Why do I write in the way I do? (An answer.)

Writer Picture

I am often asked, as I am sure many authors are, “Why do I write?”.

This is not a straightforward or easy question to answer comprehensively. In fact, if I were to answer that question in full, it would be an extremely long essay.

Which is the answer I gave a few days ago.

However, that question was followed by one which made me think, a question I was, at the time, unprepared to answer constructively.

“Why do you write in the way you do?”

This question made me think, beyond the basics of ‘style’ and further than ‘narration’ alone.

So, in the regular and rambling way I use in my blog posts, I shall attempt to convey to you my thoughts on this question.

They are as follow……

I do not write a particular genre of fiction.

Romance stories generally demand detailed character descriptions, a slow build-up of intensity to climax. (Excuse the pun).

On the other hand, Horror readers want faster paced, less detailed, more action books which cut right to the core. (Sorry, I can’t help myself).

By not being a genre writer, I have not developed a style limited by the parameters of reasonable expectation of those readers.

Neither do I write for a syndicate publisher, such as Mills & Boon, who have strict plot and style guidelines and can drop any contributor in an instant, should their suggestions not be strictly adhered too.

I am a truly free, independent author.

I have written an offbeat tale of abduction and intrigue, which is also a romantic story, a AofRDVtale of finding oneself and humorous yarn all rolled into one. It is ‘The Abduction of Rupert DeVille’. Available on Amazon, just click the link!

This book alone breaks all the genre specific boundaries it touches upon.

I did not set out to intentionally break any rules, I simply ignored them all and wrote the story I wanted to write.

I have also published two collections of poetry.

The basic premise of each is human emotion. Fear, love, hate, anger, regret and so on. I like the challenges of poetry. The differing forms, such as haiku, present wonderful opportunities to develop wordsmithing skills that can be adapted to storytelling.

That is how I like to think of myself, as a storyteller, a mythmaker; weaving tales into people’s consciousness, making them re-think and to consider life and the world around them in a way they may never have done before.

My book collection, three volumes of short stories called ‘Tales of Crime & Violence’ are designed to do just that, to make the reader reconsider their point of view, to side-swipe their general conceptions, to come at them from left field and leave their minds floundering with a myriad of questions, questions they now find they are asking themselves. (Click the link, or image)

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That is what a great story should do. It should stay with you, lingering within your mind a long time after you have closed the final pages of the book, maybe even forever?

I have also written a children’s book and non-fiction stuff. Very different disciplines than writing standard adult fiction of any sort.

I am, at the time of writing this, working on a novel about an escaped psychopath. ‘Floyd’ is out on a bloody revenge spree against those who had him committed. This book must be considered a ‘Slasher’ type of story. It is a crime thriller certainly, a horror…in parts possibly, but not really.

Once again, I am writing what I want to write, in a way I want to write it. The style and narration I am using is unique to this book. It is not one I have adopted previously.

Which, in a long winded and round-about way, brings me back to the original question of “Why do I write in the way I do?”

Taking note of the above (and remembering my independence), has allowed me to indulge in many experimentations with style, narration, pace, plot, POV’s and all the other ‘literary technical stuff’ writers put far too much emphasis on when discussing writing.

Each of my novels are written from a totally different personal perspective. Making each quite distinctive from the last. Even so, my personal mark is to keep an element of humanity, of emotion, of people’s dreams, hopes and fears running through all my fictional stories, even those involved with psychotic killers!

My short stories reflect those same values, the human passion for life, the experience of relationships, of desire and love, of living, of loss and of death.

I like to explore these areas of the human psyche, areas often forgotten or neglected by other writers and authors. I like to reveal them at a certain pace, a pace which suites the individual story being told.

In some I might come at you from the shadows, smashing into your mind like a train wreck. In another it may be an insidious creep, slowly weaving itself between your receptive neurons, until that is the only thing your mind can focus upon.

This is where the poetry and experiments with lexicon come to the fore; they allow me to use words as a basic material, melding and moulding them, twisting and forming them, until they convey to the reader, not only the description and facts, but the feeling of being there, of being within, of being part of the nether world where my story lives and, without doubt, to see, hear and feel the trauma, the worries, the excitement and passions of my characters as they stagger from one conflict to another.

