Before I talk about Electric Eclectic in detail, lets set the layout of the indie publishing ground.
It is something like this….
I constantly hear writers say they are looking for new ways, or better ways, or alternative ways to market their books.
I also hear many authors saying they would like to find an effective way to promote their books without spending a fortune.
Not forgetting those who lament they never knew about a new initiative, or would have loved to be in at the beginning of… whatever it may be.
In this post, I shall offer you one of those alternative ways… and the opportunity to get in on the ground floor of something special… read on, but only if this is the type of opportunity you would really like to grasp.
The general consensus it seems, is Facebook adverts don’t work; unless you are willing to give all your hard-earned cash to Mark Suckonaburger (to gain a small exposure to a limited number of people for a minimum amount of time and still have no guarantee anybody, outside of your regular social network, will actually see this paid for promotion.)
The same goes for the confusion which is Goodreads and the plethora of similar book/author/reader platforms such as (in my opinion) the expensive Library Thing. Authors Den tries hard but is much the same and just as confusing as Goodreads.
Of course, you can pay for people to ‘give away’ your books, there are plenty who are willing to freely distribute all those months of your hard work, not to mention the money you have invested for… well, more of your money.
They will use the old adage, the saying that a short-term investment (read loss) is a way of gaining new readers. You know the type who will take your free offer, one of those folks who ONLY read free books “because there are thousands of free books ‘out there’, so why do I need to pay for any?” type of folk.
Why then, should they suddenly have a change of heart and convert to actually paying to read someone’s creation because they see your book going for free?
It is NOT going to happen.
Books are perceived to be devalued when they are offered free.
If you ever do find a grand number of these folk, enough to create an income large enough to sustain an author’s life, please let me know, because no one else has achieved that, so you would be making groundbreaking world history.
Please do not get me wrong, I am not against people paying for marketing or promoting books. All I ask is you consider exactly what they can/are doing for you and what realistically you can expect as a return on your investment.
Try calculating the cost/return usingthis thought process:
Equate the cost/fee the person/company is asking, as a royalty return per-book. (after tax).
Calculate how many book sales that figure equals.
Note how long you have to achieve your target.
This will tell you how many paid for books you MUST sell to replace that spend. (Your break-even point for this promotion.) and how long you have to accomplish this.
Remember, this calculation does not take into account the amount of money you have already spent on getting the book published in the first place, such as cover design, formatting, editing, maybe printing costs and so on.
If you are looking for a return, or to achieve an income from your promotion and marketing, doing this simple calculation is a good way to judge the portent of such an investment.
You do the math.
You decide if its genuine value for money.
Now… to Electric Eclectic. (EE for short)
Because I often approaching marketing from a slightly different angle, some can find my concepts a little confusing or difficult to comprehend at first, even though I try to keep things a simple as possible.
What gives me the right to write this… and who am I anyway?
I spent several years working in marketing, primarily with the larger advertising agencies such as John Walter Thompson, BBDO, Saatchi & Saatchi and so on. It was back when computer manufacturers had names like Sinclair, Dragon and Amstrad. Google was something to do with cricket, Windows were for looking through and cleaning, telephones had curly wires attaching them to the wall and programming used a language called Basic.
I now employ many of the principles learnt during my time in London, albeit updated and developed to work on social media, in the marketing of my own books. Doing so has served me well; I am a recipient of several literary awards and I am credited as an Amazon Bestselling Author.
Continuing with the development of my online marketing techniques, I have created a way for authors to earn royalties from their advertising while promoting their books.
I have branded this as Electric Eclectic.
You see, I know most, if not all writers have many short stories, part stories, old stories lingering in rarely accessed files. These stories are the ones they have not finished yet or are keeping to work on at a later date, (a date which never comes), or once used in a charitable anthology years ago. Some are little more than rough notes waiting to be developed, others unused cuts and edits from a previous novel.
No matter which or why they are there, most if not all writers have unused ‘stuff’ lingering around.
I have an idea how you can Moneytise these loitering tales.
At the same time authors are spending even more money, time and effort discounting and giving books away, ones they have worked so hard and so long writing. They are doing so in the rather vague hope of hooking the odd appreciative reader.
