Your book is out-of-stock (not)

out_stock_en

I often hear authors sound flabbergasted when their books, even their newly launched publication, the one they have been working on for so long and spent a fortune, in both time and effort promoting and marketing, shows as OUT OF STOCK on major bookstore sites.

I mean, how can a brand-new novel, only published yesterday, already be out of stock? Besides, it has been published as a POD (print on demand) so it can never be out of stock… can it?

Why, if it is available from one site, is it showing as out of stock in another? It all seems so confusing.

I have been asked, “Surely if my potential reader sees out of stock against my book, they will simply by another book, someone else’s book… won’t they?”

My answer is “It is a possibility, even a probability.”

So, why can/does your newly published book show out of stock on some site and stores listings.

There are a few reasons. Much depends on who has published your book. CreateSpace, another online book publisher like Babybook.com or a private printing company and who holds your prime stock, if any.

That last part may sound a strange inclusion when speaking of POD books, but some places will/do hold stock, physical stock of POD books… I bet you never considered that before, did you?

Okay, so let me clarify some of this.

oie_Dpb9pMYFVorF

First let’s speak of those who may hold actual stock of your books.

These are varied, so this is a general overview rather than a focused statement.

Many high street book stores, even some of the larger chains, do hold some independent authors books. You may have to get ‘lucky’ (or have a proven ‘bestseller’) for your book to take up valuable shelf space which is at a premium at this level of retail, but it can happen.

There are even a few re-sellers and wholesalers who are looking closely at getting more indie authors books in front of the high-street public… but that’s another story (Pun intended.)

Book stores generally order their books on a fortnightly basis, often guided by their sales/buying/distribution agents convoluted algorithms, which are designed to predict purchasing patterns. Hence, if your book has continued/constant high-volume sales on a site such as Amazon, your book could, possibly, maybe, end up on the shelves of your local book store.

This is how the book store, should they have an internet presence, (I don’t know one that does not), may list your book as out-of-stock. This does not mean your book cannot be purchased via that particular site, only that the store does not have it on the shelf, or on their warehouse, but your order will be dispatched as soon as the new fortnights order arrives from the wholesale/re-sale company.

The agent will order your book as a multiple/bulk order and distribute copies to the relevant stores they supply the inventory for the two-week cycle. It is these companies who would, for example, buy from Amazon as part of the ‘Expanded distribution’ should you have enabled that option.

o-STEAMPUNK-WRITER-facebook

Now, let’s get to grips with the sites that do not hold any, or very little, stock and why they may mark your book as out of stock. (This post is Amazon focused, simply because they are the largest bookseller and I am certain almost every indie has, or has had, dealings with them.)

Historically the biggest times of out of stock, or two to three weeks delivery came when Amazon was solidifying its position as the major book distributor in the world. It had a long ongoing, but quiet battle with Lightning Source and the two main suppliers Amazon used as dropships, Ingram and Baker& Taylor.

As part of the ever-growing Amazons domination it needed warehouse space and to reduce costs, which can spiral, expedientialy even for a massive organisation.

Thus, Amazon reduced its stock levels of all POD books re-ordering necessary stock on a daily basis. But this was not always enough time for POD printers to supply demand in the timespan, hence out of stock messages appeared.

Now, all this and the continued adjustments since, created a shift change in the market place. CreateSpace is now undoubtedly the main supplier of indie books to Amazon. So, for the least chance of having your book listed as out of stock, or as a delayed delivery, CreateSpace is your best bet.

Lightning Source, Blurb, Babybooks, Lulu and so on take a secondary seat in the ongoing war for profits, which is what effects your book sales the most. You cannot blame Amazon or Barnes & Noble, Ingram or anybody else, this is what business is about, maximising revenue and profits.

So, on that basis, not one of these companies actually cares about you, or your book. (on an individual basis). It is nothing personal, your book is just another item of stock/listing among the many millions, which needs to be sold. So, if your POD company does not supply in time, has an issue with Amazon, your book may be tagged as out of stock.

Oh, occasionally it is a genuine mistake, someone clicks the wrong button, but that is far and less often than many would have you believe.

Even if your book is not listed on the major sites, the POD wholesale/agent distribution factors do still influence your books availability.

The note to take from this post, if nothing else, is the misconception most indies have in believing all orders from a POD publisher are printed there and then, to order, on order, of each customer. This is not necessarily true, as I have explained above.

Which is why you could see that unwanted message, ‘out of stock’ on your books sales pages, no matter which site(s) you use.

oie_transparent (5)

Finally, as a personal disclaimer, arse covering statement… there are far more book publishers/printers/distributors/suppliers than I have mention here, like TOAD Publishing… oh that’s my own!

The secret is to choose the one, (or the several), which suits you and your needs the best.


Writer Picture

 

That’s it from me just now. I hope this post has been helpful.

Please subscribe to Ramblings from a Writers Mind, then you will know when one of these sporadic articles has been posted.

 

 

In the meantime, you could sit back and relax with some Tales of Crime & Violence… go on, you know you want too. https://goo.gl/8aY9XR

Choose from volume 1, 2 or 3. Better still, grab all three and save yourself from coming back for another!

oie_transparent
Get the complete set, today

 

 

 

 

 

 

 

 

 

 

 

Advertisements

FREE promotion & marketing

In this post I take a divergent path, away from my regular ramblings about writing, to speak of something which is usually just as close to any indies heart.

Promotion.

The reason is, no matter how good a writer you may be, how wonderful and eye catching you books cover is… if no one is ever going to see it, or hear about it, no one shall ever buy it, let alone read it.

Every indie I know who has written a book, even a short novelette, agrees the hard work starts once the book has been published.

An almost consecutive issue which is consistently raised, is the seemingly ongoing quest for the ultimate marketing tool. The ‘Eureka’ gift that will sell hundreds, if not thousands, of books each month with very little work or effort on the part of the author themselves.

