Bucking the trend (or one reason why you are not making money)

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Unlike many of my Ramblings, this post is written in a far more focused manner, giving a clue to the importance I place on this content.

I think, ALL indie authors NEED to read the following, in full.


 

Recently I have seen a large number of indie authors discounting their books, or giving them away freely, offering a plethora of ‘giveaways’, from the humble bookmark to expensive looking jewellery, even a combination of all the above.

Whilst this form of promotion is not unusual by itself, the number of offers has increased to such a degree, that it seems no one is selling a book at full value price.

In fact, a quick scan of the internet shows very few books, (in relative context), for sale above zero, naught, nil, zilch, nothing.

This is excellent if you are a reader. You have the largest and widest choice of reading material ever produced in the history of human life, being offer to you at no cost; even incentivised, bribed, to take up such offers, by the additional giving of gifts.

Life has never been so cosy.

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This recent explosion of free books has been boosted by the hundreds of book promotion sites, offering authors the service of marketing their works to millions of potential readers, for a small fee.

The sales gist of this is, should the author give away books, each person receiving a free book may like it so much, they will buy more of that authors works.

This seems a viable strategy… in principle.

BUT… there is always a but!

This form of book marketing was, for want of a better word, pioneered by Amazon when they were quite a young organisation selling only books.

At that time, the indie authors publishing phenomenon had not established, making it a very different market place; one where the novelty of being offered a free book was the exception not the rule.

Furthermore, add this marketing fee to the cost of production, editing, proofreading, formatting, cover designer, advertising, etc. Now, work out your royalties per-sale, because that is what must pay for your books production costs.

From this simple equation, you will see how many books you must sell to break even.

NOTE: This figure is cost based only. It does not include a budget for your time, your internet bill, your software licence fees, office space offsets (even if ‘the office’ is a table in your lounge) and other associated costs, which as a business person you need to consider. If you do not, whatever monies you think you have made form that book, will be demanded from you by those wonderful, friendly folks at the Inland Revenue.

So…how much do your royalties add up too…oh, nothing… because you gave it all away, with the bookmarks and coasters you paid for to boost your sales.

Not very business minded, are you?

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Let’s fast forward to today.

The indie publishing business is a global industry, with hundreds of thousands of books being self-published each month, in every country and every language on earth.

This is a world where an adage I loth, ‘A victim of our own success’, has the hollow ring of truth.

Because computer technology has allowed the growth of, what was once referred to as ‘desk top publishing’ to grow in such an unprecedented way, the competition in the indie publishing scene is immense.

However,… there is always a however, too!

While the market place for book sales has undergone change akin to continental drift, the methods used by indie authors is still as primitive as the those used in the embryonic days of Amazon’s birth.

You see, Amazon has outgrown the indie author world. It has outgrown many, if not all the established mainstream publishing companies and, by doing so, has irrevocably altered the landscape of publishing in general.

Neither is this giant called Amazon about to offer indie authors a helping hand.

It does not have to and does not want to. Not only has it outgrown the publishers, but it has established itself as the master of sales opportunities. Basically, as an independent writer, if you want to sell a lot of books you must factor Amazon into your marketing mix. What is more, Amazon will need to be your prime ingredient in the clear majority of cases.

Which brings us back to the reader, those illusive, almost mythical creatures who may, one day, if you are extremely lucky, buy one of your books.

BUT… yes another but!

BUT… it is getting less and less likely any reader will put their hand into their pocket and pull out some money, simply to get hold of a copy of your book.

You see, they don’t have too.

There are hundreds and thousands of books available for free. The reader can order any of these, or simply download an eBook version, which they can add to the hundred unread books waiting on their Kindles and E-readers, without ever spending a single penny.

Oh, that fleeting promise of maybe’s, the one the book marketing sites sold you, you know, the one that goes… “if they like your style they will buy the rest of your series/books….”

You didn’t fall for that old spangle, did you? 

Because they will not.

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Please do not dismiss the reader thus. Like all of us, our readers must be canny when it comes to spending, whether buying packet of sausages in a supermarket, or buying a good book to curl up with in front of the fire.

These folks will:

A, wait until another of your series is offered for free.

B, read another free book. (They may enjoy it better than yours.)

C, Both, of the above.

This is a reader’s market. It has got this way because of several factors, but (another but!), it is you, the indie author who has brought this situation upon yourself.

By publishing your book at a ridiculous low price, then lowering that price and eventually giving your book away, you are part of the overall problem affecting many, if not most indie authors.

You are simply adding to the situation you are moaning about. You know the one, about having too many free books on Amazon. That the competition is too great, because the market is flooded with cheap books, 99 cents and below.

This WILL NOT CHANGE until you…yes, YOU do something about it.

Ideally, for me. As of tomorrow morning, there would not be one book, not a single novelette being given away.

Novella’s and the such would be priced at around £2.00/$2.40 for the shortest book and escalating up from there.

Novels would kick in at a minimum of £10.00. Book prices would be back to a decent level, a level not too dissimilar to that before Amazon muscled in.

We all, from time to time, often with good reason, knock the major publishing houses who controlled publishing, much as DeBeers control the diamond market. Yet they ensured authors got a fair return for the time and effort involved in creating a book.

That cannot be said of Amazon, or any book promotion site encouraging free and 99c priced book sales.

I know there is a movement within the indie community, one which is trying to discourage the giving away of books.

I am part of that movement.

I believe, if ALL indie authors removed ALL free books, re-priced their books to reflect true value for authors, we would see a major shift change within the industry almost overnight.

Don’t worry.

People will not stop reading.

They never have and they never will. They shall simply be paying a fair price for the goods they receive.

Authors will start earning a fair return for their creativity, effort and investment. The quality of books will increase.