This is to me, like throwing the proverbial ‘shush’ at the fan. Sometimes called the shotgun or scattergun approach. Using a big unfocused blast in the hope we hit something.
More often than not, all that happens is we suffer splashback.
You must admit, it all looks and sounds a bit amateurish and silly when considered from this perspective.
So… what have I devised which makes any difference?
The answer is Electric Eclectic books.
It works like this; You (the author) digs out one of those old stories, one of your half-written, lingering, lost works, or you could write a new piece for Electric Eclectic books. It’s up to you.
The story is edited and formatted using EE guidelines, a cover produced under the same EE format, (working within the EE guidelines is of paramount importance) This results in the creation of an eBook between 6K and 20K words.
In other words, a Novelette.
By creating this book or books, (there are no limits to the number of EE books any author can produce, although two to three would be a good starting number.) using the Electric Eclectic branding, the book becomes an EE book.
The author pays a small, once only/lifetime fee, to licence the use of the EE brand for their book. (It is a franchise licenceif you wish.)
The EE licence applies and is associated with the books ASIN. Therefore, each book requires its own EE licence.
(Sorry, but certain parts of the EE formatting and branding system can only be revealed to authors after the licence fee is paid. They will not be revealed here.)
The Author publishes their own book, under their own name on Kindle and any/all other sites they wish.
ALL rights remain with the author.
The author keeps all royalties.
As an EE author, you now benefit from the Electric Eclectic branding.
This means sharing in the exposure of all EE book promotions and marketing; the general ongoing brand marketing, the general promotions, even each individual title and author promotions helps the brands overall publicity. Not forgetting inclusion in online magazines and recommended book listings and the EE search page on Amazon.
The final part of the jigsaw is… when readers purchase an EE book, not only does the author receive the sales royalty (rather than paying to give their book away), but the readers are shown and directed towards the author’s other books and works directly by hyperlink.
To conclude; by using unused stories, re-published works etc. Electric Eclectic branding allows authors to earn from their stories which were previously just collecting dust. EE books link readers directly to your other books, greatly increasing potential sales of your prime works.
Increasing income, having a greater chance of sales and gaining new readers, saving money on marketing and reducing costs by not discounting or giving away your major books, makes publishing an Electric Eclectic book a win-win situation for all authors.
Electric Eclectic is a marketing brand designed for the promotion of indie-authored books.
Electric Eclectic is NOT a publisher.
Electric Eclectic do NOT take any royalties.
Authors are not contracted, leaving them unrestricted regarding other publishing options.
Would you like to join us?
Would you like to be one of the first Electric Eclectic authors?
I have been working on an awful lot of ‘Stuff’ these past few weeks.
I am always busy, it keeps me from hanging about on those street corners. But these past weeks I have been busier than most.
Let me give you a clue….
Over the last two weeks, I wrote approximately 630,000 words, 350,000 last week and 280,000 the week before.
I have promoted the November edition of CQI magazine, the Sci-Fi season special. Click on the cover image to read.
I am in the midst of compiling two annual catalogues for CQI, ‘The Collection – a guide to year-round giving’ and ‘The LIST 2018′ a catalogue of commended and acclaimed books.
During which time, I have beavered away at marketing to keep my two latest books high on the Amazon sales lists. Successfully.
I finalised and formatted a further two books, including designing the covers. They are:
Dark Words – dark tales & darker poetry is scheduled for release on the 1st of February 2018.
Within the Invisible Pentacle, a collection of intriguing feminine titles is due out on the 1st of June 2018.
That done, I can concentrate my efforts on completing two other WiP:
Floyd a Novel about an escaped psychopath on a bloody rampage of revenge and…
On the Highway of Irreverent Rumination & Delusion, which is a rendering of my past blog of the same name, about musings of life, living and our society, with many additional perceptions, formed into a book.
I am hoping to have both completed by the end of 2018… but who knows?
Included in this time, right up until yesterday morning, I have published three new eBooks, Kindle ‘novelettes‘ under the collective brand of Electric Eclectic.