Wake up, smell the coffee. There is no such thing.

Even should someone find an amazing algorithm, or system for doing just so, within moments the entire world will be climbing on the waggon, the uniqueness would dissolve in those few moments, to become nothing more than the norm.

The quest would then start over.

BUT… (there is always a but.)

There are a whole host of ‘Alternative’ marketing solutions. Or at least, people marketing a whole host, of supposed solutions.

Many asking for a substantial fee, without any guarantee of success.

HOWEVER… (there is always an however too.)

The world, (the cyberworld and the meat-space), is full of groups of writers and authors who work together, share knowledge, experience and aid one another to achieve the best.19553170_10155611739634994_248869669_n

I am a proudto be a founder member of one such group, the Authors Professional Co-Operative.

Another I belong to, The Awethors, have collectively produced four books. Not bad, for an association of people who live thousands of miles apart and in different countries.

awethologyLIGHTSMASHWORDSawethologyDARK SMASHWORDS51yt0sjxnvl28102396

Working closely and introducing new people to our communities, gives each of us a wider opportunity to help others. Some authors use their experience to professionally assist others in marketing, book cover design, formatting, publishing and so forth. Author Assist, Plaisted publishing house and Metamorph Publishing are just three to mention.

LOGO2

Others run newsletters, email campaigns, blogs, vlogs, webinar’s and radio shows. Each designed to help all who wish to partake.

images

GoIndieNow is one, The Ronnie Shaw Show another, then there is  all run by or for the indie community, as is CQ International Magazine.

 

Not surprisingly, it is this last one, CQ International Magazine, I want to talk about most, simply because this is my own publication!

CQ was never planned to be.

Jan8th15

 

You see, it all started when I wrote a very posh looking newsletter, I called it ‘Rambling Away’, to keep a link to the blogs I ran at the time.

I designed my newsletter to look like a glossy magazine. The type of magazine I was involved with, when I worked in the publishing business in London.

That first, short (and honestly not too well constructed), newsletter eventually grew into CQ International Magazine, which has an established readership in 84 countries around the globe and, at the last count, is read by an excess of 50 thousand people.

CQ SummerFantasy
Click image to read the current edition of CQ

CQ Magazine continues to promote and support indie writers, yet has expanded to include all forms of independent artists, from painters and illustrators, to musician and theatre, dance and performance arts, sculpture and digital creatives. If fact, anything independent, artistic, artisan or creative is welcome within the covers of CQ Magazine.

As part of our ongoing commitment to promote the indie world, CQ Magazine has recently created the C-club. This is where, for a single annual membership fee of £5(UK), indies from all walks of life, can take advantage by advertising in, or having features and promotions in, CQ International Magazine throughout the entire year, at not cost at all.

That’s right, FREE promotion and marketing to the whole world. Well, a big chunk of it anyway.

What’s more, by joining the C-club, you will be helping us to help others, by contributing to the ‘Inspiration & Encouragement fund’.

Full details about CQ International Magazine and how you can become a C-club member, can be found on CQ International’s blog, RIGHT HERE.

Go take a peek now.

I look forward to welcoming you aboard.

Paul.


LOVE MUSIC?  LOVE ART?

Then you will love ICONIC, a tribute to some of the worlds greatest musical artists who ever lived.

iconic promo v2

Order your copy today

https://www.peecho.com/checkout/14716200169619823/279042

Why do I write in the way I do? (An answer.)

Writer Picture

I am often asked, as I am sure many authors are, “Why do I write?”.

This is not a straightforward or easy question to answer comprehensively. In fact, if I were to answer that question in full, it would be an extremely long essay.

Which is the answer I gave a few days ago.

However, that question was followed by one which made me think, a question I was, at the time, unprepared to answer constructively.

“Why do you write in the way you do?”

This question made me think, beyond the basics of ‘style’ and further than ‘narration’ alone.

So, in the regular and rambling way I use in my blog posts, I shall attempt to convey to you my thoughts on this question.

They are as follow……

I do not write a particular genre of fiction.

Romance stories generally demand detailed character descriptions, a slow build-up of intensity to climax. (Excuse the pun).

On the other hand, Horror readers want faster paced, less detailed, more action books which cut right to the core. (Sorry, I can’t help myself).

By not being a genre writer, I have not developed a style limited by the parameters of reasonable expectation of those readers.

Neither do I write for a syndicate publisher, such as Mills & Boon, who have strict plot and style guidelines and can drop any contributor in an instant, should their suggestions not be strictly adhered too.

I am a truly free, independent author.

I have written an offbeat tale of abduction and intrigue, which is also a romantic story, a AofRDVtale of finding oneself and humorous yarn all rolled into one. It is ‘The Abduction of Rupert DeVille’. Available on Amazon, just click the link!

This book alone breaks all the genre specific boundaries it touches upon.

I did not set out to intentionally break any rules, I simply ignored them all and wrote the story I wanted to write.

I have also published two collections of poetry.

The basic premise of each is human emotion. Fear, love, hate, anger, regret and so on. I like the challenges of poetry. The differing forms, such as haiku, present wonderful opportunities to develop wordsmithing skills that can be adapted to storytelling.

That is how I like to think of myself, as a storyteller, a mythmaker; weaving tales into people’s consciousness, making them re-think and to consider life and the world around them in a way they may never have done before.

My book collection, three volumes of short stories called ‘Tales of Crime & Violence’ are designed to do just that, to make the reader reconsider their point of view, to side-swipe their general conceptions, to come at them from left field and leave their minds floundering with a myriad of questions, questions they now find they are asking themselves. (Click the link, or image)

oie_transparent

That is what a great story should do. It should stay with you, lingering within your mind a long time after you have closed the final pages of the book, maybe even forever?

I have also written a children’s book and non-fiction stuff. Very different disciplines than writing standard adult fiction of any sort.

