The Curse of the Muse

I first posted this about two years ago, but like many bits & bobs, it became lost in the never ending scroll of past posts. I guess that is a modern phenomenon we all have to come to terms with.

Anyway, on with the post…

 

Vanishing-Flame-Wallpaper-black-28305469-1024-640

Tonight, I walked home along the same route as always, habitual, predictive.

As I turned the corner onto Star Street, I noticed at the entrance to the multi-story car park, next to the twenty-four-hour parking sign, an illuminated soda machine. My stride faltered, I paused, standing looking with curiosity.

I passed this way a hundred times, a thousand times without noticing the machines existence. How could that be? How could I not notice such a prominent fixture, a glowing block of red and white? The machine was designed to scream out ‘look at me’.

tumblr_inline_mpowbn7Scb1rhyoga (1)

Silhouetted against the glowing structure was a woman’s figure. She was standing still, totally immobile. The hair on each side of her head was like sharp shards radiating outwards. I wondered for a moment if she had been struck by lightning, or shocked by the machine.

I looked on, the woman remained immobile. It was then I noticed how quiet everything had become. Vaguely, in the background was the ever present rumble of city life, a cacophony of indistinguishable sounds, punctuated by the occasional siren.

But that was it.

Here, within the realms of my vision, all was still. No cars, no people, no movement. This is when my seventh sense kicked in, my writer’s sense. My mind started to ask me questions, sparks leapt from one neural pathway to another, reflection, consideration, conjecture meshed and melded into a fast flowing string.

Was this a frozen moment, a rift in the time-space continuum? What choices did I now have and what were the possible outcomes? Was I standing at an intersection of the multiverse? Was this the place where a thousand possibilities lay, invisible threads, a twisting mesh of crossing fortunes, a complex delta of potential and probability?

Would my next actions, or inactions, lay my out future, would they alter my destiny. Wealth, fortune, life, death. Choices. Or was all predestined? Was I merely following a predetermined path towards an inevitable future?

Did she, the silhouette, hold the key, the answers? Was the light surrounding her flooding from the soda fountain or emitting from her very being? Did she hold the secret?

My heart was pounding. I wanted to approach her, ask her. Yet something held me back. I do not think it was fear; apprehension maybe, or something undefinable, something there are no words to describe.

The woman moved. Walking forward towards the machine. I heard three coins drop. Saw a slender finger extended, pushing her selection. A rattle and thump as the can fell. Still not moving I watched as she stooped and retrieved the can.

A click, a hiss. The woman tilted her head back and drank thirstily. Gulping the contents. Lowering her head she drew a cuff across her mouth and casually tossed the empty can into a waste bin before turning and walking away.

Once she had been swallowed by the darkness. I found the ability to move. I sauntered over and looked into the bin. An excess of brown fluid was still dripping from a Dr Peppers can onto the waste below.

My imagination had not finished with me yet. Questions kept springing into my mind. Had she actually brought a can of Dr Peppers? Or did the fact I looked, that I observed, changed the very nature of this reality? Had my presence altered the state of things, transformed the material quality of being? After all, our actions, our existence is subject to the laws and principles of quantum physics, are they not?

nathanblog4-700x375

A car wound its way down the ramp, headlights blazing as it exited the car park. A group of people wandered around the corner, talking, joking, and laughing. Their voices seemingly activating an ‘on’ switch. Suddenly the city sounds became loud and clear. No longer the muffled white background noise they were a moment ago.

That was it.

The quantum gate had closed. The rift sealed. My chance to alter my destiny whipped away by an ethereal wind, stolen by inexorable march of time. Yet my writers mind still wrestles with the possibilities.

Maybe my thoughts, at least some of them, will find their way into a story, or become the premise of a future novel. Or maybe they shall just haunt me forever more?

Such is the curse of the muse.

.

  © Paul White 2015


Have you read my Tales of Crime & Violence collection yet?

If not grab yourself volume one now at

http://amzn.to/2wdUHSS

C&Vfront1

Documenting your life

maxresdefault

It may seem a strange title for a post, but it is one which reflects much of what our modern society is about.

With the event of digital photography and smart phones, far more of our daily lives are recorded, most often in a haphazard fashion. A jumble of images stored on SD cards, memory sticks and in a long scrolling stream of incoherent, often unconnected messages.

Many vanish when we upgrade our phones or computers, memory cards are lost, external hard drives become corrupt or obsolete. Some files may be stored ‘in the cloud’ or ‘on social media’ at least for now, for the time being, until it all changes once again.

Nothing is secure from loss, deletion, corruption or becoming obsolete. Such is the way of modern technology, such is modern life. A simple power outage can render even the most expensive, cutting edge technological gadget useless, in less than a Nano second.

Books, on the other hand, tend to outlast anything else when it comes to keeping their content safe. Libraries, universities, country estate houses and museums, all hold venerable tomes from hundreds of years past. Volumes of information and knowledge that do not need an external, or rechargeable, power source.

This is why you need TOAD Publishing in your life. oie_transparent (5)

TOAD is a specialist publisher, who concentrate their efforts on glossy hardcover books, generally known as ‘Coffee Table’ books.

What is a Coffee Table Book?

 

In theory, you can put any book you like on your coffee table, but not all books inspire conversation. A Coffee Table book is usually an oversized hardcover book. It is designed to be displayed somewhere prominent, often on a sideboard, a visible bookshelf, or maybe a Coffee Table!

These books help to entertain friends, family and guests. They stimulate conversation, allow people to see what the interests of the owner, such as the arts, photography, fashion, style, travel, and family.

They are statement pieces, works of art, decorative and entertaining.

Now TOAD have taken the coffee table book one step further, one step beyond ubiquitous perception.

Enter the Heirloom Book.

 

TOAD create personal, unique books chronicling major events in your life, the moments you like to keep as a memento, to share with family and friends, or preserve as an heirloom.

AppletiniPhotography_1862

They will turn your photos into a glossy wedding album, or a chronicle your pregnancy, childbirth and beyond, to a child’s first birthday. They will document a life project, a holiday and more.

