Documenting your life

maxresdefault

It may seem a strange title for a post, but it is one which reflects much of what our modern society is about.

With the event of digital photography and smart phones, far more of our daily lives are recorded, most often in a haphazard fashion. A jumble of images stored on SD cards, memory sticks and in a long scrolling stream of incoherent, often unconnected messages.

Many vanish when we upgrade our phones or computers, memory cards are lost, external hard drives become corrupt or obsolete. Some files may be stored ‘in the cloud’ or ‘on social media’ at least for now, for the time being, until it all changes once again.

Nothing is secure from loss, deletion, corruption or becoming obsolete. Such is the way of modern technology, such is modern life. A simple power outage can render even the most expensive, cutting edge technological gadget useless, in less than a Nano second.

Books, on the other hand, tend to outlast anything else when it comes to keeping their content safe. Libraries, universities, country estate houses and museums, all hold venerable tomes from hundreds of years past. Volumes of information and knowledge that do not need an external, or rechargeable, power source.

This is why you need TOAD Publishing in your life. oie_transparent (5)

TOAD is a specialist publisher, who concentrate their efforts on glossy hardcover books, generally known as ‘Coffee Table’ books.

What is a Coffee Table Book?

 

In theory, you can put any book you like on your coffee table, but not all books inspire conversation. A Coffee Table book is usually an oversized hardcover book. It is designed to be displayed somewhere prominent, often on a sideboard, a visible bookshelf, or maybe a Coffee Table!

These books help to entertain friends, family and guests. They stimulate conversation, allow people to see what the interests of the owner, such as the arts, photography, fashion, style, travel, and family.

They are statement pieces, works of art, decorative and entertaining.

Now TOAD have taken the coffee table book one step further, one step beyond ubiquitous perception.

Enter the Heirloom Book.

 

TOAD create personal, unique books chronicling major events in your life, the moments you like to keep as a memento, to share with family and friends, or preserve as an heirloom.

AppletiniPhotography_1862

They will turn your photos into a glossy wedding album, or a chronicle your pregnancy, childbirth and beyond, to a child’s first birthday. They will document a life project, a holiday and more.

In the past, TOAD have created a record of theatre production, from foundation to the first night performance and city art students, as they created a street mural for the council arts project.

photo-book

These books are not about recording the past, they are about recording your life now, on the present moment, which will soon be the past, a too easily and too often, lost past.

When it comes to documeting your life, do not leave it to the haphazardness of chance, keep your memories safe, keep them in a Heirloom Book from TOAD.

Classic-Coffee-Table-Book-coffee-table-book-about-coffee-tables

Heirloom Books, work for businesses too. Document special projects, feature successes stories and special events, like the annual conferences, share them with your suppliers, customers, or staff, in this wonderfully unique way.

boutique-creative-agencies-london-property-marketing-brochure-GH-2000x1400

TOAD Heirloom Books enhance the perception of esteem to reception areas, hotel lobbies, waiting rooms, guest rooms, private libraries and, of course, on your coffee table.

Heirloom Books are full colour, unless otherwise specified, glossy, perfect bound, photographic and/or illustrated, hardcover publications. The interior layout and covers are designed by our in-house studio, PeeJay Designs and printed by our partners in the Netherlands, from where the books are distributed worldwide.

Put a TOAD on your coffee table?

Ask us to create yours at,  goo.gl/9SzH5O   

oie_transparent (5)

TOAD Publishing, in association with CQ International Publishing.

NOTE: all images shown are for illustration purposes only. 

 

A bit on Anthologies

Euphoric winner winning at home

This year I have only two stories destined for anthologies. One is for a summer anthology, due out soon, another a children’s book scheduled for Christmas.

This is the lowest number of stories I have given for inclusion into collective tomes for several years.

I know some writers stay away from this form of publication. There are many reasons.

Some do not write short fiction, others focus on just one genre, some believe these books a waste of effort, while others only give licence if the book is a charitable or fundraising edition.

I appreciate everyone’s point of view on this matter.

To give a story away, even secured by a simple first serial rights licence, is a big thing. To take time out to write a specific tale for one is a commitment. Then, there is the fact of finding the extra time to write in the first instance.

If someone does not wish to commit to an anthology, so be it.

I, however, am a sucker for these books.

Partly, it is because I am a prolific writer of short stories and flash fiction. I always have some unpublished works on hand which need a good home. Another reason is, I enjoy writing from simple, given prompts. I belong to some writer’s groups, such as ‘500 – Iron writer’s spin-off‘ who regularly exercise their quills by doing just so.

I find scribbling a short tale a fantastic writing exercise, as I do with poetry and blog writing, even this post you are reading now is teaching me something about my trade as a wordsmith.

It is called, gaining experience.

I believe we can and should always strive to become better writers and, like modern athletes and sportsmen, we should ‘cross -train’. That may mean writing poetry and short stories, trying our hand with a genre we have never approached before, writing non-fiction too. Whatever it takes, we should often step outside of our comfort zone, we should do it to improve ourselves.