I am, at the time of writing this, working on a novel about an escaped psychopath. ‘Floyd’ is out on a bloody revenge spree against those who had him committed. This book must be considered a ‘Slasher’ type of story. It is a crime thriller certainly, a horror…in parts possibly, but not really.

Once again, I am writing what I want to write, in a way I want to write it. The style and narration I am using is unique to this book. It is not one I have adopted previously.

Which, in a long winded and round-about way, brings me back to the original question of “Why do I write in the way I do?”

Taking note of the above (and remembering my independence), has allowed me to indulge in many experimentations with style, narration, pace, plot, POV’s and all the other ‘literary technical stuff’ writers put far too much emphasis on when discussing writing.

Each of my novels are written from a totally different personal perspective. Making each quite distinctive from the last. Even so, my personal mark is to keep an element of humanity, of emotion, of people’s dreams, hopes and fears running through all my fictional stories, even those involved with psychotic killers!

My short stories reflect those same values, the human passion for life, the experience of relationships, of desire and love, of living, of loss and of death.

I like to explore these areas of the human psyche, areas often forgotten or neglected by other writers and authors. I like to reveal them at a certain pace, a pace which suites the individual story being told.

In some I might come at you from the shadows, smashing into your mind like a train wreck. In another it may be an insidious creep, slowly weaving itself between your receptive neurons, until that is the only thing your mind can focus upon.

This is where the poetry and experiments with lexicon come to the fore; they allow me to use words as a basic material, melding and moulding them, twisting and forming them, until they convey to the reader, not only the description and facts, but the feeling of being there, of being within, of being part of the nether world where my story lives and, without doubt, to see, hear and feel the trauma, the worries, the excitement and passions of my characters as they stagger from one conflict to another.

You can read several my short works at https://alittlemorefiction.wordpress.com/ I always have a few stories on this blog, although I do delete and change them at random intervals.

So, in brief, that is my answer to the question – ‘Why do I write the way I do.’

I hope you can pick something useful out of this.

Thank you for reading, Paul.

 

 

 

 

 

 

 

Getting intimate with your readers.

8-Romantic-Gestures-From-the-Olden-Days-That-Need-To-Come-Back

 

By intimate I mean really intimate, telling your readers about your ‘ills’, your personal peccadillos, your most secret sexual pleasures.

Sounds like something you would never do?

Well, maybe you should.

Now, bear with me whilst I, in my usual rambling fashion, seem to digress. I assure you all will become clear as you read on.

 

A short while ago I read an article by…(I forget who!)…which said, that reading is just using words to make suggestions, it is the readers mind that creates the images and makes the story.

To explain this further; when you introduce a character into your story, regardless of your own imagination, each reader will ‘build’ their own personal vision of how that character is; what they are wearing, how they walk, the tone and rhythm of their voice.

The finite details of the car or train they ride in will appear in the reader’s head like a movie scene. Each person will imagine this in a style which is unique to them.

As the reader turns page after page, the houses, the streets, the towns and cities evolve to create that readers own singular and distinctive world. Your words become their (the readers) own story, set in their own world.

All you have done, as the writer, is string one suggestive idea after another; the rest is perception, imagination and vision of the individual holding your book.

This is something I find fascinating; the ability to share thoughts and ideas with another person, a person who you, most likely, will never meet. Moreover, this ability to ‘suggest’ to place guided concepts into another’s mind has no limitations regarding time or space.

Whether the reader is a few meters or a million miles away; or indeed is reading your book a year, a decade or in a thousand years from now, your suggestive words will still stimulate their own imaginations, still allow and encourage them to create a version of that nether-world, a world you fashioned from thought in some timeless point and place.

At this juncture you may be asking yourself “what does any of this have to do with intimacy?

Allow me to continue.

We all have personal and private thoughts; many we never share, even with those closest to us. This is not a fault or a weakness of character. It is simply what we do, as humans, as people.

Now, these things can be simple; like a certain smell evoking a memory. Possibly a memory from childhood, good or bad. But because it is an innermost secret we never reveal the emotions it stirs within us.

Another could be sexual pleasure, a certain touch, in a certain place, given by a former lover or during self-stimulation? Possibly, probably, never shared with another. The reason could again be many, primarily held within to protect us from the possibility of ridicule, however unjust or superficial that may be in reality.

Often not revealing such is matter privacy, of not wanting to be embarrassed, or at least not wanting to give someone else the opportunity to embarrass us. Sometimes it may be protection of another sort, defense against the risk of giving leverage; presumed or real.

That all said and done, I know not a single person upon this earth who are not holding such personal secrets close. We all have them. Even you. Although sometimes we try to hide them from ourselves because of the pain, the hurt, the sorrow or guilt they dredge up from our pasts.

This is the form, the type of intimacy that I believe, as authors, we should share with our readers.

Now, before you shout at me, call me crazy, deluded or worse, let me clarify my train of thought regarding this matter.

I am not saying we should all blatantly reveal our souls; neither am I proposing a mass catharsis. I am simply expressing my view that, as each and every reader is creating their own version of your basic story, as suggested by the words you have written, that to get under the skin of your readers, to endear them to your story, your style of writing, your narration and, of course, to identify with your characters; what better way than to share with them some of the most intimate, emotive and emotional secrets a person can hold?

Doing so will further the perception of true-life, of reality for your readers. Just as you share some of your secrets with those closest to you, your partner, husband, wife, best friend, mother?

Such intimacy builds trust, strengthens relationships, cements bonds. What better way to endear your readers?

This does not mean you have to write a ‘tell-all’ revelation of your own life.

It does mean that you can and, in my humble opinion, should draw on your own life experiences, even those dark and deeply personal ones, to share with your readers. Remember they shall be relating your words to the intimate areas of their own lives not yours.