Electric Eclectic books are absolutely fantastic, they enable readers to ‘taste‘ a previously unread or unknown author at the extremely low price of just 1.00 (Dollar/Pound/Euro). HOWEVER… unlike many low-cost books all EE novelettes are vetted to ensure they meet exacting standards, so readers can buy Electric Eclectic branded books with confidence.
EE is a Franchise, where the individual authors benefit from the marketing and promotion of being associated with the prime EE brand itself. Enquiries about becoming an EE author to EEbookbranding@mail.com
My current EE novelettes are:
North to Maynard, a tale of Gremlins in our modern world of high tech.
Three Floors Up, where a psychotic man watches those below until…?
Mechanical Mike, a tongue-in-cheek sci-fi robot story, set in Paris during WW2.
Oh, I have also helped a fellow author to create a fully illustrated children’s book, written by an eight-year-old girl. A project not without its problems, but one where I have enjoyed overcoming the challenges.
I took three days out to travel to Belguim during this time period too.
Like many writers I have a store of part written works. Literary orphans, many of whom deserve better parenting than I have given.
Some, are first drafts of short stories, ones which need attention before I could possibly allow others to set eyes upon them.
Some, are beginnings of new books and novels. Many are several chapters – or more – in length. A few far longer, yet abandoned and gathering dust in the archives of‘I’ll take another look at it, soon, one day, when I have time, sometime.‘
Some, are mere scribblings, outlines of thought, rough drafts of similar concept, or of unjointed notes, sort-of-bullet-points, fleeting notions.
Occasionally, I have pulled the odd page from the depths of neglect. In a few instances, I have reworked such a piece, even developed it into a viable story.
But those times are seldom.
Generally, when I unearth an old unfinished, partly written, abandoned tale, I quickly scan it, faintly recall its birth and return it, with a promise of coming back and spending some time with it ‘when I can give it the attention it deserves.’
Which is probably, almost certainly, a long way off from this current day, like… never.
We make the excuse of having more pressing and urgent tasks as current commitments. We enjoy the conception of creation, of having new babies in the making and we look forward to the birth of out next.
That is, if they reach as far as the publicatory birth. If our current focus is not waylaid or distracted by another fancy, another attractive proposition of literary lust which causes us to forsake the unborn penned pages, formed only weeks ago, during our crazed desire to conceive another narrative fable.
We, as writers, are not good role models for caring and nurturing our creativities.
This is, as you can tell, one of the ‘things‘ which I have been silently musing over during the past however-long it has been.
I wanted to understand why I could not simply open a file, drag out the unborn foetus of past indulgence and continue writing where I had left off. Even a re-read and re-write, rather like a genetic splicing of characteristics, to take each past, abandoned child of mine, from infantile scrawling to full blown manuscripted beauty and let them loose in the world.
So, I tasked myself to do precisely that. To wrench open the doorway of dusty archives and let the light flood in.
I was astounded by the mass of unloved writings huddled in the dank corners of my RAM. However, I was determined to make amends for the neglect suffered by these poor, unassuming, word documents. After all, they never asked to be created.
One by one I read the works.
By the time I reached mid-way point of the fifth part-work, I had my answer.
It is all to do with mood, muse and moment. At least it is for me.
Allow me to explain…
As I said earlier, literary lust and crazed desire set us on a special relationship in the attempt to conceive a beautiful outcome, a desired work of the bestselling nature.
While our mindset is concentrated, focused on a single relationship we flourish, some of us are capable of holding two, maybe three such affairs on a steady and productive track.
But each and all of these are balancing on a knife edge of frustration, distraction and boredom. Unable to help ourselves, our minds are constantly on the look-out for other attractive propositions and exciting ventures.
Therefore, once our muse is diverted, the love for what is under our fingers wanes. Rarely is it lost, just lessened, it diminishes, at least for the present.
Then, one day we find these lost loves, or that which we once begat from such a relationship; they reach out, arms feebly grabbing for our attention.
But are we ready to take them to our bosom once more?
Most time, the shame is, we are not. We are not ready or willing. So, we slam the door in their faces, committing them to the darkness of closed files one again.
Why are we so cruel in our neglect?