For me, committing to someone as a guest blogger, or agreeing to contribute a piece to an anthology, encompasses that training; it allows me to be creative, try something ‘new to me’, or come at a subject from an alternative perspective. It also allows me to get my work in front of readers who may not have found me otherwise.

It is not something I do for a direct reward. I have, where there have been shared royalties, had my allocation directed to charity.

Which brings me nicely to this point.

Many collections of short stories are put together as fundraisers, or for creating http://authl.it/6boawareness for worthwhile causes.Looking into the Abyss: Saving the Rhinoceros one story at a time’ an anthology designed to spread the word about the Rhino’s fight for survival, and ‘Sticks & Stones and Words that Hurt Me’ which supports anti-domestic violence, along with ‘Storybook, Individually together, Vo 1 (no longer available) are three charitable books I have close association with.

 

However, not all anthologies have to be for charitable causes.

awethologyLIGHTSMASHWORDSThe ‘Awethors’, a group of likeminded indie authors from across the globe, have created three anthologies crammed with a wealth of wonderful tales. These books, The Awethology Dark, The Awethology Light and the December Awethology Dark & December Awethology Light, were produced for several reasons.

These books are to show what an alliance of indie authors, living in various countries around the world, can achieve when working in unison.

The Awethors collective produced not one, but Four great works, proving such co-operative action can be repeated and maintained.

These anthologies also bring the contributing authors closer together, it strengthens the collective and in some cases, creates new, long lasting, genuine friendships.

If you have never contributed to an anthology before, I ask you to consider doing so. I am certain you will know at least one other writer who has a link with at least one. Do it for yourself, for a literary exercise, for learning, for betterment, but most of all do it for fun.

To finish, I quite fancy contributing to a Sci-Fi collection, (I don’t write Sci-Fi), or something from a female perspective perhaps?

Any offers, contact me.

 

Thank you once again for reading my Ramblings, Paul.


Looking for something different, a gift with thought? Take a look at the Pussers Cook Book.

 http://amzn.to/2usvZxQhttps://www.createspace.com/7008835

Bucking the trend (or one reason why you are not making money)

writers-block

Unlike many of my Ramblings, this post is written in a far more focused manner, giving a clue to the importance I place on this content.

I think, ALL indie authors NEED to read the following, in full.


 

Recently I have seen a large number of indie authors discounting their books, or giving them away freely, offering a plethora of ‘giveaways’, from the humble bookmark to expensive looking jewellery, even a combination of all the above.

Whilst this form of promotion is not unusual by itself, the number of offers has increased to such a degree, that it seems no one is selling a book at full value price.

In fact, a quick scan of the internet shows very few books, (in relative context), for sale above zero, naught, nil, zilch, nothing.

This is excellent if you are a reader. You have the largest and widest choice of reading material ever produced in the history of human life, being offer to you at no cost; even incentivised, bribed, to take up such offers, by the additional giving of gifts.

Life has never been so cosy.

horn-of-plenty

This recent explosion of free books has been boosted by the hundreds of book promotion sites, offering authors the service of marketing their works to millions of potential readers, for a small fee.

The sales gist of this is, should the author give away books, each person receiving a free book may like it so much, they will buy more of that authors works.

This seems a viable strategy… in principle.

BUT… there is always a but!

This form of book marketing was, for want of a better word, pioneered by Amazon when they were quite a young organisation selling only books.

At that time, the indie authors publishing phenomenon had not established, making it a very different market place; one where the novelty of being offered a free book was the exception not the rule.

Furthermore, add this marketing fee to the cost of production, editing, proofreading, formatting, cover designer, advertising, etc. Now, work out your royalties per-sale, because that is what must pay for your books production costs.

From this simple equation, you will see how many books you must sell to break even.

NOTE: This figure is cost based only. It does not include a budget for your time, your internet bill, your software licence fees, office space offsets (even if ‘the office’ is a table in your lounge) and other associated costs, which as a business person you need to consider. If you do not, whatever monies you think you have made form that book, will be demanded from you by those wonderful, friendly folks at the Inland Revenue.

So…how much do your royalties add up too…oh, nothing… because you gave it all away, with the bookmarks and coasters you paid for to boost your sales.

Not very business minded, are you?

artlimited_img124247

 

Let’s fast forward to today.

The indie publishing business is a global industry, with hundreds of thousands of books being self-published each month, in every country and every language on earth.

This is a world where an adage I loth, ‘A victim of our own success’, has the hollow ring of truth.

Because computer technology has allowed the growth of, what was once referred to as ‘desk top publishing’ to grow in such an unprecedented way, the competition in the indie publishing scene is immense.

However,… there is always a however, too!

While the market place for book sales has undergone change akin to continental drift, the methods used by indie authors is still as primitive as the those used in the embryonic days of Amazon’s birth.

You see, Amazon has outgrown the indie author world. It has outgrown many, if not all the established mainstream publishing companies and, by doing so, has irrevocably altered the landscape of publishing in general.

Neither is this giant called Amazon about to offer indie authors a helping hand.