As fiction writers we cloak reality with fiction, mix fact and fantasy on a daily basis. Nothing changes; what may be perceived as fact is realised to be false and vice versa.

You can become as intimate as you wish with your readers when you draw on your most confidential of life’s experiences. They shall not be judging you, they will be judging you work…and their own lives.

If you still hold concerns about this, let me leave you with these words:

“Everything I write is fiction, except the bits that are true. Although my readers tend to think the truth is fiction and fiction the truth. I just wish I knew the difference”.

Thank you for reading yet another ‘Rambling from a Writers Mind’ blog post.

You may want to read my new book collection, ‘Tales of Crime & Violence’, a number of short (& not so short) stories, focusing on the cognitive and emotional aspects of those involved with, or caught up in, unusual circumstances.

 

C&Vfront2

 

 

UK Paperback  http://www.amazon.co.uk/Tales-Crime-Violence-Paul-White/dp/1522904565/ref=sr_1_1?s=books&ie=UTF8&qid=1451428092&sr=1-1&keywords=tales+of+crime+%26+violence+volume+3

 

 

 

C&Vfront1USA Paperback  http://www.amazon.com/Tales-Crime-Violence-Paul-White/dp/1522904565/ref=sr_1_2_twi_pap_1?ie=UTF8&qid=1451428456&sr=8-2&keywords=Tales+of+crime+%26Violence+volume+3

 

 

 

Box set C&V

 

 

Kindle Worldwide http://authl.it/B019VNDE5E

 

 

 

 

 

 

A bit about…Designing your Books Cover.

C&Vfront3

I shall try to stay away from as many technical words and as much jargon as I can.

Also, as designing a book cover can be an emotive subject, almost as much as writing the content. I shall say that the following are my personal observations and views, they are not a definitive or an absolute. I do not think any opinions regarding forms of art can be so.

Please feel free to comment, add your own insights and feedback regarding this subject.

So, where to start?

For this I shall take a tip from the famous philosopher Winnie the Pooh, who said, “The beginning is a very good place to start!”

Your manuscript is completed, edited, re-written, polished, edited, beta read, proofread, edited, formatted and is now ready to go to print.

You are ecstatic. This is your masterpiece.

Now all you have to do is get people to read it.

To do that you need to sell lots of copies. (Unless you simply want to give it away?)

To sell lots of copies you need to attract people to your book.

To do that you need your masterpiece to stand out from the crowd.

Standing out from the masses of other books means having a great cover.

NOT a good cover, a great one.

That’s it.

Simple…

NO?

You are right.

Creating a great cover is not as simple as it first seems. All those thoughts and ideas in your head need transforming into a visual and onto relatively small area AND you need the title, maybe a sub-title, a sub-heading, or a catch-phrase. Then there is your name, you want that on the cover too, don’t you? Oh, and the back-cover ‘blurb’ you need that…now what about some graphics, images on the rear cover too? Is there enough room for that and the bar code?

That’s a lot to consider.

Yet that is only the most basic ‘stuff’! Colour, Images, illustrations, copyright, text style, point size, trim, bleed…oh, you have not though this far ahead yet?

OK, let’s get basic.

Firstly, you have to get rid of any preconceptions you have. (Not easy).

It is almost impossible to detach yourself from your book, your story, ‘your baby’. But you must if you want a cover which will sell your book.

Nobody but you will ever see, or feel your story as you do. Each reader will have their own personal interpretation.

That is how reading works.

Don’t get caught in the trap of believing otherwise.

Creating a cover is like a black art. It is a totally different skill to writing. Please do not confuse the two.

A book cover’s paramount job is to communicate the book’s content and convey information concerning both what the book is about and what the book is like.

The front and back flaps have something to say and experienced readers may find clues in a summary statement or author’s note. But the text and graphics on the cover deliver the most immediate and indelible impression. A cover’s imagery can establish character, setting, and plot. A cover’s style can suggest tone, mood, and narrative quality. And extraordinary covers employ both elements in synergy.

 

Second step, be sure of your target audience. That is the people who read the same genre as your book. (Known as demographics in the trade!)

You need to ascertain what they look for in a cover, what it is that attracts them to pick up a book, to read the back jacket and ultimately buy.

Big publishing houses spend a fortune on researching this, millions of pounds a year. An amount I doubt you have to spare, even after scrabbling down the back of the sofa.

So use the big publishers as your research, this will only costs you time.

Check out other authors book covers in the same genre, particularly the mainstream published authors. Walk around the store, surf the net. See what the new trends are. Make notes, take photos, make a ‘like’ board.

This is a good starting point.

 

The next step is to decide what you want the cover to ‘say’. I am not talking about the use of words (yet); I am simply speaking of image perception.

Here are a two simple rules:

Don’t Show Too Much of Your Character

It may be tempting to show your book’s main character on the cover, but this usually is not a very good idea. Most readers prefer to use their imagination to depict the story and characters in their own head.

Be Simple, Strong and Symbolic

Refrain from depicting a specific scene on the cover of your book.

It is better to be more symbolic or iconic with your cover design. Try to come up with a simple eye-catching idea that anyone will understand upon first sight. Keep in mind that most people will see your book as a tiny picture on a bookstore website or out the corner of their eye in a bookstore. In either instance, a strong, simple, symbolic cover is much more likely to catch their attention than one that is complicated or cluttered.

 

 The next consideration is the text.

What typestyle (fonts) to use.

Do not use any of the following fonts (anywhere): Comic Sans or Papyrus. These fonts are only acceptable if you are writing a humor book, or intentionally attempting to create a design that publishing professionals will laugh at.

Please, no font explosions or special styling. Usually a cover should not contain more than 2 fonts. Avoid the temptation to put words in caps, italics caps, outlined caps, etc. Do not be tempted to “shape” the type either.

Where to put your Title and Authors name; Top, middle, bottom, vertical, horizontal?

The title should be big and easy to read.