The world will be full, once again, of wild unicorns running free in green woodlands full of Tinkerbelle fairies… well, I may be pushing it a bit too far now; but the facts are, indie authors will be better served without cheap and free books…. FACT.

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Which brings me to the title of this post, ‘ Bucking the trend’

What give me the right to state such?

Firstly, this is not me simply making a vortex of hot air.

I stand by my convictions. I do not have any FREE books. I shall not be giving any books away. I do not have gifts of incentives. I have no bookmarks or jewellery.

In fact, I am deliberately ‘Bucking the trend‘.

Recently, I have increased the price of all my books, both Paperback and eBook/Kindle formats.

One of which, is an Amazon No.1 bestseller.

The coveted No1 position, is something I doubt would have occurred, if the book was priced undervalue.

You see, perception plays a large part in decision making.

What value you initially consider an item, is easily disputed once furnished with a low price. Hence altering perception.

With that in mind, a low cost, or free book will hold little or no perceived value to the reader.

If the same book is viewed at a higher price, the value is assumed to be greater.

In association, the assumption of quality is also presumed higher or lower in direct proportion the estimated value implicit.

This is my view and the principles I adhere too.

I shall charge a fair price for my books. Not a penny less.

Readers can buy them, or not.

BUT…. (The last one I promise), consider this:

Should I just sell one copy of one of my books this year, I would have made more money than you, giving a thousand copies away.

I’ll leave you to muse over this.

Sleep tight, 

Paul

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Why I am talking art on a writing blog.

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I have, at last, found enough time to catch my breath and write a new, long overdue post for this blog.

You see, I have had a busy start to this year.

First was the publication, in January, of my first children’s book, The Rabbit Joke, which is designed primarily as a ‘read to me‘ book.

A book for parents or older siblings, to read to the younger ones. The Rabbit Joke lends itself to being read to groups in schools and kindergartens too.

The Rabbit Joke is an outsized, hardcover, fully illustrated, perfect bound, landscape book, from https://www.peecho.com/print/en/263512

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In February, I released ‘Life in the War Zone’ a collection of stories, based on true accounts, of what life is like living between warring factions in an area of conflict.

Life in the War Zone takes a serious, no holds barred look at the devastation and trauma of life in the battlefields of the Ukraine, Syria, Afghanistan, Iraq, Bosnia, Serbia, Croatia, Israel, Palestine, Libya, Lebanon and El Salvador.

Ebooks are available direct from me, via my website. http://paulznewpostbox.wixsite.com/paul-white

Paperbacks from Amazon.

USA https://www.amazon.com/Life-War-Zone-collection-personal/dp/1542338700  

UK https://www.amazon.co.uk/Life-War-Zone-collection-personal/dp/1542338700

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Also during February, I published a ‘Coffee Table’ book called ICONIC, or to give it its full title, Iconic – Legends of music immortalised in art.

Iconic is an 8 x 8 inch, hardcover, perfect bound, glossy, book, containing a number of my own artworks, portraits of some of the most well-loved musical talent ever known, such as David Bowie, Amy Winehouse, Buddy Holly, Jimi Hendrix, Elvis and many more.

With each portrait is an abridged biography of each artist, covering their life and times. https://www.peecho.com/checkout/14716200169619823/279042

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March saw the publication of The Pussers Cook Book.

This became an instant hit and an Amazon bestseller. It is still, as I write this over a month after the books launch, at number three in its Amazon category.

The Pussers Cook Book details twenty-two of the best loved dishes, served on Royal Naval ships circa 1960’s to 1980’s. Along with the recipes, there are plenty of jokes and tall stories, some legendary myths are also dispelled!

You do not have to be a sailor to enjoy the Pussers Cook Book. It makes the perfect gift for a freind or loved one.

Paperbacks from Amazon. goo.gl/eTwfWN  

Hardcover from my printers.  www.peecho.com/print/en/282666

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You will see by this, why my time this year has been at a premium.

Now, I have touched on art, as in the title of this post, by mentioning my tribute to the great musicians in the book, ICONIC. Which clearly shows the link between writing, books and art.

As do all those millions of books with illustrations, photographs, pictures and images inside. Let alone the amazing and wonderful artistry shown by many book cover designers.

In that respect, books and art are almost inseparable, and never exclusive.


But there is more…

Art has always been a ‘go to‘ place for me, when I need to rest my mind from concentrating on writing. Whilst my form of art, digital painting, is still a creative discipline, it is creative in a totally differing way to the mindful concentration needed for writing.

In that respect, I find creating digital art relaxing, even ‘freeing up‘ the subconscious mind to continue its own creative endeavours, whilst I take my consciousness on a holiday of colour and form.

The problem arises, much as it does when writing, or I should say, when one has finished writing and has published their book.

Who will see it, who will read it, who will buy it?

It is all well and dandy to have a book, three books, ten? Sitting on the shelves getting dusty and covered in cobwebs. What we want, what we need is someone (Many someones) to come along and actually read our words.

The same is true of art. What is the point of creating wonderful, thought provoking, stimulating images if they are simply going to be stored as a digital code on a memory stick. If they are never going to be made onto a canvass, or a poster, or even printed onto a tee-shirt or coffee mug?

Both of those scenarios are, in my humble opinion, a total waste of time, effort and creative energy.

So…what to do about it all?

Firstly, I have made a Facebook page to help direct people to my works.

The main site is my artwork website, where you can browse through a selection of works albums and find links to the other places my work is available. https://goo.gl/pyPI7i

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That is why I am talking about art on a writing blog.

Thanks for reading this…if you have read this far!

I will be back to posting my normal Ramblings from now on.

Cheers, Paul.

 

 

 

 

 

Yoghurt Tasting.

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We often talk of how important punctuation and grammar are when writing. I think this is also true of the spoken word, oration and pronunciation should be a foremost concern.