You can read several my short works at https://alittlemorefiction.wordpress.com/ I always have a few stories on this blog, although I do delete and change them at random intervals.

So, in brief, that is my answer to the question – ‘Why do I write the way I do.’

I hope you can pick something useful out of this.

Thank you for reading, Paul.

 

 

 

 

 

 

 

Do you know Michael J. Elliott?

A simple question…”Do you know?“…but one that can make you double think, one that can make you question your own logic and knowledge.

You start asking yourself “Is that the Michael I know” or “Does he spell his surname with two t’s?“.

Little doubts, little nags, little uncertainties start to creep into you mind.

The same things happen when your read the work of this particular Michael J. Elliott. When you think you have the tale ‘sussed’ along comes a little twist and throws you all to kilter.

Oh, and don’t try and predict the ending; even if you are close, you will be wrong, it will be scarier, or harder, or the character will suffer more…or less…before they die…or live happily ever after. That is of course if it has anything to do with that character at all.

This is why I love reading Michael’s stories…this is the Michael J. Elliott I do know, the one who does spells his name with two t’s!

I wanted to take a peek into Michael’s psyche, I wanted to know how a man of his undoubted talent conjures up such spellbinding tales so, I asked him a few leading questions.

You could say that these questions are Choice Cuts!

Do you think someone could be a writer if they don’t feel emotions strongly?

Micheal said: No, I really think you need to LOVE books and writing. It’s an art form like anything else and artists simply wouldn’t create if they didn’t have the drive and the passion.

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Do you hide any secrets in your books that only a few people will find?
Yes! In my first collection, Portraits of Dread, I wrote a story called Defective goods. It was a creepy send up of a well known British comedy show. I named all the characters after the actors from the show or their characters. I was hoping clever readers would spot the connection. In my new collection, Choice Cuts-A Bite from The Dark Realm, I have a story called Penance. It’s about an ancient order of nuns. I have named all the Sisters after famous figures from history. Eagle eyed readers will be able to guess the convent’s secret just from the names. I love throwing in those sort of references in my work 🙂
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Have you read anything that made you think differently about fiction?
I’ve read a lot of writer’s craft books which have certainly taught me a lot about the “rules” of writing. That has been a big help in my journey as an author.
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What did you edit out of your latest book?
Two stories didn’t make the grade for this collection. The first was titled, Once A Jolly Swagman. It was a ghost story centered around the famous Australian song and poem. I hadn’t finished it but when I went back and re read it I found it just rambled, way too much padding with nothing really interesting happening until the build up. I’ll keep it and give it a good edit so that you may see it in another collection at some time. The other was entitled, The Snow Globe. I dithered with so many options about how the protagonist finds this globe and what it actually does that I eventually decided to cut the story out completely.
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My final question was, what kind of research do you do, and how long do you spend researching before beginning a book?
I take a lot of notes and Wilkipedia is my best friend lol. I’m writing Mr Westacott’s Holiday atm. It’s set in two time frames, 1900 and 1970. The setting is Britain. I was born and live in Australia and was a teen during the 70’s so I had no idea of British fashion of the 70’s, the distance between two of the towns in the book etc. I’m very grateful to the British members of #The Awethors for helping me out with these questions.
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Choice Cuts- A Bite From the Dark Realm will be released on Halloween 2016 and is currently available for pre order at Smashwords and Amazon for the special promotion price of 99c (will be $4.99) Also available in paperback for $10.99

Choice Cuts is available worldwide via Amazon on this link http://authl.it/6a0

and from Smashwords here 

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Other books by Micheal J Elliot

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J.B.’Author Interview with Paul White

 

IN THIS BRAND NEW SERIES (J.B.’S AUTHOR INTERVIEW SERIES) I’LL BE INTRODUCING YOU TO SOME OF THE FINEST AUTHORS AROUND. YOU’LL GET A PEEK INSIDE THEIR MIND AND THEIR PROCESS.

 

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Today I meet Paul White. 

J.B. Taylor – What inspires you?