This is more important than ever. (Many people will first encounter your cover on a screen, not on a shelf.)

Do not forget to review a thumbnail image of the cover.

Ask yourself this; Is the cover compelling at a small size? More people are buying books on a Kindle or mobile device, so you want the cover to read clearly no matter where it appears.

You should also anticipate what the cover looks like in grayscale.

 

Now, back to the artwork.

Rule no. 1, Do not use cheap clip art on your cover. I’m talking about the stuff that comes free with Microsoft Word or other cheap layout programs.

Rule no.2, Do not stick an image inside a box on the cover. This is known as the “T-shirt” design. It looks extremely amateurish.

Rule no.3, Avoid gradients. It’s especially game-over if you have a cover with a rainbow gradient.

Rule no.4, Avoid garish color combinations. Sometimes such covers are meant to catch people’s attention. Usually, it just makes your book look freakish!

After all this, if your head is not spinning from the do’s and do not’s I will be surprised. Let me make it simple with a great example of excellent covers.

The bestselling author, Sophie Kinsella’s novels have about everything that is right when considering a book cover.

These romantic comedy covers have not been created by accident. They are specifically designed and crafted via Penguin Random House.

Clearly the target audience is a, young, twenties something, fun, flirty, feminine female.

Best known for her ‘Shopaholic’ series, the main images on these covers are of highly stylized woman, with a clutch of designer carrier bags, against a background suggestive of location.

Here are three examples which follow all the rules (do’s & do not’s).

51-0SPdiUsL._UY250_519s6VsDJ0L._UY250_51Yy5LBLjgL._UY250_

 

These are my suggestions for a great book cover:

Keep it simple.

Avoid clutter.

Only hint at the content.

Go with the latest trends in your genre…OR…

Take a punt at something ‘outside the box’ (but tryto keep within these guidelines).

Below are some covers I love, even my own award winning designs…Oh, didn’t I mention I also design covers for Indie Authors…how remiss of me!

ARSONGR-lifeboatSofEmfront1

privacybcFLOYD7full-dark-book-cover2

If you would like to contact me about cover design, please feel free to email me at paulznewpostbox@gmail.com Please put ‘book cover enquiry’ into the subject bar.

Thank you, Paul.

 

From bare bones…how I build a story.

skeleton-sex-energy-transfer

We all have different systems for writing our stories. Some like to plan everything out, make charts and story boards. Others write copious notes and character biographies, graphs and guides. Some just start scribbling away and see where their words lead them.

The way we set about our writing is personal preference. If, at the end of the day (or many day’s) we end up with a completed work that we are satisfied with, then all is good.

But some parts, some of the stages of writing are I suggest, common to all. These are; the re-writing of the first draft, the re-writing of the second draft. Editing, beta reading, more editing, proofreading, another re-write, more editing and so on.

This will eventually lead to a finished work which we are happy with, (mostly), except for one or two minor alterations…and a little more editing!

The final polished work, which you are now totally and completely satisfied with (?), will now be ready for publishing.

Your amazing work will then sell like proverbial hotcakes; be turned into a TV series, a Hollywood blockbuster movie and a West End play, which will run for at least thirty-five years.

You will become, a multi-millionaire, live on a yacht when you are not staying at one of your several million dollar mansions, which are scattered around the world in the most exotic locations and have a Lear jet to flit from one place to the other.

Your life will be good.

Yeah okay, I got carried away, so maybe not that last bit, at least not yet!

Back in the real world…

The reason I know that we all have differing ways of going about the construction of our novels is a simple one, I have spoken to many of you, read your posts, articles and followed the threads of a thousand and one conversations.

In general, the stages are common, the concepts are common; it is the application, the mechanics which vary.

It was to address this issue that I decided to write this post. But then it became clear, that to include the many minutiae of variances was an impossible task, unless I was to write an entire thesis. Not something I had intended or actually wish to do, at least not now!

So what I have decided is to give a sketch of how I build my own stories, of how I take an idea, a concept and turn it into a book or a novel.

As with many of my posts I am staying away, as much as possible, from any technical jargon, because I think that will help the novices and uninitiated to comprehend my concepts and explanations better.

So here goes!…

 

Using the analogy of a human body!

My initial concept is rather like a jumble of bones. I can easily identify a tibia, the radius and, of course the skull. But the others are mixed in with bones from other species. In this case notes, rough drafts and such that belong to other stories.

The first job I have to undertake (see what I did there!?) is to lay out the bones in an order which loosely resembles a skeleton. The second job is to sift through the remains (at it again!?) and start connecting the larger bones with the smaller ones.

At this stage my bones…read story line…is looking basically as intended. The final pieces of the skeleton, all those niggly wrist bones, the teeny-weeny ear bones can be slotted into place. Standing back, (reading through a day or two later) I can judge how well my efforts have been and make any adjustments needed.

The next step is to double check that the arm is in the position I want it; the legs are angled just so. After all I don’t want my skeleton just hanging around like those from the biology lab. I want mine to pose, to attract and captivate the onlooker. Once I have all the sections (Chapters) in the order I wish, I can the start to put some meat and flesh onto those bones.

This is where I start over again.

Carefully layering, word by word the ‘flesh’ onto the bare bones. Taking my time back and forth over each section of the skeleton ensuring that the thickness of the ‘meat’ is correct in relation to the basic underlying structure. For instance, nobody has a fat forehead!

In the same way I do not want to pad out the first sentence or paragraph of my book with a ton of unnecessary bumf. I want my readers to instantly recognise what kind of person this is… (read- what style of book).

f8a476db508154058928e4f9905bac87I also want my creation to be attractive to that reader. If they like romance then my words must convey that, if it is tension as in a thriller, that must be portrayed too. All this must be accomplished within the first few lines, or at least the first few paragraphs. In this analogy it must be love at first sight.