NOT, I hasten to add, for everyday conversation where colloquialisms, dialects and vernaculars colour our conversations and lives, but when the spoken word is transmitted by mainstream media.

I believe, broadcasters have a duty to society to articulate, to use elocution and enunciation to the highest standard and, by doing so, enable our young to learn the wonders of well-versed dialogue, gain the ability for constructive discourse and communication.

How can we expect our young to learn to speak clearly and precisely, to acquire the ability to explain, to communicate effectively, if the denizens of our communications industry cannot do so themselves?

Personally, I do not think ‘dumbing down’ standards to ‘accommodate’ those considered, in correct ‘PC’ terms to be ‘less fortunate’ is the answer. This only has the effect of decreasing the overall standards by suggesting the lowering of general standards are acceptable. Which, of course, they are not.

I fear for the future.

Today I found myself disappointed by such a badly enunciated sentence.

“…blah, blah, blah…27-year-old Emma, a Yoghurt taster from Essex…. blah, blah, blah…”

Now…I have, as many of you do, a writers mind. This is a strange and oft uncontrollable beast. One which will pick-up on tid-bits and oddities which would, for the greater part, pass most people by without causing a ripple in their lives.

But for those of us who are cursed, or blessed, with such minds will know once this beast has focused on its intended target, once it has its victim firmly caught, there is little we can do until it has satisfied its hunger, or passions, or whatever desires need stating.

This was my situation earlier today. As soon as that sentence had been spoken my muse went into overdrive.

A quick and personal excuse (Disclaimer!): I was not watching or listening to the programme being broadcast, it was just ‘on’. My wife had switched the TV on earlier and it was playing away in the background.

So, where was I? Oh, yes my muse awakening, giving me a jolt.

Questions started to flood my head, ‘Yoghurt taster’ what kind of a job was that? Was it a flavour tasting position or simply to ensure the product was of a certain quality? Maybe this was a taste panel for R&D, for new products, new lines?

How did one get a job like that? Could I get a job like that? What qualifications, besides liking yoghurt, did one need?

My muse was excited; could this be part of a plot? A Poisoning?  Mass poisoning…holding corporations to ransom? Maybe the start of strange happenings in a small town… Zombie like conditions…Mmmm? My mind continued to race.

However, I love that word so I’ll say it again!

However, somewhere beside my overly stimulated muse, I had a nagging doubt such a position, a job as a yoghurt taster, actually existed. Food taster, yes. But I could not believe anyone could be employed solely as a Yoghurt taster.

No, I convinced myself, something was wrong. (Much to the annoyance of my muse!).

Thanks to modern technology, satellite, cable, Digi-boxes etc. we are able to do so many things with ‘live’ and ‘on-air’ television which have previously been impossible. One of these is instant ‘re-wind’.

This is what I used to take the programme back to the point where the ‘voice-over’ presenter stated that Emma was a ‘Yogurt taster’ from Essex.

This time I would actually be watching and listening to the broadcast, rather than having it grumbling away in the background, where only my subconscious was taking note.

Sitting too close and staring at the screen, like a six-year-old child, I pressed ‘play’. The images began to move and the narrator started to speak.

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“…blah, blah, blah…27-year-old Emma, a Yoga teacher from Essex…. blah, blah, blah…”

I played this over and again, four times in total, until I was absolutely certain this version was the correct one.

Emma was a yoga teacher and not a yoghurt taster, as I had first thought.

This was not me miss-hearing, it was clearly a case of shameful presentation.

I must say, I was more than a little disappointed.

I am sure, in the world of yoghurt, tasters are required? although I am uncertain of what the progression of seniority may be in such a profession. Perhaps one starts with the ‘own label’ products, progressing to ‘natural’ before moving to thick ‘Greek-style’ yoghurts. Maybe, an alternative route would be to delve into the technical realm of flavours, or the scientific corridor of ‘low-fat’ and ‘healthy’ options.

I guess I shall never know.

A divergent track that leads me, by some circuitous route, back to where I began this post; which is where I stated my belief that major broadcasters and, in many respects, our respective Governments, should take responsibility for the clarity and precision of language when transmitting programmes.

The above is a prime example of bad annunciation and elocution, the equivalent in my book, (note the pun!), of bad grammar and punctuation in writing.

Besides, my restless muse was unnecessarily disturbed.

Now I have to find an excuse NOT to write a novel about a wicked dairy farmer, who decides to get his revenge on the local townsfolk by plying them with infected yoghurt, thus turning them into pliable and malleable zombie-like humanoids who forever more will do the farmers bidding. Of course, as with all good pulp-fiction, there is always one young girl who hates all milk type products, regardless of flavour. Perhaps it is she who can fight back against the forces of evil and bovine product manipulation to save the earth…or at least the local town?

That is all I am going to say on the matter!

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So, until next time, enjoy your writing, even if your inspiration has been stimulated by a miss-print or badly spoken presenter. But please, please take care with your grammar. You never know when someone may read your work live on air, they may even be an ex yoghurt taster venturing into a new career!

 

Thank you for reading, Paul.

You may like to visit my website and see what else I am writing? http://paulznewpostbox.wixsite.com/paul-white

© Paul White 2016    RTWM310716/975

Distracted.

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I sit back, sighing heavily. The writing is going well, but I need to take a break from this particular work. So I fill a large mug full of hot black coffee...the preferred drug of most writers…and sit back down, allowing my thoughts to scramble over the untidy mound of scrappy ideas which need to be sorted into some cohesive order.

Problem is, as I sip the scalding liquid, my thoughts leave the junkyard of unformulated notes and come here, the rambling parkland of gibberish and spill over this page in an uncontrollable splash of ink. Rather like the drips from the base of my coffee cup.