Paul White – Wow, what an interesting opening question. There are so many things that kick start my imagination. A picture, a smell, a sound, a partly overheard conversation, clips from a film, a scene from a television drama.
One of my favorite sources is the radio, I listen to Radio four, a BBC station it has wonderful interviews covering a myriad of topics from the arts to medicine and world affairs. I often listen to this station when I am driving and, besides the road, there is nothing else to distract you from listening. It is surprising how many ideas can come out of a twenty minute drive!

 

J.B. Taylor – What’s your favorite book?

Paul White – Another unanswerable question! I have so many books I love and all for different reasons.
I will give you two. I read both when I was a young man and both have stayed with me over the ensuing years, so I take that resonation to be a sign that they are special books.

The first is ‘Down by the Dockside’ written by Deirdre Cash under her pseudonym Criena Rohan. It is about a plucky, literate girl who grows up in poverty in Port Melbourne during the Depression, marries a sailor during the war and loses him in a fight at Christmas in 1946, teaches dance and consorts with the criminals her childhood pals have become, it’s a lively and endearing tale of Australia in the 1930s and 1940s.

The second is Do Not Go Gentle by David MacCuish.
The book focuses on Norman MacLeod, growing up in the tough Depression-era town of Butte, Montana.
After his father succumbs to a mining-related disease, young Norman leaves school and also begins working in the copper mines. Following the death of his closest friend in a mine accident and the moving of his mother and sister to relatives back East, Norman enlists in the Marines.
The book follows MacLeod through boot camp, life on and off base, and then to the South Pacific where MacLeod and his fellow Marines face both their fears and the Japanese.
On leave in the U.S., Norm visits the wife of a killed comrade, and begins a relationship with her. Filled with gritty scenes and no-holds-barred dialog,
I think Do Not Go Gentle is a minor classic in the field of novels about men at war and the effect it has on families and communities.

Ok, so that was longwinded, but you asked!

 

J.B. Taylor – If you were asked to unload a 747 full of jelly beans, what would you do?

Paul White – Park it up and slowly eat my way through the contents!

 

J.B. Taylor – Where do you like to write?

Paul White – Anywhere I can get my head down and concentrate without too many interruptions. I have an office at home, but a café, hotel lobby or gardens can be good too.

 

J.B. Taylor – Which Harry Potter house would you belong to?

Paul White – Never read Harry Potter, not seen the films either…am I the only one?

 

J.B. Taylor – What is your favorite word?

Paul White – That changes frequently, however at the moment it is however. However, that may change soon!

 

J.B. Taylor – What is your least favorite word?

Paul White – Hate. It is overused in general conversation and rarely is its true definition realized by the speaker. In writing however, (did you see what I just did there!) there are no bad words, just words.

 

J.B. Taylor – What was the first story you ever wrote, and what happened to that story?MiriamsHexL

Paul White – My first true story, a proper one with a beginning, middle & end, is Miriam’s
Hex
. There is a long back story about how I have come to resurrect Miriam’s Hex from a dusty box in the loft and have published it as an eBook novelette.

 

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The story of how that happened is included in a special edition of Miriam’s Hex, which is ONLY available directly from me…if you like would a copy just click on the link above!

 

 

J.B. Taylor – Tell us about your process: Pen, paper, word processor, human sacrifice … how do you write?

Paul White – Generally, I use a PC or Laptop and type directly into a word document.
But for making notes and writing ideas down I scribble into small pocket sized notebooks. I have several of these scattered about the house, the cars and in lots of jacket pockets.
Occasionally a notebook has been washed and tumble dried. Not good!

 

J.B. Taylor – What’s the biggest mistake you’ve made as a writer?

Paul White – Besides becoming a writer!

Paul White – Rushing out a book with over excitement and thinking that was it. You soon learn to take more care, get it edited correctly, re-write and tweak. Over and again if necessary. Doing things right pays dividends in the end.

 

J.B. Taylor – What else are you working on?

Paul White – I have a number of projects. There are three main ones. One of those I need to complete before…two of them I need to complete…in fact all three need to be completed before the others!

But…let me highlight the novel I am working on. It is called ‘Floyd’.

