A bit more Rambling…

As always, my intention of posting regularly is not happening; as they say, (whoever ‘they’ are), the highway to hell is paved with good intentions!

Even now, in lockdown or self-isolation or whatever you may be calling it, my life is far too hectic to guarantee I post in any other way than at random intervals.

Generally, my posts tend to be informative, either about publishing or to give insights into writing or ‘being indie’ while trying not to get too technical and academic… hence boring.

This post is not focused on any of the above, it is simply me ‘Rambling away’ about what has taken my time over the past… however long it has been.

So, without further ado this is it.


If you are a follower or regular reader of my ramblings, you will know I run Electric Eclectic, in its most simple form it is an alliance of indie writers from around the world who, besides promoting their books, are ready to help and aid other writers with their personal and technical dilemmas regarding all things indie publishing.

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Several things are happening with Electric Eclectic, the first we are encouraging more authors to join our ranks.

Secondly, we are accepting entries to the Electric Eclectic Novella Fiction Prize 2020. The ‘Prize’ is the winning stories having their books published as paperback and eBooks along with marketing packages.

We are also at the formatting stage of Electric Eclectics latest anthology, one especially written to celebrate the 75th anniversary of VE-Day. It is simply called VE75.

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The Government brought forward the May bank holiday to May the 8th is to coincide with the VE-day anniversary. Sadly, due to the outbreak of coronavirus, the planned public events are most likely to be cancelled.

However, Bruno Peek, VE Day 75 pageant-master, told me,

“Even if I must ring around every organisation and individual involved and tell them we’re cancelling, there is something everyone can still take part in regardless. At 3 pm on Bank Holiday Friday, the nation will be asked to raise a glass to toast the heroes of World War II – men, women, children wherever they are. We’re not asking people to raise a glass of alcohol so everyone, all people, faiths and creeds, can join in. It can be done anywhere: in the supermarket, at home. The Prime Minister can even raise a glass from Number 10 if he’s not able to leave Downing Street by then.”

Electric Eclectic is producing VE75 as an eBook, so people can simply download it to whichever device they wish. The book is part of the VE-Day celebrations, so I hope you will buy a copy and help support our military veterans and military families in need.

Apart from my Electric Eclectic commitments, I am working on several ‘Works in Progress’, two books in particular are;

FLOYD, a bloody psychological revenge thriller, while On the Highway of Irreverent Rumination & Delusion contains my personal views on life, living, the state of society and the world in general. I shall let you know when they are due for publication.

Meanwhile, you can read about my Works in Progress and find my published books, including some special editions which are not available from Amazon, here.

Apart from writing, I am a digital artist and photographer, feel free to browse my art website.

Of course, I still have all the ‘normal’ regular home and household chores to attend to. Add to the above, my position as editor of Electric Press Literary Insights magazine and you will see, even shut in my home, I am far too busy to be able to commit to a set programme of posting to this blog.

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I started this post with the intention of thanking all my followers and subscribers and regular readers… you know who you are, and to say keep safe, keep well and keep happy.

Please, if you are an author, consider joining us at Electric Eclectic. Email us for more information, EEbookbranding@mail.com

If you are a novice writer or even an established author, think about entering the Novella Fiction Prize.

If you are a booklover, a bookworm, a bibliophile then subscribe to the Electric Press magazine, it’s FREE and it is simple, just go to the Electric Press blog, where you can also read the current edition

Well, that’s enough of me for today.

See you on the other side.

Paul.

1973, a Vauxhall Viva and no excuses.

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I thought I would start this year’s posts based on a theme of the various motor vehicles I have driven over the years.

Doing such links with other projects I am working on, such as my new artwork collection ‘8mm’ and one of my current works-in-progress ‘On the Highway of Irrelevant Rumination and Delusion’.

