you can easily generate a single link to direct your readers to the Amazon store for their country or region. http://authl.it/


. Writing World. SO much I could say about this site, it is just a MASS of info. Apart from comprehensive info about writing, from beginners to experienced, this site has information on dealing with rejection, writers block, writer’s life, time management & so much more It also covers Genre writing, children’s writing, flash fiction, non-fiction writing, travel, memoires and more. There are inclusive articles on Syndication, freelancing columns, journalism and…..lots more too! Publishing, social media & reviews & releases. And that is just for starters! This is a MUST site. But do not just take my word go take a look yourself! http://www.writing-world.com/rights/rights.shtml


Freelance fees. What should you charge for an article in a magazine, or for public relations or maybe for digital media? Do you have any idea? What about cancelation charges or fees? Bet you have not thought about that. Well these folk at London Freelance have and it is all shared with you right here. http://www.londonfreelance.org/feesguide/index.php?&section=Welcome&subsect=All&subsubs=All


Writers Workshop. Established in June 2005, The Writers’ Workshop is the world’s leading consultancy for first time writers. They offer professional feedback on your work, run courses, host events, provide a mass of free advice, and – when you’re ready – They can use their extensive connections to find the literary agent who is right for you. I need to say no more! http://www.writersworkshop.co.uk/agents-advice.html


QR code generator. A bit of fun and another great way to get interactive with your potential readers, use the QR code on the back of your book to get readers to view the trailer for you next novel. Or simply link it to your website or author page. It is up to you. http://www.qrstuff.com/


Add this. A host of smart website tools for WordPress. Take a look and choose your weapons! https://wordpress.org/plugins/addthis/faq/


These are all sites that I use on a frequent or regular basis. I have found each one advantageous and effective for my needs, so you could say they are ‘tried & tested’ by Moi!


Thanks for reading, I am open to all feedback and comments. I welcome new followers so don’t be shy at pressing that ‘Follow’ button! Have a great day, Paul.

A piece on the noble art of writing ‘Flash Fiction’.

flashfiction2

Basically flash fiction is a short form of storytelling.

Trying to define it by the number of words is a futile exercise. Purists may give a figure of 100 words, but that is arbitrary at best.

For most a story of under 1,000 words can be considered flash fiction, some even stretch this number to 1,500 words.

What is generally accepted is that ‘flash’ is an extremely short medium in which the writer must tell a complete story. Fragmented tales are not tolerated.

The challenge is to tell the tale in a way that every word is absolutely essential, discard all words which can be considered superfluous, leave only the gleaming white bones of direct narrative.

thediplomat_2014-04-05_04-34-09-386x258

Ernest Hemingway stated this wonderfully in his (over-quoted) dictum referencing an iceberg: Only show the top 10 percent of your story, leave the other 90 percent below water to be conjured.

Although it is a rather worn and overworked cliché it is one that should be born in mind when writing flash fiction.

Flash fiction is not a new phenomenon created by social media or the internet, it is an ancient writing form which has existed for millennium.

Some other names for this form of writing are: Sudden, fast, quick, postcard, minute, furious, and even skinny fiction!

The French often term this as ‘nouvelles’.

In China, pocket stories, minuet longs and palm-sized writings are frequently used terms.

download (2)I have also heard flash fiction referred to as ‘smoke stories’. A reference that it only takes as long to read a flash story as it does to smoke a cigarette!

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I know that this is a very short post in comparison to most of my ‘Ramblings’, perhaps it should be called a ‘flash blog’?

Thank you for reading this, enjoy the rest of your day.

I the meantime I shall leave you with a little ‘micro fiction’ piece which was inspired by the aforementioned Mr Ernest Hemingway.

‘Colt45. Used only once. Includes 5 shells. Sale due to recent bereavement’.

© Paul White 2015

Why not mosey over to my other blog ‘Further Ramblings and read some irreverent ruminations.

Understanding Black. (Notes for writers).

Vanishing-Flame-Wallpaper-black-28305469-1024-640

Be it poetry, the opening scene of a short story or an emotive section of a novel, the colour black is often utilised by writers to project or convey a ‘certain feeling’ to the reader.

But how many of us have actually considered why we perceive black in the way we do?

As one of the tools in our wordsmithing armoury should we not understand why the word black can be such a powerful device?

Generally black embodies the values of death, depression and evil. It can be used to describe something terrible or maybe a void.

But why do we identify black with badness, immorality or malevolent actions?

It is common in our society to use the word black as an exclusion, such as blacklist, black mark, or black sheep. We also apply it to people who we perceive of unpleasant actions, such as saying they have a black heart or black soul.

You may say it is because one wears black to a funeral, or it is the colour of mourning. But that is not necessarily so. In other cultures, such as China and India the traditional colour for mourning and reflecting death is white.