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Floyd is an escaped psychopath, a fugitive out on a mission of vengeance, against all those who were involved in having committed.
It is a thriller/slasher/ blood and gore story, BUT with human and emotional elements woven in between the main events, rather like sutures pulling a wound closed!

 

J.B. Taylor – In a perfect world where you could cast your book for a movie, who would you pick for your main characters?

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Paul White – I would love one of my books to become a movie, or my short stories a TV drama series, what a nice dream.
In that ideal world, I would love to use unknown people, maybe ones who have never acted before. Members of the public like you and I.
Imagine walking up to someone in the street, who catches your eye and asking if they would like the leading role in a new Hollywood or Pinewood movie! Wouldn’t that be fantastic?

 

J.B. Taylor – When you complete a story, do you let it go? Or do you like to stop and think about what your characters might be up to, what they might be doing?

Paul White – I used to just let it go, put it to bed as they say. (Whomever ‘they’ are?)
But now I leave it for a while, weeks, maybe a month or two. Then I return and read the work, making critical notes. That’s when the real nitty-gritty work starts.

 

J.B. Taylor – Are you a panster or an outliner?

Paul White – Oh, most definitely a panster! I write from the heart, from gut feelings with only the roughest skeleton of a premise. The story and the characters evolve with me, sometimes in spite of me, as the book progresses.

It is not until I am half, or more of the way through, do I lay out some formal course to the conclusion and, I only do that, because the second half of a book is far harder to write than the first.

Maybe I should write the end before the start next time around. Do you think that might work?


You can check out Paul’s books HERE

or, if you want to know more about the author, visit his website HERE 

 

 

See you at the top…Looooser!

Here’s the ‘thing’ that’s been buzzing about my mind.

I am not sure how many of you will have had similar thoughts, but in my normal rambling style I shall scribble on, hoping all this will make some sense by the end of the post!

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As we all know, the indie publishing game is a bit of an uphill struggle. We have to compete with the ‘big boys’, the traditional publishers, who themselves are battling to keep up with the changing markets to retain their ‘share’.

We then have Amazon, love it or hate it, you cannot ignore the grip it currently has on the retail marketplace. Not one other online publishing organization has the same muscle or clout as it does. Combine this with the control it exerts over independent authors by way of royalties, market distribution and promotions, it is no wonder most authors struggle to make a decent income via Amazon.

Yes, there is Lulu, Kobo, Smashwords and a plethora of smaller organizations but, as yet, not one has found a formula or format which can challenge either the mainstream publishers and/or the Amazon group of companies. Until then, your books will still ‘have’? to been seen on Amazon webpages to reach a worldwide customer base.

The next challenge we, as indie authors, are faced with is the real downside in, my humblest, opinion. Bad books. By bad books I do not only mean badly written novels in relation to grammar, punctuation and spelling, I include dreadful formatting and ghastly covers too. It is these ‘bad’ books which give rise to unhealthy journalism regarding independent publishing.

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One terrible book is like a dead carcass to hyena; the press pack will tear into the story will zealous abandonment and spread doubt about the validity of small and independent publishing to all our potential readers.

On average I suggest, without reference to statistics, it takes about a year to write a full length novel; say a book of around 80/100K words. That is a lot of investment in one’s time alone, not counting the monetary input for editors, proofreading, formatting, cover design and what-not. Therefore, is it not in our own interest, if not duty, to ensure that we produce the best quality work that we are able to achieve; one that, as a minimum, reaches the quality of the vastly more experienced mainstream publishing houses?

After all, it is they who spend great sums of money on marketing and product research, in their battle to build and keep their own percentage and position in the marketplace. Should we not consider their standards to be the minimum value we seek to achieve with our own works?

Personally I believe they should.

Another moot point to consider, one which I find both amusing and annoying, is that you, yes you are my competition and a fellow author. In that context I find myself claiming as ‘sort-of’ ownership towards you.

You see, I would rather have a reader choose to buy my book rather than yours. Yet I cannot help myself for wanting you to do well too. Okay, in a perfect world the reader would buy both! but we do not live in a perfect world. In that respect one must, to some degree, consider all other authors to be a competitor. In doing so it gives us the incentive to write better, present our books better, make them look better, which is all good, honestly!