It does not have to and does not want to. Not only has it outgrown the publishers, but it has established itself as the master of sales opportunities. Basically, as an independent writer, if you want to sell a lot of books you must factor Amazon into your marketing mix. What is more, Amazon will need to be your prime ingredient in the clear majority of cases.

Which brings us back to the reader, those illusive, almost mythical creatures who may, one day, if you are extremely lucky, buy one of your books.

BUT… yes another but!

BUT… it is getting less and less likely any reader will put their hand into their pocket and pull out some money, simply to get hold of a copy of your book.

You see, they don’t have too.

There are hundreds and thousands of books available for free. The reader can order any of these, or simply download an eBook version, which they can add to the hundred unread books waiting on their Kindles and E-readers, without ever spending a single penny.

Oh, that fleeting promise of maybe’s, the one the book marketing sites sold you, you know, the one that goes… “if they like your style they will buy the rest of your series/books….”

You didn’t fall for that old spangle, did you? 

Because they will not.

TD&WDhardadvt1

Please do not dismiss the reader thus. Like all of us, our readers must be canny when it comes to spending, whether buying packet of sausages in a supermarket, or buying a good book to curl up with in front of the fire.

These folks will:

A, wait until another of your series is offered for free.

B, read another free book. (They may enjoy it better than yours.)

C, Both, of the above.

This is a reader’s market. It has got this way because of several factors, but (another but!), it is you, the indie author who has brought this situation upon yourself.

By publishing your book at a ridiculous low price, then lowering that price and eventually giving your book away, you are part of the overall problem affecting many, if not most indie authors.

You are simply adding to the situation you are moaning about. You know the one, about having too many free books on Amazon. That the competition is too great, because the market is flooded with cheap books, 99 cents and below.

This WILL NOT CHANGE until you…yes, YOU do something about it.

Ideally, for me. As of tomorrow morning, there would not be one book, not a single novelette being given away.

Novella’s and the such would be priced at around £2.00/$2.40 for the shortest book and escalating up from there.

Novels would kick in at a minimum of £10.00. Book prices would be back to a decent level, a level not too dissimilar to that before Amazon muscled in.

We all, from time to time, often with good reason, knock the major publishing houses who controlled publishing, much as DeBeers control the diamond market. Yet they ensured authors got a fair return for the time and effort involved in creating a book.

That cannot be said of Amazon, or any book promotion site encouraging free and 99c priced book sales.

I know there is a movement within the indie community, one which is trying to discourage the giving away of books.

I am part of that movement.

I believe, if ALL indie authors removed ALL free books, re-priced their books to reflect true value for authors, we would see a major shift change within the industry almost overnight.

Don’t worry.

People will not stop reading.

They never have and they never will. They shall simply be paying a fair price for the goods they receive.

Authors will start earning a fair return for their creativity, effort and investment. The quality of books will increase.

The world will be full, once again, of wild unicorns running free in green woodlands full of Tinkerbelle fairies… well, I may be pushing it a bit too far now; but the facts are, indie authors will be better served without cheap and free books…. FACT.

o-STEAMPUNK-WRITER-facebook

Which brings me to the title of this post, ‘ Bucking the trend’

What give me the right to state such?

Firstly, this is not me simply making a vortex of hot air.

I stand by my convictions. I do not have any FREE books. I shall not be giving any books away. I do not have gifts of incentives. I have no bookmarks or jewellery.

In fact, I am deliberately ‘Bucking the trend‘.

Recently, I have increased the price of all my books, both Paperback and eBook/Kindle formats.

One of which, is an Amazon No.1 bestseller.

The coveted No1 position, is something I doubt would have occurred, if the book was priced undervalue.

You see, perception plays a large part in decision making.

What value you initially consider an item, is easily disputed once furnished with a low price. Hence altering perception.

With that in mind, a low cost, or free book will hold little or no perceived value to the reader.

If the same book is viewed at a higher price, the value is assumed to be greater.

In association, the assumption of quality is also presumed higher or lower in direct proportion the estimated value implicit.

This is my view and the principles I adhere too.

I shall charge a fair price for my books. Not a penny less.

Readers can buy them, or not.

BUT…. (The last one I promise), consider this:

Should I just sell one copy of one of my books this year, I would have made more money than you, giving a thousand copies away.

I’ll leave you to muse over this.

Sleep tight, 

Paul

ill-1

 

Mixed Media Inspiration: Lack of Inspiration — writings by Ender

It is not often I repost blogs/links here.

I do have invited guest bloggers, but rarely do this. The reason I have is it is an honest, origanal post which I think is worth sharing…it is that simple

I’ve found I’ve been lacking inspiration the last few days. It’s common writing practice to linger around until inspiration hits you, but that’s not what I do. It’s not what working writers do; we don’t have the time. In times of an inspiration deficiency I seek three simple pleasures: reading, music, and social interaction. Reading […]

via Mixed Media Inspiration: Lack of Inspiration — Writings By Ender

That is not VERY clever.

 

o-STEAMPUNK-WRITER-facebook

It is, however, the way to announce to world that you are an amateur writer, that you have not honed your skills, that you are not a master of your craft.