8mm is where I take a still from an amateur home movie and combine it with a short excerpt from one of my books. You can view the 8mm collection on this link. https://paulznewpostbox.wixsite.com/artworks/8mm

On the Highway of Irrelevant Rumination and Delusion is my musings on life and living, taken from my old blog series of the same name and explored during a fictitious road trip, itself an amalgam of many, to create a captivating, informative and entertaining monologue. https://paulznewpostbox.wixsite.com/paul-white/works-in-progress

I am beginning this series of posts with a car from 1973 in which I first learned to drive, the ubiquitous Vauxhall Viva.

In its time, the Vauxhall Viva was the most popular car to come from Vauxhall’s Luton works. Once seen on every street corner The Viva was the first Vauxhall to achieve a six-figure production run and, by the early 1970s, was Vauxhall’s best-selling model.

None of that mattered to me as I struggled to master the necessary synchronicity between clutch, steering, mirrors, gearshift and acceleration while simultaneously looking ahead and in my mirrors. No mean feat for someone who never road a bicycle until they were eight years old!

However, the point of this series of post is far from riding bicycles or driving cars, its about life, the world, being an indie author and, at least for the first few posts, a little bit of nostalgia. A mix I hope you will find informative as well as entertaining.


So, without further ado, let me get started ‘proper’.

At the end of 1973, I was a young sailor in the Royal Navy. I had around six weeks left before I was to join my first ship and sail away to some far-flung shores. I was, to all intents and purpose a ‘whippersnapper‘. I suppose it was the start of me becoming me, becoming who I am now.

Did you know the word Whippersnapper was originally a “diminutive, insignificant, or presumptuous person?”

It was a term of reproach, here is the word used in a lengthy harangue by Edgar Allan Poe, from his story “Loss of Breath”:

“Thou wretch! – thou vixen! – thou shrew!” said I to my wife on the morning after our wedding, “thou witch! – thou hag! – thou whipper-snapper! – thou sink of iniquity! – thou fiery-faced quintessence of all that is abominable! – thou – thou –”

(The speaker in the story is then, gratifyingly, bereft of breath and stops speaking.)

 

Some may have preferred to call me a ‘Whiffet’ which has similar connotations and also means “a small, young, or unimportant person.”

But the cuteness of the word kept it becoming a term of reproach. Whiffet was used in the 19th century in relaxed and informal writing, such as this breezy passage from an early magazine movie review:

Particularly is this true in the case of William Haines. This cinema actor invariably plays the obnoxious, precocious whiffet who upsets plans, causes heartaches by his wilfulness.

—“The New Pictures,” Time Magazine, 10 October 1928

Now, back to my tale…

With little to do with my ‘off-duty’ time, I decided to learn to drive. (Not that I was going to get much chance to practise the skill once at sea!) Anyway, I engaged the services of a driving instructor and jumped into the driving seat of a shiny red car. The picture on this blog is exactly as I recall the vehicle.

Three lessons a week taught me the skills necessary for basic car control, well, enough to pass my test and gain a licence just in time to board my ship and sail away on the high seas.

My first ‘foreign’ port of call was Lisbon, Portugal; which is just across the English Channel and a little south. The fine city that it is, it was not the exotic tropical port of my boyhood dreams. (Thankfully I did get to visit those too.)

But tales of sailing the high seas and exploring foreign lands is not my premise of this post. It is about me taking those driving lessons although I knew it would be many months before I could use to use my newly acquired skills. Besides which, I still needed to purchase a vehicle.

You see, far too often we stop ourselves from undertaking certain tasks because of… well, whatever excuse we can find to convince ourselves. I could have so easily not taken those driving lessons because I was going to sea, because I did not have a car, because I… whatever. The point is it would have simply been an excuse with no real foundation of any matter.

It is making these excuses to ourselves so many of us authors and writers do far too frequently when what we should be doing is finding reasons to do something, making time to do something.  