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None of the above means we have to be enemies, on the contrary. Those of you who know me know that I do a great deal to help and assist indie authors in every way possible. That is because I believe that the entire indie publishing world benefits, beyond measurement, when we all pull together, when we work as a team against all the outside pressures and conflicts of interest that challenge us.

So yes, I want to win. I would rather sell my book than yours; but we are on the same team and, at the end of the day, what I really want is for ‘our team’ to come out on top. If that means I miss out on the Gold, Silver & Bronze so be it; as long as I have been a valuable member of the winning team and get to hold the trophy high, I will be happy.

See you at the top…..looooser!

A bit about…Designing your Books Cover.

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I shall try to stay away from as many technical words and as much jargon as I can.

Also, as designing a book cover can be an emotive subject, almost as much as writing the content. I shall say that the following are my personal observations and views, they are not a definitive or an absolute. I do not think any opinions regarding forms of art can be so.

Please feel free to comment, add your own insights and feedback regarding this subject.

So, where to start?

For this I shall take a tip from the famous philosopher Winnie the Pooh, who said, “The beginning is a very good place to start!”

Your manuscript is completed, edited, re-written, polished, edited, beta read, proofread, edited, formatted and is now ready to go to print.

You are ecstatic. This is your masterpiece.

Now all you have to do is get people to read it.

To do that you need to sell lots of copies. (Unless you simply want to give it away?)

To sell lots of copies you need to attract people to your book.

To do that you need your masterpiece to stand out from the crowd.

Standing out from the masses of other books means having a great cover.

NOT a good cover, a great one.

That’s it.

Simple…

NO?

You are right.

Creating a great cover is not as simple as it first seems. All those thoughts and ideas in your head need transforming into a visual and onto relatively small area AND you need the title, maybe a sub-title, a sub-heading, or a catch-phrase. Then there is your name, you want that on the cover too, don’t you? Oh, and the back-cover ‘blurb’ you need that…now what about some graphics, images on the rear cover too? Is there enough room for that and the bar code?

That’s a lot to consider.

Yet that is only the most basic ‘stuff’! Colour, Images, illustrations, copyright, text style, point size, trim, bleed…oh, you have not though this far ahead yet?

OK, let’s get basic.

Firstly, you have to get rid of any preconceptions you have. (Not easy).

It is almost impossible to detach yourself from your book, your story, ‘your baby’. But you must if you want a cover which will sell your book.

Nobody but you will ever see, or feel your story as you do. Each reader will have their own personal interpretation.

That is how reading works.

Don’t get caught in the trap of believing otherwise.

Creating a cover is like a black art. It is a totally different skill to writing. Please do not confuse the two.

A book cover’s paramount job is to communicate the book’s content and convey information concerning both what the book is about and what the book is like.

The front and back flaps have something to say and experienced readers may find clues in a summary statement or author’s note. But the text and graphics on the cover deliver the most immediate and indelible impression. A cover’s imagery can establish character, setting, and plot. A cover’s style can suggest tone, mood, and narrative quality. And extraordinary covers employ both elements in synergy.

 

Second step, be sure of your target audience. That is the people who read the same genre as your book. (Known as demographics in the trade!)

You need to ascertain what they look for in a cover, what it is that attracts them to pick up a book, to read the back jacket and ultimately buy.

Big publishing houses spend a fortune on researching this, millions of pounds a year. An amount I doubt you have to spare, even after scrabbling down the back of the sofa.

So use the big publishers as your research, this will only costs you time.

Check out other authors book covers in the same genre, particularly the mainstream published authors. Walk around the store, surf the net. See what the new trends are. Make notes, take photos, make a ‘like’ board.

This is a good starting point.

 

The next step is to decide what you want the cover to ‘say’. I am not talking about the use of words (yet); I am simply speaking of image perception.

Here are a two simple rules:

Don’t Show Too Much of Your Character

It may be tempting to show your book’s main character on the cover, but this usually is not a very good idea. Most readers prefer to use their imagination to depict the story and characters in their own head.