The answer I have found is that mindset I mentioned earlier. To pick-up and move forward from our past indulgences, we must rekindle the fondness we felt before, relight the old flame of particular creation.
Without us being ‘in the zone’ with regards to each individual story, we shall never see them grow into the works they surely deserve to be.
Maybe, to assuage your guilt, the shame and self-reproach I have now raised in your heart and mind, because of your own wicked neglect over your part works, maybe you should unlock the archive doors and take some time with your unborn literary children.
Bring them out of the shadows, let them dance in the sunlight of new development and re-writing nirvana. You never know what wonderful orphans you may have forgotten.
Thank you, for reading another of my Ramblings. I hope you took something away with you from these words?
Please share Ramblings from a Writer’s Mind with your friends and don’t forget to follow this blog too.
Perhaps you would like to read more of my writings? You can find my books and links to my other blogs on my website.
It may seem a strange title for a post, but it is one which reflects much of what our modern society is about.
With the event of digital photography and smart phones, far more of our daily lives are recorded, most often in a haphazard fashion. A jumble of images stored on SD cards, memory sticks and in a long scrolling stream of incoherent, often unconnected messages.
Many vanish when we upgrade our phones or computers, memory cards are lost, external hard drives become corrupt or obsolete. Some files may be stored ‘in the cloud’ or ‘on social media’ at least for now, for the time being, until it all changes once again.
Nothing is secure from loss, deletion, corruption or becoming obsolete. Such is the way of modern technology, such is modern life. A simple power outage can render even the most expensive, cutting edge technological gadget useless, in less than a Nano second.
Books, on the other hand, tend to outlast anything else when it comes to keeping their content safe. Libraries, universities, country estate houses and museums, all hold venerable tomes from hundreds of years past. Volumes of information and knowledge that do not need an external, or rechargeable, power source.
This is why you need TOAD Publishing in your life.
TOAD is a specialist publisher, who concentrate their efforts on glossy hardcover books, generally known as ‘Coffee Table’ books.
What is a Coffee Table Book?
In theory, you can put any book you like on your coffee table, but not all books inspire conversation. A Coffee Table book is usually an oversized hardcover book. It is designed to be displayed somewhere prominent, often on a sideboard, a visible bookshelf, or maybe a Coffee Table!
These books help to entertain friends, family and guests. They stimulate conversation, allow people to see what the interests of the owner, such as the arts, photography, fashion, style, travel, and family.
They are statement pieces, works of art, decorative and entertaining.
Now TOAD have taken the coffee table book one step further, one step beyond ubiquitous perception.
Enter the Heirloom Book.
TOAD create personal, unique books chronicling major events in your life, the moments you like to keep as a memento, to share with family and friends, or preserve as an heirloom.
They will turn your photos into a glossy wedding album, or a chronicle your pregnancy, childbirth and beyond, to a child’s first birthday. They will document a life project, a holiday and more.
In the past, TOAD have created a record of theatre production, from foundation to the first night performance and city art students, as they created a street mural for the council arts project.
These books are not about recording the past, they are about recording your life now, on the present moment, which will soon be the past, a too easily and too often, lost past.
When it comes to documeting your life, do not leave it to the haphazardness of chance, keep your memories safe, keep them in a Heirloom Book from TOAD.
Heirloom Books, work for businesses too. Document special projects, feature successes stories and special events, like the annual conferences, share them with your suppliers, customers, or staff, in this wonderfully unique way.
TOAD Heirloom Books enhance the perception of esteem to reception areas, hotel lobbies, waiting rooms, guest rooms, private libraries and, of course, on your coffee table.
Heirloom Books are full colour, unless otherwise specified, glossy, perfect bound, photographic and/or illustrated, hardcover publications. The interior layout and covers are designed by our in-house studio, PeeJay Designs and printed by our partners in the Netherlands, from where the books are distributed worldwide.
In February, I released ‘Life in the War Zone’ a collection of stories, based on true accounts, of what life is like living between warring factions in an area of conflict.