Not until Bollywood adopted and merged some western ideology into the Indian cinema, would you ever see anyone wearing anything but white sari at a funeral. In fact, it would be considered impolite to wear black at any Hindu funeral.

Much of this form of the perception of black is a Christian/Western opinion based on ancient observation or teachings, much based on historical legend.

Ancient Greek myth has it that at the beginning there was just ‘Chaos’ or Khaos. (This does not mean ‘Disorder’ in the contemporary sense, but rather ‘Chasm’, in the sense of a dark, gaping space).

downloadKhaos gave birth to Erebus, the darkness of the Underworld and Nyx.

Nyx was the goddess of the night, one of the ancient Protogenoi (first-born elemental gods). In the cosmogony of Hesiod she was born of (Khaos) and breeding with Darkness (Erebos), produced Light (Aither) and Day (Hemera), first components of the primaeval universe. Alone, she spawned a brood of dark spirits, including the fates, Sleep, Death, Strife and Pain.

Nyx was a primaeval goddess usually represented as simply the substance of night: a dark veil of mist drawn forth from the underworld which blotted out the light of Aither (shining upper atmosphere).

Even in Nordic legend black has a prominence. The fire giant whose sparks made the universe.

Surt is the King of Fire in Norse mythology, the Lord of the Fire-Giants of the realm of Muspellheim.20a7f6c18823e6ed7d2cf7e4b25c4d4e

In the beginning, there was only the blackness of Ginnungagap, and then Surt appeared out of the blackness with his flaming sword and touched the land, it lit up and became the Realm of Fire.

Eventually, it drew close enough to Niflheim, the primal Realm of Ice, that it warmed and melted the frozen earth, revealing Ymir the primal frost-giant and Audumhla the Great Cow. In this way, life was created from the meeting of fire and ice.

With these ancient wisdoms and beliefs being passed down the generations it is no wonder that darkness, that the deep black of night still has a resonance of anxiety and apprehension within us all.

Modern knowledge may have more acceptable theories such as the big bang, yet even here it is suggested that it was many thousand millennia after the bang before the first stars began to form, which is almost inconceivable to comprehend.

The thoughts of endless night, a total void of nothingness, a black hole encompassing the entire universe is frightening to most.

So it is not surprising that based on tradition, folklore, socially established conventions and custom that we westerners perceive black to hold the qualities of evil, depravity and immorality. Much of this is due to our cultural dread and fear of the unknown, the unseen and the minus light of darkness.

Now, add a touch of Hollywood movie conjoined with mass media and you have an ideal breeding ground to spread rumour, fabrication, falsehood and fiction, all of which so easily becomes assimilated into the psyche of modern society.

saint-francis-borgia-helping-a-dying-impenitent-goya

Suddenly black is the epitome of all evil, it is the quintessence of Goyan nightmares, of original sin, of death, of satanic rituals, black mass, sexual deprivation and transgression.

Black becomes the cloak of darkness for vampires, the shadow where werewolves lurk, forests of malevolent spirits and the embodiment of evil itself.

Or does it?

Because there is another side to black, a lighter, brighter side to this deepest of darkness.

Fashion, glamour, opulence, style and desirability.

Black is the new black.

Here lies a social and perceptive disjuncture.

The sleek aesthetics of glossy black fashion, a world of sequins, leather of obsidian jet chic and metallic black Ferraris.

Here is a transgression from black’s authority of depression and nightmare.

This is a juncture where modern mindfulness separates the black associated with the natural world, the world of dark recesses and shadows of mystery and myth, from the brighter black of the contemporary, enlightened and progressive world of today.

The little black dress, appealing, sensual, hinting at naughtiness, suggestive of excitement. This is sexy black, the black of lacy underwear, of thin straps revealing rather than concealing, the offering of promise.

black-101

Yet even here the evocative black is tinged with an inference of deprivation, of transgression from the acceptable. It is that, the allure of going beyond the boundaries, the immorality of wild or illicit acts which is attractive, which whets our carnal appetites.

The modern black, the black of this world is the white light black of Newton and Robert Boyle.

So be it.

Therefore to know, to understand which black to choose when weaving that spell in your novel of dark fantasy, or which black to spill across the pages of a bloody thriller is a most important element.

Select the modern black, the industrial manufactured black for seduction and pride, for sex and sheen.

Take hold of the natural, the organic, ancient, primordial black which seeps uncertainty, drips terror and dread for your dark scenes, your night horrors and death itself.

Choose your darkness well my friends, write admirably and when the shadows of sleep creep upon your wearied eyelids, shutting the out the light, sleep soundly in the comfort of the black night……If you dare.

© Paul White 2015

Website: http://paulznewpostbox.wix.com/paul-white

You may also enjoy reading some of my short stories at: https://alittlemorefiction.wordpress.com/

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