I know I should be focusing all my attention towards the new novel ‘Floyd’, because you cannot leave a psychopathic murderer running loose, which is precisely what Floyd is doing as you read this. Or maybe I should be writing some more short stories, or editing some old blogs ready to create another book. After all it is what I set aside these current hours to do. It was my sole intent today. So, in some respect I feel guilty I am not writing content for any of those projects.

However, I am also aware that in the shadowy recesses, in those dark corners of my mind where I have little, if any control, the cogs of intuition, of creativity, of inventiveness and imagination are whirling away without any conscious effort on my part.

I know they will, or at least I hope they will, rearrange the untidy pile of random thoughts, those initial ideas and concepts, into an organised and comprehensive inventory of clarified sketches which will then be ready for me to utilise.

This is one of the reasons I write such as this, (and drink copious amounts of coffee late into the night and often into the early hours of the following day)!

A few years ago, I was given a very good piece of advice by a successful writer; “Whatever you do,” he said, “just write. Write anything that comes into your head. Do not think about it too much. You can always re-write it, change it, even scrap it another time. But when you sit down to write do exactly that, write, write anything because what matters is not the first few words you put down, but the creative juices they cause to dribble down your thighs of inventiveness”.

I have followed his advice ever since, which is why I have very wet inventive thighs and write these ramblings. Hence I have found the cure for the condition that afflicts many, the so-called writers block.

Have a good, creative and productive day.

.

© Paul White 2014

To read more of my work, or find out more about me, why not visit my website?

http://paulznewpostbox.wixsite.com/paul-white

The existential existence of SpongeBob SquarePants.

Once again it has been too long since I wrote a meaningful post for these Ramblings; but life has that way of knocking you off course when you least expect it.

Although we should really anticipate that to happen, because that is what life is; a series of random, arbitrary events one after another.

Some of those events affect us instantaneously, shock us into immediate reaction. Others slowly reveal themselves through a string of smaller incidents which accumulate, gradually pushing us to a point where we are forced to take notice, to take action.

Yet the most disturbing are those which only reveal themselves after the event. The sly, stealthy spone2little beggars that inexorable invade our lives, like fine plant roots microscopically threading their way through solid concrete, destabilising and destroying it progressively yet unnoticed, until it shatters or crumbles.

This is where many of my thoughts have been over the past few weeks.

You see, even though I have been busy publishing, designing, writing and doing all sorts of whatnots, my mind, or some sections of it, have been chewing over and considering the world, life, the universe and the deeper meaning of SpongeBob SquarePants existential existence.

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All of which brings me to this:

So, there I was one morning, standing in the bathroom and looking into the mirror. This was not a vanity thing; (I was considering if I could get away another day without shaving!) when I looked at myself directly.

Now, let me explain what I mean about the term ‘directly’.

spone4Generally, when we look in the mirror we are not looking at ourselves, we are looking at and for parts of ourselves. We are looking for stray hairs, grey hairs, wrinkles, blemishes, spots, pimples, dark patches and crow’s feet and so on. It is not often that we take that step back, at least in the mental perspective, to look at ourselves as a whole.

 

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Once more, we are too distracted by our ever expanding waistline, or drooping…(jowls?), the slight hunching of our shoulders or offset bend of our neck. Our eyes are taken from our whole. We fail to see ourselves in our entirety.

But that is what I did that morning. For the first time in an absolute age I saw myself. I knew the reflection was me, I accepted that.

Yet I had difficulty in recognising the fact.

You see life’s events have caught up with me. Those sly, stealthy little beggars, the ones that inexorable invade our lives, like fine plant roots microscopically threading their way through solid concrete, had worked their threadlike tendrils into every conceivable part of my body, with perhaps, the exclusion of my eyes.

Yes, it is natural. It is what life does. It is called aging and it will/is happening to us all.

But that is NOT where I am going with this Rambling.

I am going here…

Looking in that mirror was a point of reference for my personal diary. A mark placed upon my life’s calendar. It was a recognition point.

My life, and I suspect yours, are full of these reference points; the moments when you realise that one stage, one phase of your life is over and another begun.

I can think back and recall many such stages. Most like this one, unrealised until after the change has occurred.

I can do much the same with my writing. In fact, they have often gone hand in hand with a weird synchronicity. But then again that is, on consideration, not so strange.

You see, I am not the type of writer who focuses solely on one genre; I write more from the foundation of heart, of feeling, of whatever may be blowing my frock up just now. Which is probably why I have so many works in progress at any given time.

DovesHard3tttAs an example I have published works ranging from a fictional novel about C&Vfront1abduction and love, to books of emotive and disturbing poetry, through to short stories of crime and non-fictional historic chronicles.

I love writing fiction as much as I do non-fiction, such as this Rambling. But I can still trace the changes in tempo, in cadence and style of each period of time, each phase of my life in which they were written.

My writings and words reflect the beat of my heart, the pulse of my soul and my temperament. They have changed and aged over time as has my body.

Which brings me to a question.

How is my mind?

Is that as clear and agile as it once was, or are the threads of invasive destruction even now winding their unseen fibres within?

I wonder.

I know that, at least until the next time I look at myself in the mirror, I shall continue to write, to leave a trail of my existence behind, a legacy of my being.

I am, for now, ready for any event life may wish to throw my way, just as I am in my continued ponderance behind the theory of SpongeBob’s existence.

Feel free to check out my website 

J.B.’Author Interview with Paul White

 

IN THIS BRAND NEW SERIES (J.B.’S AUTHOR INTERVIEW SERIES) I’LL BE INTRODUCING YOU TO SOME OF THE FINEST AUTHORS AROUND. YOU’LL GET A PEEK INSIDE THEIR MIND AND THEIR PROCESS.

 

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Today I meet Paul White. 

J.B. Taylor – What inspires you?