As I, or you the writer, progresses down the body the same process must take place, adding just the right proportion of flesh to the various areas of you skeleton. By the time you reach its little pinky you should have a basic, rather stout figure laying out before you.

That is the end of that stage, but just the beginning of making your Frankenstein a wholesome human being, or you book into a readable tome.

At this point it is worth standing back once more and regarding the whole. Have a family member or a couple of your close friends inspect your handiwork. Listen to their comments and suggestions. Often two or more pairs of eyes are better than just your own, especially as you will be wearing those rose tinted spectacles.

The next step is to become a cross between Ed Gein (see Texas Chainsaw

Michaelangelo
<This one…not that one>

Massacre) and Michael Angelo. Your job is to carefully sculpt each and every inch of your work. Ruthlessly cut away all the unnecessary, useless, divergent, misleading crap. In fact, everything that is not in harmony with the premise of the story should go.

But don’t throw it away. Keep it filed for another book, a short story or that twist which will let you escape from the dead-end you will write yourself into at some point.

What you have left will be a mean, lean, fighting machine…or not!

Once again work on the sections and chapters of your book, make certain all the joints connections and move smoothly. That the transitions work. This may mean adding some more flesh, but this time ensure it is lean meat and not fat, unless you need that little extra padding. But be cautious.

Time now to stand back again. Sleep and eat properly and regularly for a day or two. Then review your work.

Happy…No? Then go back and polish it some more.

Happy…Yes? Good. Now it is time to beautify your creature, lay on the outer skin.

This is yet another review, edit if you wish. Tidy up anything and everything which is not sleek and smooth. Dot your i’s and cross the t’s. Change ‘that’ to ‘which’ colons or commas to semi-colons, past tense to present. This is like eliminating the moles and birthmarks.

My museNext stage. The test run, test drive. Time for your beta readers to see and feel what you have made. What tasks you have set, or asked your beta readers to do, will affect the feedback you get.

One thing is almost certain. Each beta reader will have poked, prodded, sniffed, licked, and tasted your creation. It will have been tossed about and pulled apart. So you will have to go back and patch it up. All those imperfections that you will…note I say ‘will’…have missed before need correcting.

One good thing is, at this stage of the process is that you can now add the final flourishes. The hair gel and the make-up. Dress your work in fine clothing, titivate it. Get your creation ready for the cat-walk, the promenade. The editor.

You see a good editor wants to look at your work with a critical eye. They are the sage, the modern day Maharishi. With blue and red pens, they (the editors) will clutter the margins with various annotations that require your attention. Oh glory be!

Now you can start from the top, once more, working your way down, through each layer of flesh, each rise and fall, curve and dimple until eventually and exhaustedly you reach that little pinky toe on which you have etched those wonderful words….

710ec870fe7dfd66bf6cafb11be15391

But as you well know that is not the end, because your editor, or another should take at least one more run through…. just in case!

Only after this should you even consider letting your monster out of your laboratory.

I feel I must say, especially those new to writing and who have read this far! That doing everything above only means that you have finished your manuscript.

I have not touched on the subjects of pagination, typesetting, design, book covers, illustrations, blurb, publishing, marketing, promotion, or anything else at all. I have only briefly covered the very simple bit, the writing of a story for a book.

Happy days! 

vampire1

 While I have you attention why not pop over and take a wander around my website? 

 

 

 

HOW TO “WRITER”

ill-1

Originally posted on http://coolerbs.com/  (Now updated & re-posted here!)

 JANUARY 17, 2015

 

For everyone who wants to be a writer, I present the honest answers to all of your questions:

What are writers?

People who write words, preferably ones that chain together to mean something.

Can I become a writer?

Yes.

Who can be a writer?

Anyone.

Is (blank) a writer?

Does that person write words? If so, then yes.

How do I become a writer? 

Write.

What do writers do?

Write.

How do I become a professional writer?

Write for free until someone offers to pay you for it. Then, write for them.

Does writing take practice?

Yes. Everything takes practice.

Do writers make a lot of money?

BWAHAHAHAHAHAHAHA… not usually.

Will I become a professional writer?

Statistically? Probably not.

Do I need to write every day?

You don’t need to, but I recommend it.

Do writers need to read books?

Yes, constantly. How do you think we manage to get all of those words into our heads?

What is the worst thing you can do as a writer?

Mass murder.

Can I make a living as a writer?

That really depends on what type of writing you want to do. Fiction writing is really risky and hard. You could crash and burn at any moment, and that’s assuming you manage to get off the ground at all. Ghostwriting or technical writing, on the other hand, is fairly consistent work, and pays decent. Editing, which is sort of like writing in its own way, also pays well. Writing for a website is actually feasible, but the website has to be really successful. It’s entirely possible, but it’s an upward battle.

Will writers exist in one hundred years?

I hope so.

Why are writers important?

Because, without us, all you would have to read are the labels on food packages.

Why do writers not like people?

We like people! We just don’t like being around people.

Does writing give you a God Complex?

Yes.

Why are writers crazy/depressed/weird?

Couple of reasons:

  • We’re isolated all the time, partially by choice.
  • We create and kill fictional people.
  • A combination of crippling self-doubt and an over-inflated ego.
  • We’re constantly told we’re supposed to be crazy.
  • We’re in our heads all the time, and sometimes we forget to come out.
  • We have to wait for things to happen without any guarantees.
  • We have to survive on the money we make writing.
  • Critics.

Why are writers alcoholics/drug-users?

That’s a stereotype.

How do I write a book?

In no particular order:

  • Write thousands of words.
  • Rewrite thousands of words.
  • Overcome writers block.
  • Create a plot.
  • Create characters.
  • Create conflict.
  • Cry a little.
  • Fight carpal tunnel syndrome.
  • Learn about yourself.
  • Learn about what it means to be human.
  • Cry heavily.
  • Spend years on it.
  • Spend more years on it.
  • Procrastinate
  • Write an ending.
  • Rewrite nearly everything.
  • Have a party
  • Finish the book.