Be Simple, Strong and Symbolic

Refrain from depicting a specific scene on the cover of your book.

It is better to be more symbolic or iconic with your cover design. Try to come up with a simple eye-catching idea that anyone will understand upon first sight. Keep in mind that most people will see your book as a tiny picture on a bookstore website or out the corner of their eye in a bookstore. In either instance, a strong, simple, symbolic cover is much more likely to catch their attention than one that is complicated or cluttered.

 

 The next consideration is the text.

What typestyle (fonts) to use.

Do not use any of the following fonts (anywhere!): Comic Sans or Papyrus. These fonts are only acceptable if you are writing a humor book, or intentionally attempting to create a design that publishing professionals will laugh at.

Please, no font explosions or special styling. Usually a cover should not contain more than 2 fonts. Avoid the temptation to put words in caps, italics caps, outlined caps, etc. Do not be tempted “shape” the type either.

Where to put your Title and Authors name; Top, middle, bottom, vertical, horizontal?

The title should be big and easy to read.

This is more important than ever. (Many people will first encounter your cover on a screen, not on a shelf.)

Do not forget to review a thumbnail image of the cover.

Ask yourself this; Is the cover compelling at a small size? More people are buying books on a Kindle or mobile device, so you want the cover to read clearly no matter where it appears.

You should also anticipate what the cover looks like in grayscale.

 

Now, back to the artwork.

Rule no. 1, Do not use cheap clip art on your cover. I’m talking about the stuff that comes free with Microsoft Word or other cheap layout programs.

Rule no.2, Do not stick an image inside a box on the cover. This is known as the “T-shirt” design. It looks extremely amateurish.

Rule no.3, Avoid gradients. It’s especially game-over if you have a cover with a rainbow gradient.

Rule no.4, Avoid garish color combinations. Sometimes such covers are meant to catch people’s attention. Usually, it just makes your book look freakish!

After all this, if your head is not spinning from the do’s and do not’s I will be surprised. Let me make it simple with a great example of excellent covers.

The bestselling author, Sophie Kinsella’s novels have about everything that is right when considering a book cover.

These romantic comedy covers have not been created by accident. They are specifically designed and crafted via Penguin Random House.

Clearly the target audience is a, young, twenties something, fun, flirty, feminine female.

Best known for her ‘Shopaholic’ series, the main images on these covers are of highly stylized woman, with a clutch of designer carrier bags, against a background suggestive of location.

Here are three examples which follow all the rules (do’s & do not’s).

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These are my suggestions for a great book cover:

Keep it simple.

Avoid clutter.

Only hint at the content.

Go with the latest trends in your genre…OR…

Take a punt at something ‘outside the box’ (but tryto keep within these guidelines).

Below are some covers I love, even my own award winning designs…Oh, didn’t I mention I also design covers for Indie Authors…how remiss of me!

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If you would like to contact me about cover design, please feel free to email me at paulznewpostbox@gmail.com Please put ‘book cover enquiry’ into the subject bar.

Thank you, Paul.

 

My name is Claire Plaisted

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The warning bell rang out.  The villagers screamed in terror, mothers grabbing children, rushing into their homes, slamming doors, locking windows and hiding under tables, their bodies shaking in fright.  The men grabbed pitchforks and fighting sticks and marched to the edge of the village. Waiting silently their rage mounting in disbelief that the Indie’s would dare to intrude again.

“Bloody Indie Authors, which they’d go away and leave us be,” one man muttered.

“How they dare write their own stuff, in their own format and without permission of the big publishers is beyond me,” another murmured.

“Look there they are, all smiling and happy.  Get ready to attack, we can’t allow them entry to our minds,” shouted yet another man.

“Charge,” screamed a fourth man, “beat them back, keep our women and children safe, they mustn’t succeed.”

“Hey, hang on mate, who’s that over there, they look important.”

The men fell silent in disbelief as the woman stepped closer to the village, a stern look on her face.

“I don’t believe it,” said the village lord.  They’ve got a publisher.  An Indie Publisher at that!  We can’t stop them now, don’t you remember the law.  We have to listen to Publishers.”

“God help us all, we’re doomed.