Paul White – Wow, what an interesting opening question. There are so many things that kick start my imagination. A picture, a smell, a sound, a partly overheard conversation, clips from a film, a scene from a television drama.
One of my favorite sources is the radio, I listen to Radio four, a BBC station it has wonderful interviews covering a myriad of topics from the arts to medicine and world affairs. I often listen to this station when I am driving and, besides the road, there is nothing else to distract you from listening. It is surprising how many ideas can come out of a twenty minute drive!

 

J.B. Taylor – What’s your favorite book?

Paul White – Another unanswerable question! I have so many books I love and all for different reasons.
I will give you two. I read both when I was a young man and both have stayed with me over the ensuing years, so I take that resonation to be a sign that they are special books.

The first is ‘Down by the Dockside’ written by Deirdre Cash under her pseudonym Criena Rohan. It is about a plucky, literate girl who grows up in poverty in Port Melbourne during the Depression, marries a sailor during the war and loses him in a fight at Christmas in 1946, teaches dance and consorts with the criminals her childhood pals have become, it’s a lively and endearing tale of Australia in the 1930s and 1940s.

The second is Do Not Go Gentle by David MacCuish.
The book focuses on Norman MacLeod, growing up in the tough Depression-era town of Butte, Montana.
After his father succumbs to a mining-related disease, young Norman leaves school and also begins working in the copper mines. Following the death of his closest friend in a mine accident and the moving of his mother and sister to relatives back East, Norman enlists in the Marines.
The book follows MacLeod through boot camp, life on and off base, and then to the South Pacific where MacLeod and his fellow Marines face both their fears and the Japanese.
On leave in the U.S., Norm visits the wife of a killed comrade, and begins a relationship with her. Filled with gritty scenes and no-holds-barred dialog,
I think Do Not Go Gentle is a minor classic in the field of novels about men at war and the effect it has on families and communities.

Ok, so that was longwinded, but you asked!

 

J.B. Taylor – If you were asked to unload a 747 full of jelly beans, what would you do?

Paul White – Park it up and slowly eat my way through the contents!

 

J.B. Taylor – Where do you like to write?

Paul White – Anywhere I can get my head down and concentrate without too many interruptions. I have an office at home, but a café, hotel lobby or gardens can be good too.

 

J.B. Taylor – Which Harry Potter house would you belong to?

Paul White – Never read Harry Potter, not seen the films either…am I the only one?

 

J.B. Taylor – What is your favorite word?

Paul White – That changes frequently, however at the moment it is however. However, that may change soon!

 

J.B. Taylor – What is your least favorite word?

Paul White – Hate. It is overused in general conversation and rarely is its true definition realized by the speaker. In writing however, (did you see what I just did there!) there are no bad words, just words.

 

J.B. Taylor – What was the first story you ever wrote, and what happened to that story?MiriamsHexL

Paul White – My first true story, a proper one with a beginning, middle & end, is Miriam’s
Hex
. There is a long back story about how I have come to resurrect Miriam’s Hex from a dusty box in the loft and have published it as an eBook novelette.

 

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The story of how that happened is included in a special edition of Miriam’s Hex, which is ONLY available directly from me…if you like would a copy just click on the link above!

 

 

J.B. Taylor – Tell us about your process: Pen, paper, word processor, human sacrifice … how do you write?

Paul White – Generally, I use a PC or Laptop and type directly into a word document.
But for making notes and writing ideas down I scribble into small pocket sized notebooks. I have several of these scattered about the house, the cars and in lots of jacket pockets.
Occasionally a notebook has been washed and tumble dried. Not good!

 

J.B. Taylor – What’s the biggest mistake you’ve made as a writer?

Paul White – Besides becoming a writer!

Paul White – Rushing out a book with over excitement and thinking that was it. You soon learn to take more care, get it edited correctly, re-write and tweak. Over and again if necessary. Doing things right pays dividends in the end.

 

J.B. Taylor – What else are you working on?

Paul White – I have a number of projects. There are three main ones. One of those I need to complete before…two of them I need to complete…in fact all three need to be completed before the others!

But…let me highlight the novel I am working on. It is called ‘Floyd’.

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Floyd is an escaped psychopath, a fugitive out on a mission of vengeance, against all those who were involved in having committed.
It is a thriller/slasher/ blood and gore story, BUT with human and emotional elements woven in between the main events, rather like sutures pulling a wound closed!

 

J.B. Taylor – In a perfect world where you could cast your book for a movie, who would you pick for your main characters?

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Paul White – I would love one of my books to become a movie, or my short stories a TV drama series, what a nice dream.
In that ideal world, I would love to use unknown people, maybe ones who have never acted before. Members of the public like you and I.
Imagine walking up to someone in the street, who catches your eye and asking if they would like the leading role in a new Hollywood or Pinewood movie! Wouldn’t that be fantastic?

 

J.B. Taylor – When you complete a story, do you let it go? Or do you like to stop and think about what your characters might be up to, what they might be doing?

Paul White – I used to just let it go, put it to bed as they say. (Whomever ‘they’ are?)
But now I leave it for a while, weeks, maybe a month or two. Then I return and read the work, making critical notes. That’s when the real nitty-gritty work starts.

 

J.B. Taylor – Are you a panster or an outliner?

Paul White – Oh, most definitely a panster! I write from the heart, from gut feelings with only the roughest skeleton of a premise. The story and the characters evolve with me, sometimes in spite of me, as the book progresses.

It is not until I am half, or more of the way through, do I lay out some formal course to the conclusion and, I only do that, because the second half of a book is far harder to write than the first.

Maybe I should write the end before the start next time around. Do you think that might work?


You can check out Paul’s books HERE

or, if you want to know more about the author, visit his website HERE 

 

 

F**k your writing. Or…(an essay regarding the use of expletives and profane language in fictional writings)

 

In polite, or politically correct circles one may refer to it as the ‘F word’.