What is the best genre to write?

If you’re going by sales, then probably Erotica or Young Adult Dystopian Fiction.

Can I write about Werewolves/Vampires?

Yes, but I won’t like you very much.

What should I write about?

Really? You’re asking me? If you don’t already have hundreds of ideas, then I think you are in the wrong line of work my friend.

What is a “Muse”?

A little voice in our heads that tell us what to write about.

What is “Writer’s Block”?

When your “Muse” stops talking to you.

How do I know when I’m done writing a book?

When it’s the exact story you want to tell, and has absolutely no grammar errors, spelling errors, font issues, size issues, formatting mistakes, or plot holes.

Self-Publishing or Traditional?

Both are fine. Choose what you think will work better.

Do I need to get my book professionally edited?

Yes.

Do I need to get it professionally illustrated?

Yes.

Do I need to get my cover professionally made?

Yes.

What’s a first draft?

The first version of a book, before you go back in and tear the whole thing apart, fixing errors as you go.

How many drafts are there of a book?

As many as needed, sometimes more than 10.

Will my first book get published?

Unlikely. Sorry.

Am I going to become famous when I publish my first book?

No.

How do celebrities write books?

They don’t. Usually a ghostwriter does it for them.

How does James Patterson and Stephen King write so many books?

They write all day. Every day. Till their fingers bleed, heal, and then bleed again.

What is NANOWRIMO?

A contest where you have a month to write the first draft of a book.

What is a manuscript?

According to Google:  “A manuscript is any document written by hand, or manually typewritten, as opposed to being mechanically printed or reproduced in some automated way.”

Why does no one like my writing?

I’m sure someone likes your writing.

Am I a good writer?

Possibly.

Am I a great writer?

If you think you’re a great writer, then you’re probably not. The greats are hyper-critical of themselves.

What are the downsides of being a writer?

  • Eye strain.
  • Loneliness.
  • Hand cramps.
  • Back cramps.
  • Self-doubt.
  • Awkward at parties.
  • Madness.

What are the upsides of being a writer?

The things you create are immortal.

How hard do writers work?

Harder then you could possibly imagine.

Is it worth it?

Yes.

Rambling from a Writers Mind now gives you the best Amazon deals around.

Check it out 

Profile-Photo

A piece on the noble art of writing ‘Flash Fiction’.

flashfiction2

Basically flash fiction is a short form of storytelling.

Trying to define it by the number of words is a futile exercise. Purists may give a figure of 100 words, but that is arbitrary at best.

For most a story of under 1,000 words can be considered flash fiction, some even stretch this number to 1,500 words.

What is generally accepted is that ‘flash’ is an extremely short medium in which the writer must tell a complete story. Fragmented tales are not tolerated.

The challenge is to tell the tale in a way that every word is absolutely essential, discard all words which can be considered superfluous, leave only the gleaming white bones of direct narrative.

thediplomat_2014-04-05_04-34-09-386x258

Ernest Hemingway stated this wonderfully in his (over-quoted) dictum referencing an iceberg: Only show the top 10 percent of your story, leave the other 90 percent below water to be conjured.

Although it is a rather worn and overworked cliché it is one that should be born in mind when writing flash fiction.

Flash fiction is not a new phenomenon created by social media or the internet, it is an ancient writing form which has existed for millennium.

Some other names for this form of writing are: Sudden, fast, quick, postcard, minute, furious, and even skinny fiction!

The French often term this as ‘nouvelles’.

In China, pocket stories, minuet longs and palm-sized writings are frequently used terms.

download (2)I have also heard flash fiction referred to as ‘smoke stories’. A reference that it only takes as long to read a flash story as it does to smoke a cigarette!

.

I know that this is a very short post in comparison to most of my ‘Ramblings’, perhaps it should be called a ‘flash blog’?

Thank you for reading this, enjoy the rest of your day.

I the meantime I shall leave you with a little ‘micro fiction’ piece which was inspired by the aforementioned Mr Ernest Hemingway.

‘Colt45. Used only once. Includes 5 shells. Sale due to recent bereavement’.

© Paul White 2015

Why not mosey over to my other blog ‘Further Ramblings and read some irreverent ruminations.

Understanding Black. (Notes for writers).

Vanishing-Flame-Wallpaper-black-28305469-1024-640

Be it poetry, the opening scene of short story or an emotive section of a novel, the colour black is often utilised by writers to project or convey a ‘certain feeling’ to the reader.

But how many of us have actually considered why we perceive black in the way we do?

As one of the tools in our wordsmithing armoury should we not understand why the word black can be such a powerful device?

Generally black embodies the values of death, depression and evil. It can be used to describe something terrible or maybe a void.

But why do we identify black with badness, immorality or malevolent actions?

It is common in our society to use the word black as an exclusion, such as blacklist, black mark, or black sheep. We also apply it to people who we perceive of unpleasant actions, such as saying they have a black heart or black soul.

You may say it is because one wears black to a funeral, or it is the colour of mourning. But that is not necessarily so. In other cultures, such as China and India the traditional colour for mourning and reflecting death is white.

Not until Bollywood adopted and merged some western ideology into the Indian cinema, would you ever see anyone wearing anything but white sari at a funeral. In fact it would be considered impolite to wear black at any Hindu funeral.

Much of this form of the perception of black is a Christian/Western opinion based on ancient observation or teachings, much based on historical legend.

Ancient Greek myth has it that at the beginning there was just ‘Chaos’ or Khaos. (This does not mean ‘Disorder’ in the contemporary sense, but rather ‘Chasm’, in the sense of a dark, gaping space).

downloadKhaos gave birth to Erebus, the darkness of the Underworld and Nyx.