We must say to ourselves, “Yes, I can write another chapter today despite having to work late.” Or “I can watch the TV later, or tomorrow, but I must write this down now.” No matter your book may not be ready until next year; no matter your laptop is broken, you have paper and pen.

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I got to drive later that year when I returned from my first sea draft. Since then I gained an advanced drivers’ licence. I have driven racing cars on various tracks around the world, from Brands Hatch in the UK to Yas Marina in Abu Dhabi. I have personally owned some amazingly powerful machines like a Nissan Skyline GTR, a Toyota GT4 and an Aston Martin BD9.

I don’t think I would have done so had made an excuse to myself not to take those driving lessons. I am a firm believer that each decision we make forges our life path ahead for a length of time until our next pivotal decision must be made. Once each choice is selected there is no going back, no return, just differing routes to choose.

I think this is why I have several books and various art projects on the go at any one time, I don’t like saying no to myself; I don’t like making excuses to myself about why I can’t, or shouldn’t do something, anything.

I like to encourage myself to forge ahead, to do it, to say yes.

I encourage you to support and believe in yourself. I bet you will find you are a far more capable person than you give yourself credit for.

Keep Happy, Paul 😊

FREE promotion & marketing

In this post I take a divergent path, away from my regular ramblings about writing, to speak of something which is usually just as close to any indies heart.

Promotion.

The reason is, no matter how good a writer you may be, how wonderful and eye catching you books cover is… if no one is ever going to see it, or hear about it, no one shall ever buy it, let alone read it.

Every indie I know who has written a book, even a short novelette, agrees the hard work starts once the book has been published.

An almost consecutive issue which is consistently raised, is the seemingly ongoing quest for the ultimate marketing tool. The ‘Eureka’ gift that will sell hundreds, if not thousands, of books each month with very little work or effort on the part of the author themselves.

Wake up, smell the coffee. There is no such thing.

Even should someone find an amazing algorithm, or system for doing just so, within moments the entire world will be climbing on the waggon, the uniqueness would dissolve in those few moments, to become nothing more than the norm.

The quest would then start over.

BUT… (there is always a but.)

There are a whole host of ‘Alternative’ marketing solutions. Or at least, people marketing a whole host, of supposed solutions.

Many asking for a substantial fee, without any guarantee of success.

HOWEVER… (there is always an however too.)

The world, (the cyberworld and the meat-space), is full of groups of writers and authors who work together, share knowledge, experience and aid one another to achieve the best.19553170_10155611739634994_248869669_n

I am a proudto be a founder member of one such group, the Authors Professional Co-Operative.

Another I belong to, The Awethors, have collectively produced four books. Not bad, for an association of people who live thousands of miles apart and in different countries.

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Working closely and introducing new people to our communities, gives each of us a wider opportunity to help others. Some authors use their experience to professionally assist others in marketing, book cover design, formatting, publishing and so forth. Author Assist, Plaisted publishing house and Metamorph Publishing are just three to mention.

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Others run newsletters, email campaigns, blogs, vlogs, webinar’s and radio shows. Each designed to help all who wish to partake.

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GoIndieNow is one, The Ronnie Shaw Show another, then there is  all run by or for the indie community, as is CQ International Magazine.

 

Not surprisingly, it is this last one, CQ International Magazine, I want to talk about most, simply because this is my own publication!

CQ was never planned to be.

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You see, it all started when I wrote a very posh looking newsletter, I called it ‘Rambling Away’, to keep a link to the blogs I ran at the time.

I designed my newsletter to look like a glossy magazine. The type of magazine I was involved with, when I worked in the publishing business in London.

That first, short (and honestly not too well constructed), newsletter eventually grew into CQ International Magazine, which has an established readership in 84 countries around the globe and, at the last count, is read by an excess of 50 thousand people.

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Click image to read the current edition of CQ

CQ Magazine continues to promote and support indie writers, yet has expanded to include all forms of independent artists, from painters and illustrators, to musician and theatre, dance and performance arts, sculpture and digital creatives. If fact, anything independent, artistic, artisan or creative is welcome within the covers of CQ Magazine.