In the past, TOAD have created a record of theatre production, from foundation to the first night performance and city art students, as they created a street mural for the council arts project.

photo-book

These books are not about recording the past, they are about recording your life now, on the present moment, which will soon be the past, a too easily and too often, lost past.

When it comes to documeting your life, do not leave it to the haphazardness of chance, keep your memories safe, keep them in a Heirloom Book from TOAD.

Classic-Coffee-Table-Book-coffee-table-book-about-coffee-tables

Heirloom Books, work for businesses too. Document special projects, feature successes stories and special events, like the annual conferences, share them with your suppliers, customers, or staff, in this wonderfully unique way.

boutique-creative-agencies-london-property-marketing-brochure-GH-2000x1400

TOAD Heirloom Books enhance the perception of esteem to reception areas, hotel lobbies, waiting rooms, guest rooms, private libraries and, of course, on your coffee table.

Heirloom Books are full colour, unless otherwise specified, glossy, perfect bound, photographic and/or illustrated, hardcover publications. The interior layout and covers are designed by our in-house studio, PeeJay Designs and printed by our partners in the Netherlands, from where the books are distributed worldwide.

Put a TOAD on your coffee table?

Ask us to create yours at,  goo.gl/9SzH5O   

oie_transparent (5)

TOAD Publishing, in association with CQ International Publishing.

NOTE: all images shown are for illustration purposes only. 

 

A bit on Anthologies

Euphoric winner winning at home

This year I have only two stories destined for anthologies. One is for a summer anthology, due out soon, another a children’s book scheduled for Christmas.

This is the lowest number of stories I have given for inclusion into collective tomes for several years.

I know some writers stay away from this form of publication. There are many reasons.

Some do not write short fiction, others focus on just one genre, some believe these books a waste of effort, while others only give licence if the book is a charitable or fundraising edition.

I appreciate everyone’s point of view on this matter.

To give a story away, even secured by a simple first serial rights licence, is a big thing. To take time out to write a specific tale for one is a commitment. Then, there is the fact of finding the extra time to write in the first instance.

If someone does not wish to commit to an anthology, so be it.

I, however, am a sucker for these books.

Partly, it is because I am a prolific writer of short stories and flash fiction. I always have some unpublished works on hand which need a good home. Another reason is, I enjoy writing from simple, given prompts. I belong to some writer’s groups, such as ‘500 – Iron writer’s spin-off‘ who regularly exercise their quills by doing just so.

I find scribbling a short tale a fantastic writing exercise, as I do with poetry and blog writing, even this post you are reading now is teaching me something about my trade as a wordsmith.

It is called, gaining experience.

I believe we can and should always strive to become better writers and, like modern athletes and sportsmen, we should ‘cross -train’. That may mean writing poetry and short stories, trying our hand with a genre we have never approached before, writing non-fiction too. Whatever it takes, we should often step outside of our comfort zone, we should do it to improve ourselves.

For me, committing to someone as a guest blogger, or agreeing to contribute a piece to an anthology, encompasses that training; it allows me to be creative, try something ‘new to me’, or come at a subject from an alternative perspective. It also allows me to get my work in front of readers who may not have found me otherwise.

It is not something I do for a direct reward. I have, where there have been shared royalties, had my allocation directed to charity.

Which brings me nicely to this point.

Many collections of short stories are put together as fundraisers, or for creating http://authl.it/6boawareness for worthwhile causes.Looking into the Abyss: Saving the Rhinoceros one story at a time’ an anthology designed to spread the word about the Rhino’s fight for survival, and ‘Sticks & Stones and Words that Hurt Me’ which supports anti-domestic violence, along with ‘Storybook, Individually together, Vo 1 (no longer available) are three charitable books I have close association with.

 

However, not all anthologies have to be for charitable causes.

awethologyLIGHTSMASHWORDSThe ‘Awethors’, a group of likeminded indie authors from across the globe, have created three anthologies crammed with a wealth of wonderful tales. These books, The Awethology Dark, The Awethology Light and the December Awethology Dark & December Awethology Light, were produced for several reasons.

These books are to show what an alliance of indie authors, living in various countries around the world, can achieve when working in unison.

The Awethors collective produced not one, but Four great works, proving such co-operative action can be repeated and maintained.

These anthologies also bring the contributing authors closer together, it strengthens the collective and in some cases, creates new, long lasting, genuine friendships.

If you have never contributed to an anthology before, I ask you to consider doing so. I am certain you will know at least one other writer who has a link with at least one. Do it for yourself, for a literary exercise, for learning, for betterment, but most of all do it for fun.

To finish, I quite fancy contributing to a Sci-Fi collection, (I don’t write Sci-Fi), or something from a female perspective perhaps?

Any offers, contact me.

 

Thank you once again for reading my Ramblings, Paul.


Looking for something different, a gift with thought? Take a look at the Pussers Cook Book.

 http://amzn.to/2usvZxQhttps://www.createspace.com/7008835

Bucking the trend (or one reason why you are not making money)

writers-block

Unlike many of my Ramblings, this post is written in a far more focused manner, giving a clue to the importance I place on this content.

I think, ALL indie authors NEED to read the following, in full.


 

Recently I have seen a large number of indie authors discounting their books, or giving them away freely, offering a plethora of ‘giveaways’, from the humble bookmark to expensive looking jewellery, even a combination of all the above.

Whilst this form of promotion is not unusual by itself, the number of offers has increased to such a degree, that it seems no one is selling a book at full value price.

In fact, a quick scan of the internet shows very few books, (in relative context), for sale above zero, naught, nil, zilch, nothing.

This is excellent if you are a reader. You have the largest and widest choice of reading material ever produced in the history of human life, being offer to you at no cost; even incentivised, bribed, to take up such offers, by the additional giving of gifts.

Life has never been so cosy.

horn-of-plenty

This recent explosion of free books has been boosted by the hundreds of book promotion sites, offering authors the service of marketing their works to millions of potential readers, for a small fee.