Nyx was the goddess of the night, one of the ancient Protogenoi (first-born elemental gods). In the cosmogony of Hesiod she was born of (Khaos) and breeding with Darkness (Erebos), produced Light (Aither) and Day (Hemera), first components of the primeval universe. Alone, she spawned a brood of dark spirits, including the fates, Sleep, Death, Strife and Pain.

Nyx was a primeval goddess usually represented as simply the substance of night: a dark veil of mist drawn forth from the underworld which blotted out the light of Aither (shining upper atmosphere).

Even in Nordic legend black has a prominence. The fire giant whose sparks made the universe.

Surt is the King of Fire in Norse mythology, the Lord of the Fire-Giants of the realm of Muspellheim.20a7f6c18823e6ed7d2cf7e4b25c4d4e

In the beginning, there was only the blackness of Ginnungagap, and then Surt appeared out of the blackness with his flaming sword and touched the land, it lit up and became the Realm of Fire.

Eventually it drew close enough to Niflheim, the primal Realm of Ice, that it warmed and melted the frozen earth, revealing Ymir the primal frost-giant and Audumhla the Great Cow. In this way, life was created from the meeting of fire and ice.

With these ancient wisdoms and beliefs being passed down the generations it is no wonder that darkness, that the deep black of night still has a resonance of anxiety and apprehension within us all.

Modern knowledge may have more acceptable theories such as the big bang, yet even here it is suggested that it was many thousand millennia after the bang before the first stars began to form, which is almost inconceivable to comprehend.

The thoughts of endless night, a total void of nothingness, a black hole encompassing the entire universe is frightening to most.

So it is not surprising that based on tradition, folklore, socially established conventions and custom that we westerners perceive black to hold the qualities of evil, depravity and immorality. Much of this is due to our cultural dread and fear of the unknown, the unseen and the minus light of darkness.

Now, add a touch of Hollywood movie conjoined with mass media and you have an ideal breading ground to spread rumour, fabrication, falsehood and fiction, all of which so easily becomes assimilated into the psyche of modern society.

saint-francis-borgia-helping-a-dying-impenitent-goya

Suddenly black is the epitome of all evil, it is the quintessence of Goyan nightmares, of original sin, of death, of satanic rituals, black mass, sexual depravation and transgression.

Black becomes the cloak of darkness for vampires, the shadow where werewolves lurk, forests of malevolent spirits and the embodiment of evil itself.

Or does it?

Because there is another side to black, a lighter, brighter side to this deepest of darkness.

Fashion, glamour, opulence, style and desirability.

Black is the new black.

Here lies a social and perceptive disjuncture.

The sleek aesthetics of glossy black fashion, a world of sequins, leather of obsidian jet chic and metallic black Ferraris.

Here is a transgression from black’s authority of depression and nightmare.

This is a juncture where modern mindfulness separates the black associated with the natural world, the world of dark recesses and shadows of mystery and myth, from the brighter black of the contemporary, enlightened and progressive world of today.

The little black dress, appealing, sensual, hinting at naughtiness, suggestive of excitement. This is sexy black, the black of lacy underwear, of thin straps revealing rather than concealing, the offering of promise.

black-101

Yet even here the evocative black is tinged with an inference of deprivation, of transgression from the acceptable. It is that, the allure of going beyond the boundaries, the immorality of wild or illicit acts which is attractive, which whets our carnal appetites.

The modern black, the black of this world is the white light black of Newton and Robert Boyle.

So be it.

Therefore to know, to understand which black to choose when weaving that spell in your novel of dark fantasy, or which black to spill across the pages of a bloody thriller is a most important element.

Select the modern black, the industrial manufactured black for seduction and pride, for sex and sheen.

Take hold of the natural, the organic, ancient, primordial black which seeps uncertainty, drips terror and dread for your dark scenes, your night horrors and death itself.

Choose your darkness well my friends, write admirably and when the shadows of sleep creep upon your wearied eyelids, shutting the out the light, sleep soundly in the comfort of the black night……If you dare.

© Paul White 2015

Website: http://paulznewpostbox.wix.com/paul-white

You may also enjoy reading some of my short stories at: https://alittlemorefiction.wordpress.com/

0074bd6682ca87013572bdaae6ee2bc9

Another great site all writers need

woman_computer_happy_shutterstock

You folks should know by now that I am always looking for great sites which will help improve our writing skills, or simply encourage us to continue when we feel down or have that thing some call ‘writers block’.

Another area I am always keen to explore is marketing, advertising and promotion because once we have written our books we want to share our stories with the world.

At least I do!


Over the past few weeks I have highlighted book promo sites:

PROMOCAVE http://promocave.com/

AUTHORSdb http://authorsdb.com/

and of course SNEAK PEEK https://takeasneakpeak.wordpress.com/

I have also blogged about MELANIE ROCKET’s wonderful, informative & useful website http://wp.me/p5 one which I would highly recommend you visit whether you are an experienced writer or just starting out.


There is yet one more fantastic site which offers all sorts of advice for writers along with direct help.xlogo.png.pagespeed.ic.HZT-ltPmGK

NOW NOVEL http://www.nownovel.com/

The ‘How to’ pages and blogs are excellent, like how to create tension-eight methods, or how to pace a crime novel, even six secrets to writing a series.

Furthermore you can submit a 500 word sample for criticism by other writers, or constructively criticise their 500 word samples. This is a wonderful way to get personalized feedback to give you direction, and support to improve your story.

ill-1One of my favourites from Now Novel is a process that gives you a blueprint for writing your novel. It’s guaranteed to get you from where you are now to where you want to be.

Now Novel is a structured method designed to help you finish your novel. The process is organised and easy to use, with helpful mentorship and consistent motivation to give you one essential thing: the blueprint for your novel.

Don’t just take my word for it, go check out Now Novel’s site yourself, mooch around and read. You will be glad you did.

I hope the above will help you, as they have me.

Keep tapping away!

Paul.