Life in the War Zone takes a serious, no holds barred look at the devastation and trauma of life in the battlefields of the Ukraine, Syria, Afghanistan, Iraq, Bosnia, Serbia, Croatia, Israel, Palestine, Libya, Lebanon and El Salvador.
Also during February, I published a ‘Coffee Table’ book called ICONIC, or to give it its full title, Iconic – Legends of music immortalised in art.
Iconic is an 8 x 8 inch, hardcover, perfect bound, glossy, book, containing a number of my own artworks, portraits of some of the most well-loved musical talent ever known, such as David Bowie, Amy Winehouse, Buddy Holly, Jimi Hendrix, Elvisand many more.
March saw the publication of The Pussers Cook Book.
This became an instant hit and an Amazon bestseller. It is still, as I write this over a month after the books launch, at number three in its Amazon category.
The Pussers Cook Book details twenty-two of the best loved dishes, served on Royal Naval ships circa 1960’s to 1980’s. Along with the recipes, there are plenty of jokes and tall stories, some legendary myths are also dispelled!
You do not have to be a sailor to enjoy the Pussers Cook Book. It makes the perfect gift for a freind or loved one.
You will see by this, why my time this year has been at a premium.
Now, I have touched on art, as in the title of this post, by mentioning my tribute to the great musicians in the book, ICONIC. Which clearly shows the link between writing, books and art.
As do all those millions of books with illustrations, photographs, pictures and images inside. Let alone the amazing and wonderful artistry shown by many book cover designers.
In that respect, books and art are almost inseparable, and never exclusive.
But there is more…
Art has always been a ‘go to‘ place for me, when I need to rest my mind from concentrating on writing. Whilst my form of art, digital painting, is still a creative discipline, it is creative in a totally differing way to the mindful concentration needed for writing.
In that respect, I find creating digital art relaxing, even ‘freeing up‘ the subconscious mind to continue its own creative endeavours, whilst I take my consciousness on a holiday of colour and form.
The problem arises, much as it does when writing, or I should say, when one has finished writing and has published their book.
Who will see it, who will read it, who will buy it?
It is all well and dandy to have a book, three books, ten? Sitting on the shelves getting dusty and covered in cobwebs. What we want, what we need is someone (Many someones) to come along and actually read our words.
The same is true of art. What is the point of creating wonderful, thought provoking, stimulating images if they are simply going to be stored as a digital code on a memory stick. If they are never going to be made onto a canvass, or a poster, or even printed onto a tee-shirt or coffee mug?
Both of those scenarios are, in my humble opinion, a total waste of time, effort and creative energy.
So…what to do about it all?
Firstly, I have made a Facebook page to help direct people to my works.
The main site is my artwork website, where you can browse through a selection of works albums and find links to the other places my work is available. https://goo.gl/pyPI7i
That is why I am talking about art on a writing blog.
Thanks for reading this…if you have read this far!
I will be back to posting my normal Ramblings from now on.
IN THIS BRAND NEW SERIES (J.B.’S AUTHOR INTERVIEW SERIES) I’LL BE INTRODUCING YOU TO SOME OF THE FINEST AUTHORS AROUND. YOU’LL GET A PEEK INSIDE THEIR MIND AND THEIR PROCESS.
Today I meet Paul White.
J.B. Taylor – What inspires you?
Paul White – Wow, what an interesting opening question. There are so many things that kick start my imagination. A picture, a smell, a sound, a partly overheard conversation, clips from a film, a scene from a television drama. One of my favorite sources is the radio, I listen to Radio four, a BBC station it has wonderful interviews covering a myriad of topics from the arts to medicine and world affairs. I often listen to this station when I am driving and, besides the road, there is nothing else to distract you from listening. It is surprising how many ideas can come out of a twenty minute drive!
J.B. Taylor – What’s your favorite book?
Paul White – Another unanswerable question! I have so many books I love and all for different reasons. I will give you two. I read both when I was a young man and both have stayed with me over the ensuing years, so I take that resonation to be a sign that they are special books.
The first is ‘Down by the Dockside’ written by Deirdre Cash under her pseudonym Criena Rohan. It is about a plucky, literate girl who grows up in poverty in Port Melbourne during the Depression, marries a sailor during the war and loses him in a fight at Christmas in 1946, teaches dance and consorts with the criminals her childhood pals have become, it’s a lively and endearing tale of Australia in the 1930s and 1940s.