The sales gist of this is, should the author give away books, each person receiving a free book may like it so much, they will buy more of that authors works.

This seems a viable strategy… in principle.

BUT… there is always a but!

This form of book marketing was, for want of a better word, pioneered by Amazon when they were quite a young organisation selling only books.

At that time, the indie authors publishing phenomenon had not established, making it a very different market place; one where the novelty of being offered a free book was the exception not the rule.

Furthermore, add this marketing fee to the cost of production, editing, proofreading, formatting, cover designer, advertising, etc. Now, work out your royalties per-sale, because that is what must pay for your books production costs.

From this simple equation, you will see how many books you must sell to break even.

NOTE: This figure is cost based only. It does not include a budget for your time, your internet bill, your software licence fees, office space offsets (even if ‘the office’ is a table in your lounge) and other associated costs, which as a business person you need to consider. If you do not, whatever monies you think you have made form that book, will be demanded from you by those wonderful, friendly folks at the Inland Revenue.

So…how much do your royalties add up too…oh, nothing… because you gave it all away, with the bookmarks and coasters you paid for to boost your sales.

Not very business minded, are you?

artlimited_img124247

 

Let’s fast forward to today.

The indie publishing business is a global industry, with hundreds of thousands of books being self-published each month, in every country and every language on earth.

This is a world where an adage I loth, ‘A victim of our own success’, has the hollow ring of truth.

Because computer technology has allowed the growth of, what was once referred to as ‘desk top publishing’ to grow in such an unprecedented way, the competition in the indie publishing scene is immense.

However,… there is always a however, too!

While the market place for book sales has undergone change akin to continental drift, the methods used by indie authors is still as primitive as the those used in the embryonic days of Amazon’s birth.

You see, Amazon has outgrown the indie author world. It has outgrown many, if not all the established mainstream publishing companies and, by doing so, has irrevocably altered the landscape of publishing in general.

Neither is this giant called Amazon about to offer indie authors a helping hand.

It does not have to and does not want to. Not only has it outgrown the publishers, but it has established itself as the master of sales opportunities. Basically, as an independent writer, if you want to sell a lot of books you must factor Amazon into your marketing mix. What is more, Amazon will need to be your prime ingredient in the clear majority of cases.

Which brings us back to the reader, those illusive, almost mythical creatures who may, one day, if you are extremely lucky, buy one of your books.

BUT… yes another but!

BUT… it is getting less and less likely any reader will put their hand into their pocket and pull out some money, simply to get hold of a copy of your book.

You see, they don’t have too.

There are hundreds and thousands of books available for free. The reader can order any of these, or simply download an eBook version, which they can add to the hundred unread books waiting on their Kindles and E-readers, without ever spending a single penny.

Oh, that fleeting promise of maybe’s, the one the book marketing sites sold you, you know, the one that goes… “if they like your style they will buy the rest of your series/books….”

You didn’t fall for that old spangle, did you? 

Because they will not.

TD&WDhardadvt1

Please do not dismiss the reader thus. Like all of us, our readers must be canny when it comes to spending, whether buying packet of sausages in a supermarket, or buying a good book to curl up with in front of the fire.

These folks will:

A, wait until another of your series is offered for free.

B, read another free book. (They may enjoy it better than yours.)

C, Both, of the above.

This is a reader’s market. It has got this way because of several factors, but (another but!), it is you, the indie author who has brought this situation upon yourself.

By publishing your book at a ridiculous low price, then lowering that price and eventually giving your book away, you are part of the overall problem affecting many, if not most indie authors.

You are simply adding to the situation you are moaning about. You know the one, about having too many free books on Amazon. That the competition is too great, because the market is flooded with cheap books, 99 cents and below.

This WILL NOT CHANGE until you…yes, YOU do something about it.

Ideally, for me. As of tomorrow morning, there would not be one book, not a single novelette being given away.

Novella’s and the such would be priced at around £2.00/$2.40 for the shortest book and escalating up from there.

Novels would kick in at a minimum of £10.00. Book prices would be back to a decent level, a level not too dissimilar to that before Amazon muscled in.

We all, from time to time, often with good reason, knock the major publishing houses who controlled publishing, much as DeBeers control the diamond market. Yet they ensured authors got a fair return for the time and effort involved in creating a book.

That cannot be said of Amazon, or any book promotion site encouraging free and 99c priced book sales.

I know there is a movement within the indie community, one which is trying to discourage the giving away of books.

I am part of that movement.

I believe, if ALL indie authors removed ALL free books, re-priced their books to reflect true value for authors, we would see a major shift change within the industry almost overnight.

Don’t worry.

People will not stop reading.

They never have and they never will. They shall simply be paying a fair price for the goods they receive.

Authors will start earning a fair return for their creativity, effort and investment. The quality of books will increase.

The world will be full, once again, of wild unicorns running free in green woodlands full of Tinkerbelle fairies… well, I may be pushing it a bit too far now; but the facts are, indie authors will be better served without cheap and free books…. FACT.

o-STEAMPUNK-WRITER-facebook

Which brings me to the title of this post, ‘ Bucking the trend’

What give me the right to state such?

Firstly, this is not me simply making a vortex of hot air.

I stand by my convictions. I do not have any FREE books. I shall not be giving any books away. I do not have gifts of incentives. I have no bookmarks or jewellery.

In fact, I am deliberately ‘Bucking the trend‘.

Recently, I have increased the price of all my books, both Paperback and eBook/Kindle formats.

One of which, is an Amazon No.1 bestseller.

The coveted No1 position, is something I doubt would have occurred, if the book was priced undervalue.

You see, perception plays a large part in decision making.

What value you initially consider an item, is easily disputed once furnished with a low price. Hence altering perception.

With that in mind, a low cost, or free book will hold little or no perceived value to the reader.

If the same book is viewed at a higher price, the value is assumed to be greater.

In association, the assumption of quality is also presumed higher or lower in direct proportion the estimated value implicit.

This is my view and the principles I adhere too.