As part of our ongoing commitment to promote the indie world, CQ Magazine has recently created the C-club. This is where, for a single annual membership fee of £5(UK), indies from all walks of life, can take advantage by advertising in, or having features and promotions in, CQ International Magazine throughout the entire year, at not cost at all.

That’s right, FREE promotion and marketing to the whole world. Well, a big chunk of it anyway.

What’s more, by joining the C-club, you will be helping us to help others, by contributing to the ‘Inspiration & Encouragement fund’.

Full details about CQ International Magazine and how you can become a C-club member, can be found on CQ International’s blog, RIGHT HERE.

Go take a peek now.

I look forward to welcoming you aboard.

Paul.


LOVE MUSIC?  LOVE ART?

Then you will love ICONIC, a tribute to some of the worlds greatest musical artists who ever lived.

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Order your copy today

https://www.peecho.com/checkout/14716200169619823/279042

Why I am talking art on a writing blog.

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I have, at last, found enough time to catch my breath and write a new, long overdue post for this blog.

You see, I have had a busy start to this year.

First was the publication, in January, of my first children’s book, The Rabbit Joke, which is designed primarily as a ‘read to me‘ book.

A book for parents or older siblings, to read to the younger ones. The Rabbit Joke lends itself to being read to groups in schools and kindergartens too.

The Rabbit Joke is an outsized, hardcover, fully illustrated, perfect bound, landscape book, from https://www.peecho.com/print/en/263512

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In February, I released ‘Life in the War Zone’ a collection of stories, based on true accounts, of what life is like living between warring factions in an area of conflict.

Life in the War Zone takes a serious, no holds barred look at the devastation and trauma of life in the battlefields of the Ukraine, Syria, Afghanistan, Iraq, Bosnia, Serbia, Croatia, Israel, Palestine, Libya, Lebanon and El Salvador.

Ebooks are available direct from me, via my website. http://paulznewpostbox.wixsite.com/paul-white

Paperbacks from Amazon.

USA https://www.amazon.com/Life-War-Zone-collection-personal/dp/1542338700  

UK https://www.amazon.co.uk/Life-War-Zone-collection-personal/dp/1542338700

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Also during February, I published a ‘Coffee Table’ book called ICONIC, or to give it its full title, Iconic – Legends of music immortalised in art.

Iconic is an 8 x 8 inch, hardcover, perfect bound, glossy, book, containing a number of my own artworks, portraits of some of the most well-loved musical talent ever known, such as David Bowie, Amy Winehouse, Buddy Holly, Jimi Hendrix, Elvis and many more.

With each portrait is an abridged biography of each artist, covering their life and times. https://www.peecho.com/checkout/14716200169619823/279042

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March saw the publication of The Pussers Cook Book.

This became an instant hit and an Amazon bestseller. It is still, as I write this over a month after the books launch, at number three in its Amazon category.

The Pussers Cook Book details twenty-two of the best loved dishes, served on Royal Naval ships circa 1960’s to 1980’s. Along with the recipes, there are plenty of jokes and tall stories, some legendary myths are also dispelled!

You do not have to be a sailor to enjoy the Pussers Cook Book. It makes the perfect gift for a freind or loved one.

Paperbacks from Amazon. goo.gl/eTwfWN  

Hardcover from my printers.  www.peecho.com/print/en/282666

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You will see by this, why my time this year has been at a premium.

Now, I have touched on art, as in the title of this post, by mentioning my tribute to the great musicians in the book, ICONIC. Which clearly shows the link between writing, books and art.

As do all those millions of books with illustrations, photographs, pictures and images inside. Let alone the amazing and wonderful artistry shown by many book cover designers.

In that respect, books and art are almost inseparable, and never exclusive.