The second is Do Not Go Gentle by David MacCuish. The book focuses on Norman MacLeod, growing up in the tough Depression-era town of Butte, Montana. After his father succumbs to a mining-related disease, young Norman leaves school and also begins working in the copper mines. Following the death of his closest friend in a mine accident and the moving of his mother and sister to relatives back East, Norman enlists in the Marines. The book follows MacLeod through boot camp, life on and off base, and then to the South Pacific where MacLeod and his fellow Marines face both their fears and the Japanese. On leave in the U.S., Norm visits the wife of a killed comrade, and begins a relationship with her. Filled with gritty scenes and no-holds-barred dialog, I think Do Not Go Gentle is a minor classic in the field of novels about men at war and the effect it has on families and communities.
Ok, so that was longwinded, but you asked!
J.B. Taylor – If you were asked to unload a 747 full of jelly beans, what would you do?
Paul White – Park it up and slowly eat my way through the contents!
J.B. Taylor – Where do you like to write?
Paul White – Anywhere I can get my head down and concentrate without too many interruptions. I have an office at home, but a café, hotel lobby or gardens can be good too.
J.B. Taylor – Which Harry Potter house would you belong to?
Paul White – Never read Harry Potter, not seen the films either…am I the only one?
J.B. Taylor – What is your favorite word?
Paul White – That changes frequently, however at the moment it is however. However, that may change soon!
J.B. Taylor – What is your least favorite word?
Paul White – Hate. It is overused in general conversation and rarely is its true definition realized by the speaker. In writing however, (did you see what I just did there!) there are no bad words, just words.
J.B. Taylor – What was the first story you ever wrote, and what happened to that story?
Paul White – My first true story, a proper one with a beginning, middle & end, is Miriam’s
Hex. There is a long back story about how I have come to resurrect Miriam’s Hex from a dusty box in the loft and have published it as an eBook novelette.
The story of how that happened is included in aspecial editionof Miriam’s Hex, which is ONLY available directly from me…if you like would a copy just click on the link above!
J.B. Taylor – Tell us about your process: Pen, paper, word processor, human sacrifice … how do you write?
Paul White – Generally, I use a PC or Laptop and type directly into a word document. But for making notes and writing ideas down I scribble into small pocket sized notebooks. I have several of these scattered about the house, the cars and in lots of jacket pockets. Occasionally a notebook has been washed and tumble dried. Not good!
J.B. Taylor – What’s the biggest mistake you’ve made as a writer?
Paul White – Besides becoming a writer!
Paul White – Rushing out a book with over excitement and thinking that was it. You soon learn to take more care, get it edited correctly, re-write and tweak. Over and again if necessary. Doing things right pays dividends in the end.
J.B. Taylor – What else are you working on?
Paul White – I have a number of projects. There are three main ones. One of those I need to complete before…two of them I need to complete…in fact all three need to be completed before the others!
But…let me highlight the novel I am working on. It is called ‘Floyd’.
Floyd is an escaped psychopath, a fugitive out on a mission of vengeance, against all those who were involved in having committed. It is a thriller/slasher/ blood and gore story, BUT with human and emotional elements woven in between the main events, rather like sutures pulling a wound closed!
J.B. Taylor – In a perfect world where you could cast your book for a movie, who would you pick for your main characters?
Paul White – I would love one of my books to become a movie, or my short stories a TV drama series, what a nice dream. In that ideal world, I would love to use unknown people, maybe ones who have never acted before. Members of the public like you and I. Imagine walking up to someone in the street, who catches your eye and asking if they would like the leading role in a new Hollywood or Pinewood movie! Wouldn’t that be fantastic?
J.B. Taylor – When you complete a story, do you let it go? Or do you like to stop and think about what your characters might be up to, what they might be doing?
Paul White – I used to just let it go, put it to bed as they say. (Whomever ‘they’ are?) But now I leave it for a while, weeks, maybe a month or two. Then I return and read the work, making critical notes. That’s when the real nitty-gritty work starts.