They dropped their weapons, shoulders slumped, feet dragging, they returned to the village centre, tears pouring down their faces knowing they were beaten once and for all.

 

Hi.  My name is Claire Plaisted. 

I’m an Indie Publisher and proud to help Indie Authors get their wonderful books of all genres, be they novels, memoirs, family history books etc. online for avid readers to enjoy. 

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Plaisted Publishing House Ltd.  started as a professional formatting business to help all Indie Authors realise their dreams.  I’m an Indie Author as well, though helping others is my main business.

 

 

Why did I start this business?

It came about quite by accident.  I have always enjoyed formatting documents, be they newsletters, leaflets, family history or novels.  I like to see books set out to a high standard and, as my journey moved forward, I trained myself how to do this and share my experiences with others. I established my business in July 2014.  My experience stems from Family History Books and learning how to prepare a novel to send to agents and Publishing Houses. 

Traditional Publishing Houses! 

Out of the millions of fantastic writers only a few are accepted as worthy of being represented.  Only a few will become big names and manage to live off their skills due to this success.  Many of these authors write to a format the Publisher wants and if they dare step out of line – your contract could very well disappear – after all you’re not pulling your weight and doing as you’re told,so the public can read what they are told.

How did this Happen?

Now this, I struggle to understand and sadly there is no one alive today who can tell us.  History books may have been altered to fit what we’re told.  Who knows.

For at least eighteen centuries writers and authors were all Independent.  Yes, you heard me.  There were no Publishers to be seen, at least not as we know them today.

If you go back far enough we see many cultures start writing on walls, on animal skins, leather and later, paper.  They wrote with charcoal until such time as ink was invented.  Then along came the printing presses of history.  A writer would get a story printed on paper and it would be sold on the street corners for people to buy, or it was printed into leather bound books and sold to the wealthy.

I have no idea who picked up on the idea. However, suddenly publishing was born.  Publishing has been around for about one hundred and fifty years. (so much for it being Traditional!). They control what you read with their marketing hype, awarding said authors with honours and praise.  Many are brilliant, however what about those who have the same skills, the same brilliance, who don’t get the opportunity because the Publishing Houses deem them unfit to publish.

What does Un-fit to Publish Mean?

They don’t think they can make a profit out of your work, you don’t write the stories they want, nor do you write how they want, so they toss your brilliance to one side generally with a short letter or email

“Not suitable at this time.”  Whatever the hell that means.

Many readers and maybe some authors don’t realise they have read Independent work over the years.  This is because much has been re-published from the original prints.

Who are these authors?d4f39e4be1965d2032516bad71332757

The Bible – Over 2000 years old

Shakespeare

Mark Twain

Bronte Sisters

Edgar Allen Poe

Lewis Carrol

Beatrix Potter

Even John Grisham published on book independently.  The list goes on.

For the last ten years or so, Independent Authors have been fighting back to get their work published and in front of an audience who believes in them.  So called Traditional Publishing isn’t necessary.  History shows Authors once had full control of their work and now the time is here to take that control back.

At Plaisted Publishing House we format your books to a professional standard for a small cost.  Our professional standard – since Feb 2016 – has now passed the American Registered Copyright Approval (US Patent Office) – First time and with no changes.  The author owns full copyright at all times.

Costs to Authors

We charge $60.00 US for on-going consultation throughout for the work been done.  This includes emails, live chat and personal meetings where available.  We charge $4.00 US per thousand words with a 25% discount for a first time client.

This gives the Author full basic formatting, with two formatting edits to make sure it is what the client wants. The book is then formatted into either a PRINT or eBOOK. If both are required then an additional $20 US is required.  This deal also includes an interview and having their Bio and book cover on our business website.

Any extra work needed is $35 US an hour.

We also offer Indie Business links for Editors, Book Cover Artists, Beta Readers on our webesite etc.

You can find us at the below links

www.plaistedpublishinghouse.wordpress.com

plaistedpublishinghouse@gmail.com

https://www.facebook.com/Plaisted-Publishing-House-249186435274458/?ref=hl

https://www.pinterest.com/rotosis/

https://twitter.com/rotosis1