But there is more…

Art has always been a ‘go to‘ place for me, when I need to rest my mind from concentrating on writing. Whilst my form of art, digital painting, is still a creative discipline, it is creative in a totally differing way to the mindful concentration needed for writing.

In that respect, I find creating digital art relaxing, even ‘freeing up‘ the subconscious mind to continue its own creative endeavours, whilst I take my consciousness on a holiday of colour and form.

The problem arises, much as it does when writing, or I should say, when one has finished writing and has published their book.

Who will see it, who will read it, who will buy it?

It is all well and dandy to have a book, three books, ten? Sitting on the shelves getting dusty and covered in cobwebs. What we want, what we need is someone (Many someones) to come along and actually read our words.

The same is true of art. What is the point of creating wonderful, thought provoking, stimulating images if they are simply going to be stored as a digital code on a memory stick. If they are never going to be made onto a canvass, or a poster, or even printed onto a tee-shirt or coffee mug?

Both of those scenarios are, in my humble opinion, a total waste of time, effort and creative energy.

So…what to do about it all?

Firstly, I have made a Facebook page to help direct people to my works.

The main site is my artwork website, where you can browse through a selection of works albums and find links to the other places my work is available. https://goo.gl/pyPI7i

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That is why I am talking about art on a writing blog.

Thanks for reading this…if you have read this far!

I will be back to posting my normal Ramblings from now on.

Cheers, Paul.

 

 

 

 

 

A bit about…Designing your Books Cover.

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I shall try to stay away from as many technical words and as much jargon as I can.

Also, as designing a book cover can be an emotive subject, almost as much as writing the content. I shall say that the following are my personal observations and views, they are not a definitive or an absolute. I do not think any opinions regarding forms of art can be so.

Please feel free to comment, add your own insights and feedback regarding this subject.

So, where to start?

For this, I shall take a tip from the famous philosopher Winnie the Pooh, who said, “The beginning is a very good place to start!”

Your manuscript is completed, edited, re-written, polished, edited, beta read, proofread, edited, formatted and is now ready to go to print.

You are ecstatic. This is your masterpiece.

Now all you have to do is get people to read it.

To do that you need to sell lots of copies. (Unless you simply want to give it away?)

To sell lots of copies you need to attract people to your book.

To do that you need your masterpiece to stand out from the crowd.

Standing out from the masses of other books means having a great cover.

NOT a good cover, a great one.

That’s it.

Simple…

NO?

You are right.

Creating a great cover is not as simple as it first seems. All those thoughts and ideas in your head need transforming into a visual and onto relatively small area AND you need the title, maybe a sub-title, a sub-heading, or a catch-phrase. Then there is your name, you want that on the cover too, don’t you? Oh, and the back-cover ‘blurb’ you need that…now what about some graphics, images on the rear cover too? Is there enough room for that and the barcode?

That’s a lot to consider.

Yet that is only the most basic ‘stuff’! Colour, Images, illustrations, copyright, text style, point size, trim, bleed…oh, you have not thought this far ahead yet?

OK, let’s get basic.

Firstly, you have to get rid of any preconceptions you have. (Not easy).

It is almost impossible to detach yourself from your book, your story, ‘your baby’. But you must if you want a cover which will sell your book.

Nobody but you will ever see, or feel your story as you do. Each reader will have their own personal interpretation.

That is how reading works.

Don’t get caught in the trap of believing otherwise.

Creating a cover is like a black art. It is a totally different skill to writing. Please do not confuse the two.

A book cover’s paramount job is to communicate the book’s content and convey information concerning both what the book is about and what the book is like.

The front and back flaps have something to say and experienced readers may find clues in a summary statement or author’s note. But the text and graphics on the cover deliver the most immediate and indelible impression. A cover’s imagery can establish character, setting, and plot. A cover’s style can suggest tone, mood, and narrative quality. And extraordinary covers employ both elements in synergy.