I shall charge a fair price for my books. Not a penny less.

Readers can buy them, or not.

BUT…. (The last one I promise), consider this:

Should I just sell one copy of one of my books this year, I would have made more money than you, giving a thousand copies away.

I’ll leave you to muse over this.

Sleep tight, 

Paul

ill-1

 

Why I am talking art on a writing blog.

18057669_1501972326479580_5648823512484096682_n

I have, at last, found enough time to catch my breath and write a new, long overdue post for this blog.

You see, I have had a busy start to this year.

First was the publication, in January, of my first children’s book, The Rabbit Joke, which is designed primarily as a ‘read to me‘ book.

A book for parents or older siblings, to read to the younger ones. The Rabbit Joke lends itself to being read to groups in schools and kindergartens too.

The Rabbit Joke is an outsized, hardcover, fully illustrated, perfect bound, landscape book, from https://www.peecho.com/print/en/263512

rabbitjoke-nominate


In February, I released ‘Life in the War Zone’ a collection of stories, based on true accounts, of what life is like living between warring factions in an area of conflict.

Life in the War Zone takes a serious, no holds barred look at the devastation and trauma of life in the battlefields of the Ukraine, Syria, Afghanistan, Iraq, Bosnia, Serbia, Croatia, Israel, Palestine, Libya, Lebanon and El Salvador.

Ebooks are available direct from me, via my website. http://paulznewpostbox.wixsite.com/paul-white

Paperbacks from Amazon.

USA https://www.amazon.com/Life-War-Zone-collection-personal/dp/1542338700  

UK https://www.amazon.co.uk/Life-War-Zone-collection-personal/dp/1542338700

litwz4-to-size


Also during February, I published a ‘Coffee Table’ book called ICONIC, or to give it its full title, Iconic – Legends of music immortalised in art.

Iconic is an 8 x 8 inch, hardcover, perfect bound, glossy, book, containing a number of my own artworks, portraits of some of the most well-loved musical talent ever known, such as David Bowie, Amy Winehouse, Buddy Holly, Jimi Hendrix, Elvis and many more.

With each portrait is an abridged biography of each artist, covering their life and times. https://www.peecho.com/checkout/14716200169619823/279042

076b096c526b348cc767d112c01ba6bb


March saw the publication of The Pussers Cook Book.

This became an instant hit and an Amazon bestseller. It is still, as I write this over a month after the books launch, at number three in its Amazon category.

The Pussers Cook Book details twenty-two of the best loved dishes, served on Royal Naval ships circa 1960’s to 1980’s. Along with the recipes, there are plenty of jokes and tall stories, some legendary myths are also dispelled!

You do not have to be a sailor to enjoy the Pussers Cook Book. It makes the perfect gift for a freind or loved one.

Paperbacks from Amazon. goo.gl/eTwfWN  

Hardcover from my printers.  www.peecho.com/print/en/282666

18055898_1502182149791931_1326578662584780090_o


You will see by this, why my time this year has been at a premium.

Now, I have touched on art, as in the title of this post, by mentioning my tribute to the great musicians in the book, ICONIC. Which clearly shows the link between writing, books and art.

As do all those millions of books with illustrations, photographs, pictures and images inside. Let alone the amazing and wonderful artistry shown by many book cover designers.

In that respect, books and art are almost inseparable, and never exclusive.


But there is more…

Art has always been a ‘go to‘ place for me, when I need to rest my mind from concentrating on writing. Whilst my form of art, digital painting, is still a creative discipline, it is creative in a totally differing way to the mindful concentration needed for writing.

In that respect, I find creating digital art relaxing, even ‘freeing up‘ the subconscious mind to continue its own creative endeavours, whilst I take my consciousness on a holiday of colour and form.

The problem arises, much as it does when writing, or I should say, when one has finished writing and has published their book.

Who will see it, who will read it, who will buy it?

It is all well and dandy to have a book, three books, ten? Sitting on the shelves getting dusty and covered in cobwebs. What we want, what we need is someone (Many someones) to come along and actually read our words.

The same is true of art. What is the point of creating wonderful, thought provoking, stimulating images if they are simply going to be stored as a digital code on a memory stick. If they are never going to be made onto a canvass, or a poster, or even printed onto a tee-shirt or coffee mug?

Both of those scenarios are, in my humble opinion, a total waste of time, effort and creative energy.

So…what to do about it all?

Firstly, I have made a Facebook page to help direct people to my works.

The main site is my artwork website, where you can browse through a selection of works albums and find links to the other places my work is available. https://goo.gl/pyPI7i

371105aefbe2a12bf6c4d7632b436dd2

855e99385918691085216ea42c85ffb2

97e9c3027b76845a298722a3ecc7b96c

ec28b96acff613a58a4968a9965f6ec5

That is why I am talking about art on a writing blog.

Thanks for reading this…if you have read this far!

I will be back to posting my normal Ramblings from now on.

Cheers, Paul.

 

 

 

 

 

Yoghurt Tasting.

yoghurt

We often talk of how important punctuation and grammar are when writing. I think this is also true of the spoken word, oration and pronunciation should be a foremost concern.

NOT, I hasten to add, for everyday conversation where colloquialisms, dialects and vernaculars colour our conversations and lives, but when the spoken word is transmitted by mainstream media.

I believe, broadcasters have a duty to society to articulate, to use elocution and enunciation to the highest standard and, by doing so, enable our young to learn the wonders of well-versed dialogue, gain the ability for constructive discourse and communication.

How can we expect our young to learn to speak clearly and precisely, to acquire the ability to explain, to communicate effectively, if the denizens of our communications industry cannot do so themselves?

Personally, I do not think ‘dumbing down’ standards to ‘accommodate’ those considered, in correct ‘PC’ terms to be ‘less fortunate’ is the answer. This only has the effect of decreasing the overall standards by suggesting the lowering of general standards are acceptable. Which, of course, they are not.

I fear for the future.

Today I found myself disappointed by such a badly enunciated sentence.