It is something, I suggest, you would want to do and yet, I have an inkling, that it maybe something you are doing right now.

WHAT IS? I hear you ask!

Simple. It is to use the most useless word in the English dictionary in your writing.

That word is ‘very’.

Honestly, if you are using this word in your novels, your stories or essays you are making a rather large error.

Mark twain once said “Substitute ‘damn’ every time you’re inclined to write ‘very;’ your editor will delete it and the writing will be just as it should be.”

Florence King is quoted as saying that “’Very’ is the most useless word in the English language (see, I told you so!) and can always come out. More than useless, it is treacherous because it invariably weakens what it is intended to strengthen.”

“Avoid using the word ‘very’ because it is lazy. A man is not very tired, he is exhausted. Don’t use very sad, use morose. Language was invented for one reason, boys – to woo women – and, in that endeavour, laziness will not do. It also won’t do in your essays.” Or so say’s N.H. Kleinbaum.

Which brings me to confess, I have, among many other bad habits, deleted so many ‘very’s’ in my work I lost count long ago. Read through’s, edits, re-writes; somehow those pesky little ‘very’s’ sneak themselves into sentences.

When I read some of my older works I could cringe, even those I have re-edited, even re-written in the past; but I guess that is how we all earn.

I am not as bad as I used to be. In fact, I am learning to write without using a single one, or at least that’s the aim. But it is not very easy!

The object of this post is to highlight the mistakes I have made, in an attempt to save you from making those very same errors!

Look back over your current Work in Progress, read through and find all those ‘very’s’ lurking amongst the other words.

Now, you have three options, the first is to simply delete them because you do not need them, they serve absolutely no purpose whatsoever, except to confirm your status as an amateur writer.

The second choice, is to follow Mark Twain’s advice as above!

The third and my preferred choice, is to change them totally. Delete the words associated and replace them with ones that are far more descriptive, evocative or eloquent.

In some, but very few circumstances ‘very’ can be permitted. BUT these occasions are rare. One such time ‘very’ may be used is in a characters ‘speech’. The word can be used to indicate a character of lower education, or a young person, a child who has not accrued a wider vocabulary.

Below is a crib sheet I have cobbled together as an aid. I hope that you find it useful in your quest to extradite those ‘very’ words from your authors lexicon.

The first column is word you have pe-fixed with ‘very’, the second, a suggested alternative…you get the idea!

Publication1

Since I originally posted this, I have been inundated with more words NOT to use and further suggestions for alternatives. I am not adding this image as I think it is the most comprehensive. Its from Proofreading Services.com 

Not Very

Thank you for reading ‘Ramblings from a Writers Mind‘, maybe you will also like my short story blog ‘A Little more Fiction‘ Go take a peek now 🙂 

There is always a tomorrow.

artlimited_img124247

It has been over a month since I last posted on this blog.

That is not because I have been lazy, or that I have had nothing of interest to share, it is simply that I have a full life and priorities are in constant flux.

Take this morning for an instance; I awoke with three tasks on my mind. Three simple little chores that needed attending to. The same three chores I thought of last night when I crawled under the duvet.

I have now, at seven o’clock on an evening accomplished all three of those jobs. They are done and dusted. Finished.

BUT…and this is the point…I have only just completed the last of those three tasks.

You see, life came between the plan I had in mind when I retired last night, the same basic idea which was in my head, as I stumbled from my bed and bounced off the walls on my way to the bathroom, while rubbing the sleepy-man’s dust from my eyes this morning.

Other things swam to the top of the quagmire of the ‘urgent’ lake. Like festering bubbles of noxious gasses, they rose swiftly to the surface of ‘to do now’ forcing other tasks and more pleasant jobs back under the surface of crucial undertakings.

I am not a list man, not any longer anyways. I now, in my years of semi-retirement, prefer the ‘Mañana’ approach to life. I am a firm believer that ‘Irie’ is a far better way to avoid a heart-attack than a daily dose of aspirin.

Therefore, slotting another job into a day, or in fact removing one, causes me no stress or bother. Even the prioritising of these tasks are not really my concern, I allow other people, notably my wife, to dictate the order in which they should be undertaken, if not completed.

I am happy to simply bumble along, plodding my way from errand to errand. Those that are concluded are concluded, those that remain undone, or partial are left as such until the next sunrise.

Simple.

 

This is the way I think it would be best for all of us to live our lives.

As I said at the start of this post, I have a fairly full life which means that all things in my world are constantly and consistently changing, which is the one thing which stays the same!

It is a way of life I have got used to, I have honed the skill of relaxation so that now it looks like I am working. The truth is the same of work, only of course vice-versa.

I consider that to stay de-stressed, calm and collected in this high-speed, terabyte infused, interweb fed technological day and age is a rather rare talent.

But please, consider this…

I have not seen many Rastafarians that look particularly stressed-out if the electricity bill is a day late being settled.

The Spanish Lothario, your amante muy joven, will not be rushed from the bedroom to attend a job interview.

All those things will happen; they will come again in due course. There is no reason to stress about them right now.