This word first became a public literary issue after it was use in a major novel, Norma Mailer’s ‘The Naked and the Dead’, published in 1948.

Only, it was NOT.

Mailer’s publisher prevailed upon him to change this expletive; this four-lettered, description of sex, to ‘Fug’, so that it did not offend readers.

Given the fact that the book is about men during a war, ‘Fug’ occurred an awful lot of times!

The result was a backlash, a cluster of criticism and discussion in literary circles. This gave rise to the anecdote about Tallulah Bancroft saying to Mailer, “Oh, you’re the man who can’t spell that word”.

 

However, times change.

Nowadays the F-word has lost much of its ability to shock. Far fewer people are now offended by its inclusion in a book or, for that matter, in conversation. Still, authors often debate the role of ‘racy-talk’ in literature.

How much is too much? When have you gone too far, or not far enough?

Okay, before we get stuck with just this one word, let us consider the vast and rich palette of risqué words available and to clarify their ‘technical’ differences. Once we can differentiate between profanities, obscenities, curses and the like, it should be easier to determine how, why and if we should use them.

 

PROFANITY

Is often used to denote an objectionable word. ‘Profanity’ literally means words that are proscribed profane – that is words described by religious doctrine. ‘Proscribed’, in this context means ‘forbidden by written order’, such as, in Judeo-Christian tradition, taking the Lords name in vain (that is, not in Prayer).

“For the love of God, stop complaining” or “Jesus Christ, look at the size of that thing”.

 

CURSES

These call upon a deity, or fate, to cause harm in a visitation.

(Mild) “Damn this zipper”.

(Strong) “God Damn her”.

‘Damned’ is to be condemned to Hell.

‘Hell’ can also be a curse, “Go to Hell”, or a mild profanity, as in “Oh, Hell, the rivers polluted again!”

 

SWEAR WORDS

To swear literally means to take an oath, or to proclaim an oath.

Now, for anyone uncertain about oaths, (married folk take note!) An oath is a resolution or promise which calls upon a deity’s assistance in carrying it out. (Think about how many are in your marriage now!).

Examples: “God is my witness, I’ll never go hungry again” or simpler, “By God I’ll show you”

You can swear to bear witness, as in “I swear, you are the best cook in this town”

 

OBSCENITIES

These are words that denote something disgusting or morally abhorrent. (Often connoting sex). The F-word is considered to be one of the most objectionable, along with the C-word.

The relatively modern inclusion of adding the prefix ‘Mother’ often ups-the-ante!

Non, or less objectionable variants of the present participle form of the F-word, beside ‘Fugging!’ include, Fecking, Freaking, flipping and fricking.

To be totally honest, I have no idea why the letter ‘U’ seems to be so ‘flaming’ important!

‘Screw’ is accepted as of the milder and therefore more acceptable terms. Please note, both the F-word and ‘screw’ are used not just used to literally describe intercourse, but to connote ‘Taking advantage of’.

“That Garage screwed me out of £300 for unnecessary repairs”

Generally, words referring to both male and female pelvic areas are considered obscenities.

 

VULGERISMS

I Like this one because this word, this term, covers a lot of bases. If it is crude, objectionable and falls outside the aforementioned categories, you have a vulgarism!

‘Bitch’, ‘Son of a Bitch’, ‘Bastard’, ‘Jackass/Ass, Asshole’ and even ‘Crap’ fall under this heading.

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Now…whether use should use, or not use, any (or all) of the above?

The literary world is somewhat divided around the use of spicy talk, which should not be surprising as our readers are as equally split.

Take two ‘Tough-Guy’ authors, Lee Child and Tom Clancy. Lee does not use any profanities in his writing. Most readers do not notice this. Whereas Tom’s books are littered with profanities…and he certainly sells a lot of copies!

Some readers may be turned off by even one, single, solitary curse word…possible? Maybe. But what is certain is that no-one will buy your books purely because you use raw language. (Although at one time, years ago, they may have well done so).

Does all this mean your safest path is to use no raw language at all?

Writing is a journey and all journeys involve some form of risk. History proves that some writers achieved success, or at least notoriety, because they shunned propriety. Harry Caulfield’s ‘Catcher in the Rye’ was shocking in its era and may still be so to young teenagers today.

As you write, look for a balance with what you feel comfortable writing, what you, as the narrator feels is right within your style for this book and what suits the characters and the story you are creating.

What may be right for one piece of work maybe wrong for another.

 

Okay…Why ‘TO USE’

We humans get angry. We crave precise expression and there is something about cursing and using vulgar language that works for us as a release valve for our emotions.

Who has not, at some time, experienced a moment when a string of expletives has not felt exquisitely sublime rolling off your tongue?

The same is so for your fictional characters. Be true, be honest to them. Let them have their voice.

Moreover, if you want your stories to be realistic about the settings, battlefields, bars and domestic disharmony, well-written raw language will bring your characters to life, give them a heartbeat and authenticity.

 

HOW TO USE

Spicy language generally works best when it’s used sparingly, or at least in moderation. That way, you preserve the element of the unexpected, which can be a pressure-reliever for both character and reader. Aside from conveying anger or frustration, raw talk can also be humorous, in that it reveals how a character truly feels about something.

Take this line for an instance: “I ate another doughnut”.

Compare it with: “I ate another goddamned doughnut”.

You instantly get a clue about this character and her relationship with doughnuts.

You may have one character who habitually uses profanity, in contrast to others who don’t. That, in itself, is a good individualiser.

If you, yourself, are not too familiar with foul language a problem can occur when used wrongly, or as often happens with inexperienced writers, it is thrown in will-nilly. If it is used it MUST sound real. If you are uncertain try visiting areas where this language is commonly used, construction sites, wharves, military establishments and prisons for example. Grab a coffee in a nearby café at lunchtime and eavesdrop on the clientele’s conversations!