“…blah, blah, blah…27-year-old Emma, a Yoghurt taster from Essex…. blah, blah, blah…”

Now…I have, as many of you do, a writers mind. This is a strange and oft uncontrollable beast. One which will pick-up on tid-bits and oddities which would, for the greater part, pass most people by without causing a ripple in their lives.

But for those of us who are cursed, or blessed, with such minds will know once this beast has focused on its intended target, once it has its victim firmly caught, there is little we can do until it has satisfied its hunger, or passions, or whatever desires need stating.

This was my situation earlier today. As soon as that sentence had been spoken my muse went into overdrive.

A quick and personal excuse (Disclaimer!): I was not watching or listening to the programme being broadcast, it was just ‘on’. My wife had switched the TV on earlier and it was playing away in the background.

So, where was I? Oh, yes my muse awakening, giving me a jolt.

Questions started to flood my head, ‘Yoghurt taster’ what kind of a job was that? Was it a flavour tasting position or simply to ensure the product was of a certain quality? Maybe this was a taste panel for R&D, for new products, new lines?

How did one get a job like that? Could I get a job like that? What qualifications, besides liking yoghurt, did one need?

My muse was excited; could this be part of a plot? A Poisoning?  Mass poisoning…holding corporations to ransom? Maybe the start of strange happenings in a small town… Zombie like conditions…Mmmm? My mind continued to race.

However, I love that word so I’ll say it again!

However, somewhere beside my overly stimulated muse, I had a nagging doubt such a position, a job as a yoghurt taster, actually existed. Food taster, yes. But I could not believe anyone could be employed solely as a Yoghurt taster.

No, I convinced myself, something was wrong. (Much to the annoyance of my muse!).

Thanks to modern technology, satellite, cable, Digi-boxes etc. we are able to do so many things with ‘live’ and ‘on-air’ television which have previously been impossible. One of these is instant ‘re-wind’.

This is what I used to take the programme back to the point where the ‘voice-over’ presenter stated that Emma was a ‘Yogurt taster’ from Essex.

This time I would actually be watching and listening to the broadcast, rather than having it grumbling away in the background, where only my subconscious was taking note.

Sitting too close and staring at the screen, like a six-year-old child, I pressed ‘play’. The images began to move and the narrator started to speak.

DarkAngelcaps_008

“…blah, blah, blah…27-year-old Emma, a Yoga teacher from Essex…. blah, blah, blah…”

I played this over and again, four times in total, until I was absolutely certain this version was the correct one.

Emma was a yoga teacher and not a yoghurt taster, as I had first thought.

This was not me miss-hearing, it was clearly a case of shameful presentation.

I must say, I was more than a little disappointed.

I am sure, in the world of yoghurt, tasters are required? although I am uncertain of what the progression of seniority may be in such a profession. Perhaps one starts with the ‘own label’ products, progressing to ‘natural’ before moving to thick ‘Greek-style’ yoghurts. Maybe, an alternative route would be to delve into the technical realm of flavours, or the scientific corridor of ‘low-fat’ and ‘healthy’ options.

I guess I shall never know.

A divergent track that leads me, by some circuitous route, back to where I began this post; which is where I stated my belief that major broadcasters and, in many respects, our respective Governments, should take responsibility for the clarity and precision of language when transmitting programmes.

The above is a prime example of bad annunciation and elocution, the equivalent in my book, (note the pun!), of bad grammar and punctuation in writing.

Besides, my restless muse was unnecessarily disturbed.

Now I have to find an excuse NOT to write a novel about a wicked dairy farmer, who decides to get his revenge on the local townsfolk by plying them with infected yoghurt, thus turning them into pliable and malleable zombie-like humanoids who forever more will do the farmers bidding. Of course, as with all good pulp-fiction, there is always one young girl who hates all milk type products, regardless of flavour. Perhaps it is she who can fight back against the forces of evil and bovine product manipulation to save the earth…or at least the local town?

That is all I am going to say on the matter!

Milkmaid

So, until next time, enjoy your writing, even if your inspiration has been stimulated by a miss-print or badly spoken presenter. But please, please take care with your grammar. You never know when someone may read your work live on air, they may even be an ex yoghurt taster venturing into a new career!

 

Thank you for reading, Paul.

You may like to visit my website and see what else I am writing? http://paulznewpostbox.wixsite.com/paul-white

© Paul White 2016    RTWM310716/975

Do you know Michael J. Elliott?

A simple question…”Do you know?“…but one that can make you double think, one that can make you question your own logic and knowledge.

You start asking yourself “Is that the Michael I know” or “Does he spell his surname with two t’s?“.

Little doubts, little nags, little uncertainties start to creep into you mind.

The same things happen when your read the work of this particular Michael J. Elliott. When you think you have the tale ‘sussed’ along comes a little twist and throws you all to kilter.

Oh, and don’t try and predict the ending; even if you are close, you will be wrong, it will be scarier, or harder, or the character will suffer more…or less…before they die…or live happily ever after. That is of course if it has anything to do with that character at all.

This is why I love reading Michael’s stories…this is the Michael J. Elliott I do know, the one who does spells his name with two t’s!

I wanted to take a peek into Michael’s psyche, I wanted to know how a man of his undoubted talent conjures up such spellbinding tales so, I asked him a few leading questions.

You could say that these questions are Choice Cuts!

Do you think someone could be a writer if they don’t feel emotions strongly?

Micheal said: No, I really think you need to LOVE books and writing. It’s an art form like anything else and artists simply wouldn’t create if they didn’t have the drive and the passion.

.