 

The second step, be sure of your target audience. That is the people who read the same genre as your book. (Known as demographics in the trade)

You need to ascertain what they look for in a cover, what it is that attracts them to pick up a book, to read the back jacket and ultimately buy.

Big publishing houses spend a fortune on researching this, millions of pounds a year. An amount I doubt you have to spare, even after scrabbling down the back of the sofa.

So use the big publishers as your research, this will only cost you time.

Check out other authors book covers in the same genre, particularly the mainstream published authors. Walk around the store, surf the net. See what the new trends are. Make notes, take photos, make a ‘like’ board.

This is a good starting point.

 

The next step is to decide what you want the cover to ‘say’. I am not talking about the use of words (yet); I am simply speaking of image perception.

Here are two simple rules:

Don’t Show Too Much of Your Character

It may be tempting to show your book’s main character on the cover, but this usually is not a very good idea. Most readers prefer to use their imagination to depict the story and characters in their own head.

Be Simple, Strong and Symbolic

Refrain from depicting a specific scene on the cover of your book.

It is better to be more symbolic or iconic with your cover design. Try to come up with a simple eye-catching idea that anyone will understand on first sight. Keep in mind that most people will see your book as a tiny picture on a bookstore website or out the corner of their eye in a bookstore. In either instance, a strong, simple, symbolic cover is much more likely to catch their attention than one that is complicated or cluttered.

 

 The next consideration is the text.

What typestyle (fonts) to use.

Do not use (anywhere): Comic Sans.

This font is only acceptable if you are writing a humorous book, or intentionally attempting to create a design that publishing professionals will laugh at.

Please, no font explosions or special styling. Usually, a cover should not contain more than 2 fonts. Avoid the temptation to put words in caps, italics caps, outlined caps, etc. Do not be tempted to “shape” the type either.

Where to put your Title and Authors name; Top, middle, bottom, vertical, horizontal?

The title should be big and easy to read.

This is more important than ever. (Many people will first encounter your cover on a screen, not on a shelf.)

Do not forget to review a thumbnail image of the cover.

Ask yourself this; Is the cover compelling at a small size? More people are buying books on a Kindle or mobile device, so you want the cover to read clearly no matter where it appears.

You should also anticipate what the cover looks like in grayscale.

 

Now, back to the artwork.

Rule no. 1, Do not use cheap clip art on your cover. I’m talking about the stuff that comes free with Microsoft Word or other cheap layout programs.

Rule no.2, Do not stick an image inside a box on the cover. This is known as the “T-shirt” design. It looks extremely amateurish.

Rule no.3, Avoid gradients. It’s especially game-over if you have a cover with a rainbow gradient.

Rule no.4, Avoid garish colour combinations. Sometimes such covers are meant to catch people’s attention. Usually, it just makes your book look freakish!

After all this, if your head is not spinning from the do’s and do not’s I will be surprised. Let me make it simple with a great example of excellent covers.

The bestselling author, Sophie Kinsella’s novels have about everything that is right when considering a book cover.

These romantic comedy covers have not been created by accident. They are specifically designed and crafted via Penguin Random House.

Clearly, the target audience is a, young, twenties something, fun, flirty, feminine female.

Best known for her ‘Shopaholic’ series, the main images on these covers are of highly stylized woman, with a clutch of designer carrier bags, against a background suggestive of location.

Here are three examples which follow all the rules (do’s & do not’s).

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These are my suggestions for a great book cover:

Keep it simple.

Avoid clutter.

The only hint at the content.

Go with the latest trends in your genre…OR…

Take a punt at something ‘outside the box’ (but try to keep within these guidelines).

Below are some covers I love, even my own award-winning designs…Oh, didn’t I mention I also design covers for Indie Authors…how remiss of me!

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If you would like to contact me about cover design, please feel free to email me at pwauthor@mail.com 

Please put ‘book cover enquiry’ into the subject bar.

Thank you, Paul.