J.B. Taylor – Are you a panster or an outliner?
Paul White – Oh, most definitely a panster! I write from the heart, from gut feelings with only the roughest skeleton of a premise. The story and the characters evolve with me, sometimes in spite of me, as the book progresses.
It is not until I am half, or more of the way through, do I lay out some formal course to the conclusion and, I only do that, because the second half of a book is far harder to write than the first.
Maybe I should write the end before the start next time around. Do you think that might work?
Oh, I do not mean the writing I do as a job, My books, my novels and such. I know why I do that, it pays the bills and keeps the wolf from the door… at least for now.
The writing I’m speaking of is this type, these Ramblings, my‘Wild Geese’travel blog, social media posts….all that hoo-ha. I certainly do not make any money from writing this stuff.
Sometimes, I think my posts simply evaporate into the ether of the net, floating around in cyberspace, like an errant satellite never to been seen again. That is, until twelve years in the future, some lost soul in Outer Mongolia ‘likes’ the post.
Hey… that’s two ‘likes’ in twelve years, for an absolutely brilliantly written essay regarding a major social event which touched everybody’s life at the time.
But don’t worry, because at the same time I posted a snapshot of my cat licking its tail, that got ten thousand ‘likes’ and half a million ‘shares’ in three days.
Does that mean I am now going to join in with the massed hordes of cat picture posters and give up writing constructive and entertaining articles?
Not on your life. (Besides, my cat died last month)
That lost soul in Outer Mongolia may have be the Dalai Lama on a pilgrimage, or a young American backpacker, one who is destined to become the president of the United States at some point.
What I am trying to say in my usual rambling manner, is I am a firm believer in the quality of those who ‘like’, ‘plus’ and ‘follow’ my writings.
I do not write purely to amass great numbers of ‘followers’ or ‘subscribers’ to my Blog’s or other media posts.
Yes, it is nice to see your numbers growing, it shows your work is appreciated. Which is one reason I use social media.
Yet, I would rather my work is respected by those who value the content and not just because the accompanying image caught their eye.
Another reason I write, is to introduce my books to those who may not know of them.
You see it takes a long, long time to take an idea of a story and turn it into a published book.
That is many months, if not years of hard graft. After which, it is an absolute shame to see it languishing on a shelf collecting dust, or hanging in cyberspace waiting to be downloaded by the Dalai Lama after his pilgramage and meeting that nice American chap.
Then of course, there are the other reasons for writing. The main reasons for writing.
Some find it a form of catharsis, allowing them to expel worries and anxieties. Some see it as sharing, a social form of interaction. For others it becomes a need, almost an addiction. Often it is a combination of all and more. The overwhelming must though, is the need to share, to have someone, somewhere to be reading our words.
Right now, it is possible that my novel, ‘The Abduction of Rupert DeVille’ is being read by someone lazing on a hot tropical beach in a faraway land, where the azure blue sea laps the golden sands of paradise, or by your sister as she sits, legs tucked beneath her, on her favourite chair sipping a hot chocolate and nibbling on digestive biscuits.
The main thing is that someone, somewhere is reading something I have written at some time.
Even if it is on a mountainside in Outer Mongolia.
The point which I am attempting to convey, is to get the quality and quantity of people we, the writers and authors, need to read our work, we have to reach out and show our writing to the world.
With that in mind, I want to introduce to you to CQ International Magazine.
Okay, so many of you will know about the magazine, many however do not, while others have seen, but not looked, not read it and difinitley not showcased their work in it.
To keep it simple, CQ Magazine is a global, online periodical which is free, yes I said FREE, to read. It has built up a regular, loyal readership base in eighty countries.
CQ International Magazine is dedicated to promoting the indie world, that’s writers, authors, poets, artists, cover designers, ilustrators, musicians, designers, modlers, artisans, painters, sculptors, just about every artistic medium you can think of… and then some.
Recently, CQ International Magazine has launced the C-club, a simple, annual membership, which gives its members the opportunity for free promotion and marketing of their work in CQ International Magazine and to benifit from associated marketing.