Do you hide any secrets in your books that only a few people will find?
Yes! In my first collection, Portraits of Dread, I wrote a story called Defective goods. It was a creepy send up of a well known British comedy show. I named all the characters after the actors from the show or their characters. I was hoping clever readers would spot the connection. In my new collection, Choice Cuts-A Bite from The Dark Realm, I have a story called Penance. It’s about an ancient order of nuns. I have named all the Sisters after famous figures from history. Eagle eyed readers will be able to guess the convent’s secret just from the names. I love throwing in those sort of references in my work 🙂
.
Have you read anything that made you think differently about fiction?
I’ve read a lot of writer’s craft books which have certainly taught me a lot about the “rules” of writing. That has been a big help in my journey as an author.
.
What did you edit out of your latest book?
Two stories didn’t make the grade for this collection. The first was titled, Once A Jolly Swagman. It was a ghost story centered around the famous Australian song and poem. I hadn’t finished it but when I went back and re read it I found it just rambled, way too much padding with nothing really interesting happening until the build up. I’ll keep it and give it a good edit so that you may see it in another collection at some time. The other was entitled, The Snow Globe. I dithered with so many options about how the protagonist finds this globe and what it actually does that I eventually decided to cut the story out completely.
.
My final question was, what kind of research do you do, and how long do you spend researching before beginning a book?
I take a lot of notes and Wilkipedia is my best friend lol. I’m writing Mr Westacott’s Holiday atm. It’s set in two time frames, 1900 and 1970. The setting is Britain. I was born and live in Australia and was a teen during the 70’s so I had no idea of British fashion of the 70’s, the distance between two of the towns in the book etc. I’m very grateful to the British members of #The Awethors for helping me out with these questions.
.
Choice Cuts- A Bite From the Dark Realm will be released on Halloween 2016 and is currently available for pre order at Smashwords and Amazon for the special promotion price of 99c (will be $4.99) Also available in paperback for $10.99

Choice Cuts is available worldwide via Amazon on this link http://authl.it/6a0

and from Smashwords here 

mikeelliotts

Other books by Micheal J Elliot

mje_n
mje3n

25108244

It’s not just, “In God We Trust”.

ingodwetrust_note

 Here is something that has crossed my mind recently (on several occasions).

TRUST.

So much can be read into that single word, can it not?

Honestly, how many people do you actually trust?

It would be passé for me to ask who you would trust with your life.

Firstly, because that could take so many forms; from combat, to saving you choking on a chicken bone and because we trust people with our lives each and every day.

When you fly you are trusting the pilot, when you take a cab you are trusting the driver; there are doctors, surgeons, police and such like; so in the grand scheme of things trusting someone with your life is not so alien, in fact it is most common.

But let me ask you this:

Who would you lend your last few dollars to?

I mean your last dollars; the money you depend on; the money you need to live by. Who would you trust to repay that money on time?

Who would you let house sit, or house swap with you? Who would you trust not to pry into your private closets, or rummage through your underwear drawer?

To whom would you show your browsing history, or private files, without the fear of being judged?

I guess you could count those people on one hand?

Maybe I am wrong; maybe you are lucky. Or maybe you have more fingers on your hand than I do!

Okay, so trust can be considered on many levels, I agree.

But I have a feeling that you may trust someone you have not met, or have never seen, a little less than you might trust your neighbor, or a work colleague, even an acquaintance; you know, one of those people who are almost your friend!

Am I right?

Generally, I think I am.

Which brings me here, to the point of this rambling.

I often ask people, complete and total strangers to trust me every day. I ask many of them for money, in return for promises.

Why?

Because I offer some services. You see, apart from being a writer and an author, I design books covers, I have an online magazine and a book promotion site.

When it comes to designing covers I promise I shall do my best to create an eye-catching cover, one that will attract people to take a look, to ‘pick the book up and investigate’. Initially I only have my word to give.

I rely on a person’s trust.

The same is true of my magazine.

People buy features and advertising, often two or three months in advance. They are trusting me to produce the magazine, to distribute it, to hold up my end of the bargain.

On my book promotion website, the trust is, that I will provide information as promised, list books as agreed, market the site and so on.

I know I am honest. I know I will do everything within my abilities to ensure I deliver, to keep my promises. Yet many of those who place their trust in me do not know that, not initially, not the first time we make an agreement.

Luckily, I have a track record of successfully completing the tasks I undertake.

I have lots of happy clients and that, in a strange way, turns the tables. You see, once I have done business with someone, once I have done ‘a good job’, I trust them to return to me. I trust that they shall, at some point in the future ask me to help again.

Thankfully, most do.

Now that may, at this point, sound like standard business practice. But what makes all this stand-out for me is, that most of what I do is with people who are, in the physical world, (the Meat-Space), strangers.

I may belong to the same social media ‘groups’ as they. I may have ‘messaged’ or emailed them many times, over many months or even years. I may know (vaguely) what they look like, at least in the best photograph they have, even if it was taken twenty-years ago!

BUT…I have never met them, never heard their voice naturally, or felt their flesh, smelt their scent, seen how they walk, talk and laugh, not in the real world. Yet some I consider to be friends, not the i-space, ethereal electronic type of friend, but Friend with a capitol ‘F’.

And I trust them.

As, (hopefully!), they do me.

Please, do not deceive yourself by thinking that I am a product of this technological age. I am not.

I am far older than that. But I accept it, even somewhat embrace it; although with a certain amount of mistrust and caution as to its future influence and where it may eventually lead us.

But a little vigilance is no bad thing.

So, here I am, connected tentively to un-met people around the globe, via fiber-optics and satellites, yet conducting business on less than a physical handshake; often simply on a few keystrokes that spell out the word ‘Yes’, or even the lesser ‘OK’.

I suggest that is a form of true trust?

If it is, then in my world that is not a bad thing.

If something that can be isolating, even as divisive as the internet, can bring ‘people who have never met’ (we used to term this as ‘strangers’ when I was a child), together by the bond of trust my fear for the future of mankind is somewhat diminished.

All we need now is for those who in power to take note, for those who print ‘In God We Trust’ on our banknotes to realise that, in an ideal world those words would actually read ‘In Us We Trust’.

Just a thought that was running through my mind.

 

Please feel free to comment, like, share or ‘whatever blows your frock-up’

Paul

Find out more about me, my writings, books & Cover design 

http://paulznewpostbox.wix.com/paul-white

Visit CQ Magazine CQ2

Go to SNEAK PEEK Books & Authors site large button

 

 

 

 

 

Breaking the writing rules

Happy Writer

 

How often do you read an article telling you how to write?