However, a word of warning. Even if, say a group of Miners, use an expletive every other word, it is unnecessary for you to make your own characters speak exactly that way. Just as when using dialects and accents, you have to use raw-talk wisely. This helps keep the reader grounded in your imaginary world and avoids the pitfalls of over-use/over doing it.

Consider your characters, employ common sense.

A hospital Matron, wearing a starched linin apron, may not utter a single un-PC word in public, but she may let loose a barrage in the principal’s office over a dispute, or howl out a string of profanities during sexual fulfilment.

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How NOT to USE

I mentioned some writers, Norman Mailer and Tom Clancy who chose to include bad-language into their works, but they pale into insignificance, almost, when it comes to literary genius. The bard himself, William Shakespeare, knew how to spice-up his writings and attract an audience in doing so.

He wrote the mother of all literary cuss-outs. (Cuss is simply a variant of Curse), in King Lear; but interestingly there is no profanity or obscenity as we know it, merely terrifically imaginative vulgarisms, delivered with passion. Here it is, the Earl of Kent preparing to thrash the crap out of Goneril’s loathsome lackey, Oswald:

KENT (TO OSWALD): “A knave; a rascal; an eater of broken meats; a base, proud, shallow, beggarly, three-suited, hundred-pound, filthy, worsted-stocking knave; a lily-liver’d, action-taking, whoreson, glass-gazing, super serviceable, finical rogue; one-trunk-inheriting slave; one that wouldst be a bawd in way of good service, and art nothing but the composition of a knave, beggar, coward, pander, and the son and heir of a mongrel bitch, one whom I will beat into clamorous whining if thou deniest the least syllable of thy addition”.

Knowing the historical references helps; for example, “broken meats” means leftover table scraps. But even without that, we can luxuriate in the rant. This is a beautiful speech for many reasons: It’s forceful, it’s unique, it covers many aspects of insult, it clearly communicates one character’s contempt of another, and—important for many in Shakespeare’s audience—it avoids serious curses and obscenities.

It’s a shining example of how a writer can invent insults way more entertaining than those found in the standard lexicon.

You can do it by brainstorming aspects of your characters and their circumstances:

“He was as appealing as a baboon’s butt”.

“You are the worst thing to happen to the world since call waiting”.

“May you be condemned to an eternity of weak coffee, warm gin and a driveway paved with roofing nails”.

By now, I think you will agree that it’s useful to explore—and perhaps even challenge—your own comfort zone.

Certainly if it is not you, it won’t ring true. But whether you decide to write common curses and vulgarisms into your work or not, your characters do need a verbal pressure valve. Do not use tacky asterisks to replace vowels. Just have fun with the process and remember that a ‘fug’ by any other name might sound remarkably original.

 

NOTE.

If your novel purports to reflect real life, then they must include profanity, if the life they reflect includes the use of profanities.

Let’s get real folks, you may have grown up in an era when books and movies were censored, but do you really think that in the Old West, cowboy’s actually said “You no-good-so-and-so” before drawing their six-shooters and blowing holes in one another?

Did the troops, dug into their fox-holes during WWII always speak in to each other in such a decorous manner?

I think not!

Some popular entertainment admittedly goes OTT in drenching dialogue in profanity, Such as in the opening sequences of ‘Born on the 4th of July’, but that is an exaggeration, not a fabrication, of reality.

 

So, why do people swear?

This will not cover any new territory. I expect that every angle regarding this has been covered in about every bar in every corner of the world!

People swear because the majority of profanity is emotionally charged. It can express anger, fear, sadness, joy, despair, frustration, ignorance, racism, homophobia, ageism, violence, sexism and all the other ‘isms’ and ‘tions’ you can name.

Occasionally a swear word can encompass all the above in a single word. That one word can grab people’s attention like no other when timed appropriately and, let us face it, very few things are quite as entertaining as listening to a person who has raised profanity to an art form.

You may disagree with those statements. I do not give a flying F**k…see what I mean!

When read that you do so as if I had written the word in full. Even though I ‘bleeped’ it out your mind supplied the details. Now your reaction was either positive or negative, depending on your personal personality. But you reacted.

Like I mentioned above, nothing ground breaking. Just a prelude to the answer you are seeking.

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‘Should YOU use profanity in YOUR writing?’

Writing is a process which takes pieces of ourselves and puts it ‘out-there’ for the world to see. It does not matter if you are writing literary fiction or genre fiction. Every character, setting, plot and sub-plot reveals a little about who we, as writers, are.

I doubt, very much, if a single day passes without you worrying about what you are writing.

(read that again if you wish, I’ll wait).

You see, every word we scribe invites judgment, criticism, commentary and, perhaps introspection. When we write something which surprises us, we often, most times, question where it came from.

That is because that we writers are a real self-conscious group. We are half scared to death of rejection! But if we filtered every word, considered the perception of each sentence through, say our Mothers, or Fathers, minds we would write nothing. Nothing at all.

What we have, what is so special, so personal is that little bit of ourselves that we add to the mix. Some reveals itself in plot, some in character, but most in the voice, in the narration, in our storytelling. That is where much of our fears lie, in revealing too much of ourselves, exposing our innermost to that ridicule and rejection.

BUT…if you do not add that to the mix the reader will smell you coming from a mile away. You will small like a fake, read like a fake and be discarded as a fake.

So, how does that answer the question about using profanities in your writing?

CONSIDERATIONS

As a writer you need to be true to yourself. You need to be true to your characters and voice. But don’t forget the other people you need to be true to:

Your Audience/Genre – If you forget who your audience is, for a single sentence or word, you will have lost them. If your audience demands a lack of profanity, then you had better not allow profanity to slip into your work. Not unless you are OK with alienating the very people you are trying to reach.