Yes, as with my day today, things will alter.

Some things will transcend others, they will, for a short period of time, become prominent in your mind, urgent if you wish to use that term. But they are transitional, they are themselves just another ripple in our flux of life.

Many of these urgencies, the pressures of time and such restraints, are unworthy of true measure. They are false, fake, self-imposed, self-accepted limits.

Take a step back I say. Reassess exactly why it is you are rushing around, why you are stressing out.

Consider this…what is the worst thing that could happen if you do not complete that task within the time limit you have set?

Accept that.

Think. Is it really important enough for you to become so agitated, for your blood-pressure to soar, for your heart to pump so fast?

I think not. Do not allow them, do not allow circumstance to rule your life like that.

Live your own life. Chill out a little.

hammock_379533k

There is always a tomorrow.

If there is no tomorrow, there will be no worries either.

Simple.

Now, my own tasks for this day are done, or can wait until ‘later’.

I am going to sit and write some more of my forthcoming novel ‘Floyd’, which I have FLOYD6finalfrntjpgneglected for too long. It will be nice to get re-acquainted with this psychopathic murderer. 

 

I may get one thousand words written tonight, I may get absolutely none down on paper at all.

But then I have tomorrow.

Don’t I?

See you all on the other side, Paul.


To find out more about me, my works and what I am up to right now take a mosey around my website at

 http://paulznewpostbox.wixsite.com/paul-white

It’s not just, “In God We Trust”.

ingodwetrust_note

 Here is something that has crossed my mind recently (on several occasions).

TRUST.

So much can be read into that single word, can it not?

Honestly, how many people do you actually trust?

It would be passé for me to ask who you would trust with your life.

Firstly, because that could take so many forms; from combat, to saving you choking on a chicken bone and because we trust people with our lives each and every day.

When you fly you are trusting the pilot, when you take a cab you are trusting the driver; there are doctors, surgeons, police and such like; so in the grand scheme of things trusting someone with your life is not so alien, in fact it is most common.

But let me ask you this:

Who would you lend your last few dollars to?

I mean your last dollars; the money you depend on; the money you need to live by. Who would you trust to repay that money on time?

Who would you let house sit, or house swap with you? Who would you trust not to pry into your private closets, or rummage through your underwear drawer?

To whom would you show your browsing history, or private files, without the fear of being judged?

I guess you could count those people on one hand?

Maybe I am wrong; maybe you are lucky. Or maybe you have more fingers on your hand than I do!

Okay, so trust can be considered on many levels, I agree.

But I have a feeling that you may trust someone you have not met, or have never seen, a little less than you might trust your neighbor, or a work colleague, even an acquaintance; you know, one of those people who are almost your friend!

Am I right?

Generally, I think I am.

Which brings me here, to the point of this rambling.

I often ask people, complete and total strangers to trust me every day. I ask many of them for money, in return for promises.

Why?

Because I offer some services. You see, apart from being a writer and an author, I design books covers, I have an online magazine and a book promotion site.

When it comes to designing covers I promise I shall do my best to create an eye-catching cover, one that will attract people to take a look, to ‘pick the book up and investigate’. Initially I only have my word to give.

I rely on a person’s trust.

The same is true of my magazine.

People buy features and advertising, often two or three months in advance. They are trusting me to produce the magazine, to distribute it, to hold up my end of the bargain.

On my book promotion website, the trust is, that I will provide information as promised, list books as agreed, market the site and so on.

I know I am honest. I know I will do everything within my abilities to ensure I deliver, to keep my promises. Yet many of those who place their trust in me do not know that, not initially, not the first time we make an agreement.

Luckily, I have a track record of successfully completing the tasks I undertake.

I have lots of happy clients and that, in a strange way, turns the tables. You see, once I have done business with someone, once I have done ‘a good job’, I trust them to return to me. I trust that they shall, at some point in the future ask me to help again.

Thankfully, most do.

Now that may, at this point, sound like standard business practice. But what makes all this stand-out for me is, that most of what I do is with people who are, in the physical world, (the Meat-Space), strangers.

I may belong to the same social media ‘groups’ as they. I may have ‘messaged’ or emailed them many times, over many months or even years. I may know (vaguely) what they look like, at least in the best photograph they have, even if it was taken twenty-years ago!

BUT…I have never met them, never heard their voice naturally, or felt their flesh, smelt their scent, seen how they walk, talk and laugh, not in the real world. Yet some I consider to be friends, not the i-space, ethereal electronic type of friend, but Friend with a capitol ‘F’.

And I trust them.

As, (hopefully!), they do me.

Please, do not deceive yourself by thinking that I am a product of this technological age. I am not.

I am far older than that. But I accept it, even somewhat embrace it; although with a certain amount of mistrust and caution as to its future influence and where it may eventually lead us.

But a little vigilance is no bad thing.

So, here I am, connected tentively to un-met people around the globe, via fiber-optics and satellites, yet conducting business on less than a physical handshake; often simply on a few keystrokes that spell out the word ‘Yes’, or even the lesser ‘OK’.