Quite often I guess. I know I do. I have even been guilty of writing some myself, all well intentioned of course.

Ninety nine, or ninety five per-cent of the time these rules should be followed. They should be adhered to as far as possible, because they are the benchmark from which all writing is judged.

However…I love that word! So I’ll say it again.

However, I am a strong believer that a writer should push their own boundaries from time to time. They should break out of the glass cage.

I often do so by playing about, experimenting. Call them ‘writing exercises’ if you will.

In the past I have written in a minimalistic fashion, told a story using underutilised and obscure words. In another I used metasyntactic terminology. My poetry often pushes whatever limits are generally imposed.

So it is I regular break writing conventions.

Doing this has helped me enormously with that wonderful black art of wordsmithing. Undertaking such exercises challenges ourselves and our, often self-imposed, perceived limits. Such tasks enable us to extend descriptive narrative, create depth of characters and make our stories flow.

While I would not recommend that anyone attempts to write an entire novel ‘outside the box of rules’, I do encourage each and every one to task themselves with such matters.

The following is one such exercise. It is a short story, a flash fiction if you wish, of almost six-hundred words.

The point of this particular task was to see if I could construct a story using a string of very short sentences, whilst including only the most minimal of descriptive words and then when only absolutely necessary.

The reason for that is, when a long string of short sentences are used it tends to become monotonous for the reader. Generally, sentences must vary in length to convey the ‘feel’ of each part of the narrative.

Nouns, verbs, adjectives and adverbs are of course basic stock of a writer’s armory. So removing these, as far as possible, presents another contest against one’s abilities.

I hope I have succeeded in my mission. You are more than welcome to comment on the story itself, or on my attainment or failure in this test.


Mano-De-Autoestopista-90269

Hitchhiker

 

I am old school.

From a time when life seemed simpler, less hectic, less complicated.

It was not. It was just different.

Some will say that ‘way back when’ life was safer, people were happier, times were better.

They were not. Life was simply lived at a slower pace.

There was less fear. Less anxiety and more acquiescence.

I think life was more honest.

We were more honest.

With ourselves.

Life holds risks. You have to live with that.

Take your chances. Accept the possibilities.

Face the consequences.

That is how it goes.

We recognised that. Acknowledged that.

That is what made life simpler.

 

Like hitchhiking.

Like the figure I see ahead of me now. Checked shirt, blue jeans, backpack, thumb-out.

Quite rare nowadays, hitchhikers.

Too much fear. Mostly unwarranted.

Nurtured and spread by the media.

But who should hold that apprehension.

The driver?

I could drive on past. No one will make me stop.

Is the hiker a danger? A mass murderer?

A Rapist?

Is their thumb a lure for the unsuspecting?

Or

The Hiker?

Simply travelling home.

Should they get into the car?

Could I be a psychotic killer?

Could I be the Rapist?

Is my car a trap?

 

As I get closer I see the expectant look on the hiker’s face.

A bright smile.

Willing me to slow.

To stop.

I feel a compulsion.

An obligation to a fellow human.

I have been there myself. Thumb out. Waiting, hoping.

Praying for the next car to stop.

To give me a ride.

A ride to somewhere warm. Somewhere with hot coffee.

The hiker looks clean. Normal.

Conventional.

I slow. Maneuver towards the roadside.

Stop a few yards beyond.

Looking in my mirror.

Watching.

 

The hiker picks up a small rucksack.

Running towards me.

I lock the doors.

Clunk. Safe.

I can leave. Go.

Put my foot on the accelerator.

Speed away.

The hiker is close now.

My last chance.

Decision time.

A smiling face appears at the window.

I smile back.

Still time.

Go?

Stay?

 

I press a switch.

The window hums. Open.

Half open.

I hear my voice. “Heading North” it says.

“Me too” the hiker replies.

I nod.

The hiker smiles.

Expectancy.

I smile back.

Trepidation.

Time stands still.

Momentarily.

 

Click.

I unlock the doors.

My own thumb jerks, a backward motion.

“Put your back in the back” my voice speaks again.

Autonomously.

The bag lands on the rear seats.

Drive away, I think.

Take the bag.

Go. Now.

What is in the bag.

Some clothing.

An iPad.

Money.

Or the hiker’s life?

Their entire possessions.

A lifetime or memories.

Lost loves, lost mother.

A bag of dreams, hopes for the future?

Is that where they are heading now?

The future.

Thiers. Mine. Ours? Has this moment inexorably entwined our lives?

Left an indelible mark.

Or just a scratch. Unnoticeable, hidden. One that will fade, become rubbed out

As life progresses?

 

Getting-In-a-Strangers-Car

 

The door opens.

Blue eyes, bright teeth, pale skin.

The hiker sits next to me.

“Thank you” she says.

“That’s okay” I reply.

I put the car in gear, heading North.

Our lives are meshed. At least for the next one hundred miles.

If she makes it that far.

If I make it that far.

Who knows?

Life holds risks. You have to live with that.

Take your chances. Accept the possibilities.

Face the consequences.

That is how it goes.

You see, I am old school.

I know what makes life simple.

 

© Paul White 2016

Feel free to visit my website, browse around, poke you nose into every corner. Make yourself at home!

http://paulznewpostbox.wix.com/paul-white

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

A bit about…Designing your Books Cover.

C&Vfront3

I shall try to stay away from as many technical words and as much jargon as I can.

Also, as designing a book cover can be an emotive subject, almost as much as writing the content. I shall say that the following are my personal observations and views, they are not a definitive or an absolute. I do not think any opinions regarding forms of art can be so.

Please feel free to comment, add your own insights and feedback regarding this subject.

So, where to start?

For this I shall take a tip from the famous philosopher Winnie the Pooh, who said, “The beginning is a very good place to start!”

Your manuscript is completed, edited, re-written, polished, edited, beta read, proofread, edited, formatted and is now ready to go to print.