Your Editor – Your editor wants you to succeed. Your editor wants you…needs you…to sell books. You ignore your editor’s advice at your own peril.

Yourself – I know I have said this before, but I repeat it here for a different reason. If profanity is something that you are personally uncomfortable with then you will sound fake if you try to use it, regardless of the character in question. In fact, if a lack of profanity is one of your defining personal characteristics, then your characters will sound fake if you use it. Because, after all, your characters are nothing more than an extension of yourself. An audience can smell a fake a mile away. Be true to yourself, whether that means using profanity or avoiding it.

I am not going to tell you the world is going to smell like roses after you write something that raises people’s eyebrows. Especially if those eyebrows belong to people who are closely related to you, or who travel in social groups that are important to you. But you did not become a writer to fit in, did you?

I hope not.

Your writing has a chance to entertain, move, and bring people together.

It has a chance to shine a light on topics you care about in ways other writers have not.

It also has a chance to alienate you.

There is a chance your writing will be considered so offensive that society wants nothing to do with you. It is doubtful it will ever get that bad! but writing is taking a risk. Every time you put pen to paper you are stripping down and getting naked in front of the world.

There is never going to be a time where you do not question, at least once, “should I have written that?”

Recently I have read plentiful cursing in Stephen King novels, Nora Roberts books, and even (very sparingly) in John Grisham stories.

I have seen the use of cursing in both genre fiction and literary fiction. In some books just a little and in some a fair amount.

So, in full and final answer to the question… You are a writer. Welcome aboard the crazy train!

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© Paul White 2016


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It’s not just, “In God We Trust”.

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 Here is something that has crossed my mind recently (on several occasions).

TRUST.

So much can be read into that single word, can it not?

Honestly, how many people do you actually trust?

It would be passé for me to ask who you would trust with your life.

Firstly, because that could take so many forms; from combat, to saving you choking on a chicken bone and because we trust people with our lives each and every day.

When you fly you are trusting the pilot, when you take a cab you are trusting the driver; there are doctors, surgeons, police and such like; so in the grand scheme of things trusting someone with your life is not so alien, in fact it is most common.

But let me ask you this:

Who would you lend your last few dollars to?

I mean your last dollars; the money you depend on; the money you need to live by. Who would you trust to repay that money on time?

Who would you let house sit, or house swap with you? Who would you trust not to pry into your private closets, or rummage through your underwear drawer?

To whom would you show your browsing history, or private files, without the fear of being judged?

I guess you could count those people on one hand?

Maybe I am wrong; maybe you are lucky. Or maybe you have more fingers on your hand than I do!

Okay, so trust can be considered on many levels, I agree.

But I have a feeling that you may trust someone you have not met, or have never seen, a little less than you might trust your neighbor, or a work colleague, even an acquaintance; you know, one of those people who are almost your friend!

Am I right?

Generally, I think I am.

Which brings me here, to the point of this rambling.

I often ask people, complete and total strangers to trust me every day. I ask many of them for money, in return for promises.

Why?

Because I offer some services. You see, apart from being a writer and an author, I design books covers, I have an online magazine and a book promotion site.

When it comes to designing covers I promise I shall do my best to create an eye-catching cover, one that will attract people to take a look, to ‘pick the book up and investigate’. Initially I only have my word to give.

I rely on a person’s trust.

The same is true of my magazine.

People buy features and advertising, often two or three months in advance. They are trusting me to produce the magazine, to distribute it, to hold up my end of the bargain.

On my book promotion website, the trust is, that I will provide information as promised, list books as agreed, market the site and so on.

I know I am honest. I know I will do everything within my abilities to ensure I deliver, to keep my promises. Yet many of those who place their trust in me do not know that, not initially, not the first time we make an agreement.

Luckily, I have a track record of successfully completing the tasks I undertake.

I have lots of happy clients and that, in a strange way, turns the tables. You see, once I have done business with someone, once I have done ‘a good job’, I trust them to return to me. I trust that they shall, at some point in the future ask me to help again.

Thankfully, most do.

Now that may, at this point, sound like standard business practice. But what makes all this stand-out for me is, that most of what I do is with people who are, in the physical world, (the Meat-Space), strangers.

I may belong to the same social media ‘groups’ as they. I may have ‘messaged’ or emailed them many times, over many months or even years. I may know (vaguely) what they look like, at least in the best photograph they have, even if it was taken twenty-years ago!

BUT…I have never met them, never heard their voice naturally, or felt their flesh, smelt their scent, seen how they walk, talk and laugh, not in the real world. Yet some I consider to be friends, not the i-space, ethereal electronic type of friend, but Friend with a capitol ‘F’.

And I trust them.

As, (hopefully!), they do me.

Please, do not deceive yourself by thinking that I am a product of this technological age. I am not.

I am far older than that. But I accept it, even somewhat embrace it; although with a certain amount of mistrust and caution as to its future influence and where it may eventually lead us.

But a little vigilance is no bad thing.

So, here I am, connected tentively to un-met people around the globe, via fiber-optics and satellites, yet conducting business on less than a physical handshake; often simply on a few keystrokes that spell out the word ‘Yes’, or even the lesser ‘OK’.

I suggest that is a form of true trust?

If it is, then in my world that is not a bad thing.

If something that can be isolating, even as divisive as the internet, can bring ‘people who have never met’ (we used to term this as ‘strangers’ when I was a child), together by the bond of trust my fear for the future of mankind is somewhat diminished.

All we need now is for those who in power to take note, for those who print ‘In God We Trust’ on our banknotes to realise that, in an ideal world those words would actually read ‘In Us We Trust’.

Just a thought that was running through my mind.

 

Please feel free to comment, like, share or ‘whatever blows your frock-up’

Paul

Find out more about me, my writings, books & Cover design 

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