I suggest that is a form of true trust?

If it is, then in my world that is not a bad thing.

If something that can be isolating, even as divisive as the internet, can bring ‘people who have never met’ (we used to term this as ‘strangers’ when I was a child), together by the bond of trust my fear for the future of mankind is somewhat diminished.

All we need now is for those who in power to take note, for those who print ‘In God We Trust’ on our banknotes to realise that, in an ideal world those words would actually read ‘In Us We Trust’.

Just a thought that was running through my mind.

 

Please feel free to comment, like, share or ‘whatever blows your frock-up’

Paul

Find out more about me, my writings, books & Cover design 

http://paulznewpostbox.wix.com/paul-white

Visit CQ Magazine CQ2

Go to SNEAK PEEK Books & Authors site large button

 

 

 

 

 

You Won’t Finish This Article

This is an interesting article I found while searching for something completley different!

It is primarily about online writing, blogs, posts, articles, websites etc.

Let me know what you think.


Why people online don’t read to the end.slate

By Farhad Manjoo                                                                                                For Slate.com

slate
She’s already stopped reading
Photo by Roslan Rahman/AFP/Getty Images

 

I’m going to keep this brief, because you’re not going to stick around for long. I’ve already lost a bunch of you. For every 161 people who landed on this page, about 61 of you—38 percent—are already gone. You “bounced” in Web traffic jargon, meaning you spent no time “engaging” with this page at all.

So now there are 100 of you left. Nice round number. But not for long! We’re at the point in the page where you have to scroll to see more. Of the 100 of you who didn’t bounce, five are never going to scroll. Bye!

OK, fine, good riddance. So we’re 95 now. A friendly, intimate crowd, just the people who want to be here. Thanks for reading, folks! I was beginning to worry about your attention span, even your intellig … wait a second, where are you guys going? You’re tweeting a link to this article already? You haven’t even read it yet! What if I go on to advocate something truly awful, like a constitutional amendment requiring that we all type two spaces after a period?

Wait, hold on, now you guys are leaving too? You’re going off to comment? Come on! There’s nothing to say yet. I haven’t even gotten to the nut graph.

I better get on with it. So here’s the story: Only a small number of you are reading all the way through articles on the Web. I’ve long suspected this, because so many smart-alecks jump in to the comments to make points that get mentioned later in the piece. But now I’ve got proof. I asked Josh Schwartz, a data scientist at the traffic analysis firm Chartbeat, to look at how people scroll through articles. Schwartz also did a similar analysis for other sites that use Chartbeat and have allowed the firm to include their traffic in its aggregate analyses.

Schwartz’s data shows that readers can’t stay focused. The more I type, the more of you tune out. And it’s not just me. It’s not just here. It’s everywhere online. When people land on a story, they very rarely make it all the way down the page. A lot of people don’t even make it halfway. Even more dispiriting is the relationship between scrolling and sharing. Schwartz’s data suggest that lots of people are tweeting out links to articles they haven’t fully read. If you see someone recommending a story online, you shouldn’t assume that he has read the thing he’s sharing.

OK, we’re a few hundred words into the story now. According to the data, for every 100 readers who didn’t bounce up at the top, there are about 50 who’ve stuck around. Only one-half!

Take a look at the following graph created by Schwartz, a histogram showing where people stopped scrolling in Slate articles. Chartbeat can track this information because it analyzes reader behavior in real time—every time a Web browser is on a Slate page, Chartbeat’s software records what that browser is doing on a second-by-second basis, including which portion of the page the browser is currently viewing.

A typical Web article is about 2000 pixels long. In the graph below, each bar represents the share of readers who got to a particular depth in the story. There’s a spike at 0 percent—i.e., the very top pixel on the page—because 5 percent of readers never scrolled deeper than that spot. (A few notes: This graph only includes people who spent any time engaging with the page at all—users who “bounced” from the page immediately after landing on it are not represented. The X axis goes beyond 100 percent to include stuff, like the comments section, that falls below the 2,000-pixel mark. Finally, the spike near the end is an anomaly caused by pages containing photos and videos—on those pages, people scroll through the whole page.)

percent


Chartbeat’s data shows that most readers scroll to about the 50 percent mark, or the 1,000th pixel, in Slate stories. That’s not very far at all. I looked at a number of recent pieces to see how much you’d get out of a story if you only made it to the 1,000thpixel. Take Mario Vittone’s piece, published this week, on the warning signs that someone might be drowning. If the top of your browser reached only the 1,000th pixel in that article, the bottom of your browser would be at around pixel number 1,700 (the typical browser window is 700 pixels tall). At that point, you’d only have gotten to warning signs No. 1 and 2—you’d have missed the fact that people who are drowning don’t wave for help, that they cannot voluntarily control their arm movements, and one other warning sign I didn’t get to because I haven’t finished reading that story yet. Or look at John Dickerson’s fantastic article about the IRS scandal or something. If you only scrolled halfway through that amazing piece, you would have read just the first four paragraphs. Now, trust me when I say that beyond those four paragraphs, John made some really good points about whatever it is his article is about, some strong points that—without spoiling it for you—you really have to read to believe. But of course you didn’t read it because you got that IM and then you had to look at a video and then the phone rang … The worst thing about Schwartz’s graph is the big spike at zero. About 5 percent of people who land on Slate pages and are engaged with the page in some way—that is, the page is in a foreground tab on their browser and they’re doing something on it, like perhaps moving the mouse pointer—never scroll at all. Now, do you know what you get on a typical Slate page if you never scroll? Bupkis. Depending on the size of the picture at the top of the page and the height of your browser window, you’ll get, at most, the first sentence or two. There’s a good chance you’ll see none of the article at all. And yet people are leaving without even starting. What’s wrong with them? Why’d they even click on the page? Schwarz’s histogram for articles across lots of sites is in some ways more encouraging than the Slate data, but in other ways even sadder:

percent2

On these sites, the median scroll depth is slightly greater—most people get to 60 percent of the article rather than the 50 percent they reach on Slate pages. On the other hand, on these pages a higher share of people—10 percent—never scroll. In general, though, the story across the Web is similar to the story at Slate: Few people are making it to the end, and a surprisingly large number aren’t giving articles any chance at all.

We’re getting deep on the page here, so basically only my mom is still reading this. (Thanks, Mom!) But let’s talk about how scroll depth relates to sharing. I asked Schwartz if he could tell me whether people who are sharing links to articles on social networks are likely to have read the pieces they’re sharing.

 

See you at the top…Looooser!

Here’s the ‘thing’ that’s been buzzing about my mind.

I am not sure how many of you will have had similar thoughts, but in my normal rambling style I shall scribble on, hoping all this will make some sense by the end of the post!

 studmarksbenny

As we all know, the indie publishing game is a bit of an uphill struggle. We have to compete with the ‘big boys’, the traditional publishers, who themselves are battling to keep up with the changing markets to retain their ‘share’.

We then have Amazon, love it or hate it, you cannot ignore the grip it currently has on the retail marketplace. Not one other online publishing organization has the same muscle or clout as it does. Combine this with the control it exerts over independent authors by way of royalties, market distribution and promotions, it is no wonder most authors struggle to make a decent income via Amazon.

Yes, there is Lulu, Kobo, Smashwords and a plethora of smaller organizations but, as yet, not one has found a formula or format which can challenge either the mainstream publishers and/or the Amazon group of companies. Until then, your books will still ‘have’? to been seen on Amazon webpages to reach a worldwide customer base.

The next challenge we, as indie authors, are faced with is the real downside in, my humblest, opinion. Bad books. By bad books I do not only mean badly written novels in relation to grammar, punctuation and spelling, I include dreadful formatting and ghastly covers too. It is these ‘bad’ books which give rise to unhealthy journalism regarding independent publishing.

studmarksbenny

 

One terrible book is like a dead carcass to hyena; the press pack will tear into the story will zealous abandonment and spread doubt about the validity of small and independent publishing to all our potential readers.

On average I suggest, without reference to statistics, it takes about a year to write a full length novel; say a book of around 80/100K words. That is a lot of investment in one’s time alone, not counting the monetary input for editors, proofreading, formatting, cover design and what-not. Therefore, is it not in our own interest, if not duty, to ensure that we produce the best quality work that we are able to achieve; one that, as a minimum, reaches the quality of the vastly more experienced mainstream publishing houses?

After all, it is they who spend great sums of money on marketing and product research, in their battle to build and keep their own percentage and position in the marketplace. Should we not consider their standards to be the minimum value we seek to achieve with our own works?

Personally I believe they should.

Another moot point to consider, one which I find both amusing and annoying, is that you, yes you are my competition and a fellow author. In that context I find myself claiming as ‘sort-of’ ownership towards you.

You see, I would rather have a reader choose to buy my book rather than yours. Yet I cannot help myself for wanting you to do well too. Okay, in a perfect world the reader would buy both! but we do not live in a perfect world. In that respect one must, to some degree, consider all other authors to be a competitor. In doing so it gives us the incentive to write better, present our books better, make them look better, which is all good, honestly!

4e7e4730d9bc1489b03c21c627e53b0e

None of the above means we have to be enemies, on the contrary. Those of you who know me know that I do a great deal to help and assist indie authors in every way possible. That is because I believe that the entire indie publishing world benefits, beyond measurement, when we all pull together, when we work as a team against all the outside pressures and conflicts of interest that challenge us.

So yes, I want to win. I would rather sell my book than yours; but we are on the same team and, at the end of the day, what I really want is for ‘our team’ to come out on top. If that means I miss out on the Gold, Silver & Bronze so be it; as long as I have been a valuable member of the winning team and get to hold the trophy high, I will be happy.

See you at the top…..looooser!

Breaking the writing rules

Happy Writer

 

How often do you read an article telling you how to write?

Quite often I guess. I know I do. I have even been guilty of writing some myself, all well intentioned of course.

Ninety nine, or ninety five per-cent of the time these rules should be followed. They should be adhered to as far as possible, because they are the benchmark from which all writing is judged.