You are ecstatic. This is your masterpiece.

Now all you have to do is get people to read it.

To do that you need to sell lots of copies. (Unless you simply want to give it away?)

To sell lots of copies you need to attract people to your book.

To do that you need your masterpiece to stand out from the crowd.

Standing out from the masses of other books means having a great cover.

NOT a good cover, a great one.

That’s it.

Simple…

NO?

You are right.

Creating a great cover is not as simple as it first seems. All those thoughts and ideas in your head need transforming into a visual and onto relatively small area AND you need the title, maybe a sub-title, a sub-heading, or a catch-phrase. Then there is your name, you want that on the cover too, don’t you? Oh, and the back-cover ‘blurb’ you need that…now what about some graphics, images on the rear cover too? Is there enough room for that and the bar code?

That’s a lot to consider.

Yet that is only the most basic ‘stuff’! Colour, Images, illustrations, copyright, text style, point size, trim, bleed…oh, you have not though this far ahead yet?

OK, let’s get basic.

Firstly, you have to get rid of any preconceptions you have. (Not easy).

It is almost impossible to detach yourself from your book, your story, ‘your baby’. But you must if you want a cover which will sell your book.

Nobody but you will ever see, or feel your story as you do. Each reader will have their own personal interpretation.

That is how reading works.

Don’t get caught in the trap of believing otherwise.

Creating a cover is like a black art. It is a totally different skill to writing. Please do not confuse the two.

A book cover’s paramount job is to communicate the book’s content and convey information concerning both what the book is about and what the book is like.

The front and back flaps have something to say and experienced readers may find clues in a summary statement or author’s note. But the text and graphics on the cover deliver the most immediate and indelible impression. A cover’s imagery can establish character, setting, and plot. A cover’s style can suggest tone, mood, and narrative quality. And extraordinary covers employ both elements in synergy.

 

Second step, be sure of your target audience. That is the people who read the same genre as your book. (Known as demographics in the trade!)

You need to ascertain what they look for in a cover, what it is that attracts them to pick up a book, to read the back jacket and ultimately buy.

Big publishing houses spend a fortune on researching this, millions of pounds a year. An amount I doubt you have to spare, even after scrabbling down the back of the sofa.

So use the big publishers as your research, this will only costs you time.

Check out other authors book covers in the same genre, particularly the mainstream published authors. Walk around the store, surf the net. See what the new trends are. Make notes, take photos, make a ‘like’ board.

This is a good starting point.

 

The next step is to decide what you want the cover to ‘say’. I am not talking about the use of words (yet); I am simply speaking of image perception.

Here are a two simple rules:

Don’t Show Too Much of Your Character

It may be tempting to show your book’s main character on the cover, but this usually is not a very good idea. Most readers prefer to use their imagination to depict the story and characters in their own head.

Be Simple, Strong and Symbolic

Refrain from depicting a specific scene on the cover of your book.

It is better to be more symbolic or iconic with your cover design. Try to come up with a simple eye-catching idea that anyone will understand upon first sight. Keep in mind that most people will see your book as a tiny picture on a bookstore website or out the corner of their eye in a bookstore. In either instance, a strong, simple, symbolic cover is much more likely to catch their attention than one that is complicated or cluttered.

 

 The next consideration is the text.

What typestyle (fonts) to use.

Do not use any of the following fonts (anywhere): Comic Sans or Papyrus. These fonts are only acceptable if you are writing a humor book, or intentionally attempting to create a design that publishing professionals will laugh at.

Please, no font explosions or special styling. Usually a cover should not contain more than 2 fonts. Avoid the temptation to put words in caps, italics caps, outlined caps, etc. Do not be tempted to “shape” the type either.

Where to put your Title and Authors name; Top, middle, bottom, vertical, horizontal?

The title should be big and easy to read.

This is more important than ever. (Many people will first encounter your cover on a screen, not on a shelf.)

Do not forget to review a thumbnail image of the cover.

Ask yourself this; Is the cover compelling at a small size? More people are buying books on a Kindle or mobile device, so you want the cover to read clearly no matter where it appears.

You should also anticipate what the cover looks like in grayscale.

 

Now, back to the artwork.

Rule no. 1, Do not use cheap clip art on your cover. I’m talking about the stuff that comes free with Microsoft Word or other cheap layout programs.

Rule no.2, Do not stick an image inside a box on the cover. This is known as the “T-shirt” design. It looks extremely amateurish.

Rule no.3, Avoid gradients. It’s especially game-over if you have a cover with a rainbow gradient.

Rule no.4, Avoid garish color combinations. Sometimes such covers are meant to catch people’s attention. Usually, it just makes your book look freakish!

After all this, if your head is not spinning from the do’s and do not’s I will be surprised. Let me make it simple with a great example of excellent covers.

The bestselling author, Sophie Kinsella’s novels have about everything that is right when considering a book cover.

These romantic comedy covers have not been created by accident. They are specifically designed and crafted via Penguin Random House.

Clearly the target audience is a, young, twenties something, fun, flirty, feminine female.

Best known for her ‘Shopaholic’ series, the main images on these covers are of highly stylized woman, with a clutch of designer carrier bags, against a background suggestive of location.

Here are three examples which follow all the rules (do’s & do not’s).

51-0SPdiUsL._UY250_519s6VsDJ0L._UY250_51Yy5LBLjgL._UY250_

 

These are my suggestions for a great book cover:

Keep it simple.

Avoid clutter.

Only hint at the content.

Go with the latest trends in your genre…OR…

Take a punt at something ‘outside the box’ (but tryto keep within these guidelines).

Below are some covers I love, even my own award winning designs…Oh, didn’t I mention I also design covers for Indie Authors…how remiss of me!

ARSONGR-lifeboatSofEmfront1

privacybcFLOYD7full-dark-book-cover2

If you would like to contact me about cover design, please feel free to email me at paulznewpostbox@gmail.com Please put ‘book cover enquiry’ into the subject bar.

Thank you, Paul.