However…I love that word! So I’ll say it again.

However, I am a strong believer that a writer should push their own boundaries from time to time. They should break out of the glass cage.

I often do so by playing about, experimenting. Call them ‘writing exercises’ if you will.

In the past I have written in a minimalistic fashion, told a story using underutilised and obscure words. In another I used metasyntactic terminology. My poetry often pushes whatever limits are generally imposed.

So it is I regular break writing conventions.

Doing this has helped me enormously with that wonderful black art of wordsmithing. Undertaking such exercises challenges ourselves and our, often self-imposed, perceived limits. Such tasks enable us to extend descriptive narrative, create depth of characters and make our stories flow.

While I would not recommend that anyone attempts to write an entire novel ‘outside the box of rules’, I do encourage each and every one to task themselves with such matters.

The following is one such exercise. It is a short story, a flash fiction if you wish, of almost six-hundred words.

The point of this particular task was to see if I could construct a story using a string of very short sentences, whilst including only the most minimal of descriptive words and then when only absolutely necessary.

The reason for that is, when a long string of short sentences are used it tends to become monotonous for the reader. Generally, sentences must vary in length to convey the ‘feel’ of each part of the narrative.

Nouns, verbs, adjectives and adverbs are of course basic stock of a writer’s armory. So removing these, as far as possible, presents another contest against one’s abilities.

I hope I have succeeded in my mission. You are more than welcome to comment on the story itself, or on my attainment or failure in this test.


Mano-De-Autoestopista-90269

Hitchhiker

 

I am old school.

From a time when life seemed simpler, less hectic, less complicated.

It was not. It was just different.

Some will say that ‘way back when’ life was safer, people were happier, times were better.

They were not. Life was simply lived at a slower pace.

There was less fear. Less anxiety and more acquiescence.

I think life was more honest.

We were more honest.

With ourselves.

Life holds risks. You have to live with that.

Take your chances. Accept the possibilities.

Face the consequences.

That is how it goes.

We recognised that. Acknowledged that.

That is what made life simpler.

 

Like hitchhiking.

Like the figure I see ahead of me now. Checked shirt, blue jeans, backpack, thumb-out.

Quite rare nowadays, hitchhikers.

Too much fear. Mostly unwarranted.

Nurtured and spread by the media.

But who should hold that apprehension.

The driver?

I could drive on past. No one will make me stop.

Is the hiker a danger? A mass murderer?

A Rapist?

Is their thumb a lure for the unsuspecting?

Or

The Hiker?

Simply travelling home.

Should they get into the car?

Could I be a psychotic killer?

Could I be the Rapist?

Is my car a trap?

 

As I get closer I see the expectant look on the hiker’s face.

A bright smile.

Willing me to slow.

To stop.

I feel a compulsion.

An obligation to a fellow human.

I have been there myself. Thumb out. Waiting, hoping.

Praying for the next car to stop.

To give me a ride.

A ride to somewhere warm. Somewhere with hot coffee.

The hiker looks clean. Normal.

Conventional.

I slow. Maneuver towards the roadside.

Stop a few yards beyond.

Looking in my mirror.

Watching.

 

The hiker picks up a small rucksack.

Running towards me.

I lock the doors.

Clunk. Safe.

I can leave. Go.

Put my foot on the accelerator.

Speed away.

The hiker is close now.

My last chance.

Decision time.

A smiling face appears at the window.

I smile back.

Still time.

Go?

Stay?

 

I press a switch.

The window hums. Open.

Half open.

I hear my voice. “Heading North” it says.

“Me too” the hiker replies.

I nod.

The hiker smiles.

Expectancy.

I smile back.

Trepidation.

Time stands still.

Momentarily.

 

Click.

I unlock the doors.

My own thumb jerks, a backward motion.

“Put your back in the back” my voice speaks again.

Autonomously.

The bag lands on the rear seats.

Drive away, I think.

Take the bag.

Go. Now.

What is in the bag.

Some clothing.

An iPad.

Money.

Or the hiker’s life?

Their entire possessions.

A lifetime or memories.

Lost loves, lost mother.

A bag of dreams, hopes for the future?

Is that where they are heading now?

The future.

Thiers. Mine. Ours? Has this moment inexorably entwined our lives?

Left an indelible mark.

Or just a scratch. Unnoticeable, hidden. One that will fade, become rubbed out

As life progresses?

 

Getting-In-a-Strangers-Car

 

The door opens.

Blue eyes, bright teeth, pale skin.

The hiker sits next to me.

“Thank you” she says.

“That’s okay” I reply.

I put the car in gear, heading North.

Our lives are meshed. At least for the next one hundred miles.

If she makes it that far.

If I make it that far.

Who knows?

Life holds risks. You have to live with that.

Take your chances. Accept the possibilities.

Face the consequences.

That is how it goes.

You see, I am old school.

I know what makes life simple.

 

© Paul White 2016

Feel free to visit my website, browse around, poke you nose into every corner. Make yourself at home!

http://paulznewpostbox.wix.com/paul-white