The LIST 2018 – The definitive guide to this years ‘Must Read’ books.


The list pub

Surely, The LIST is the best collection of ‘must-read’ indie books anywhere.


 

Each book listed here has been recommended, commended or selected by CQI Magazine or the publications respected and trusted literary connections.

The LIST is one publication you will want to constantly refer to when looking for a new book for yourself or as a wonderful and unexpected gift for a friend, colleague, or family member.

I suggest you bookmark The LIST to make re-visiting and reading a sinch in the future.

Got friends… how about sharing The LIST with them?

For notifications about future great publications like CQI Magazine, and The Gift Collection followthis blog 🙂

Click on the cover image above to read The LIST now


 

Looking for a darned good short story?

Then check out the Electric Eclectic novelettes, great reads and the perfect way to find your next ‘favourite’ author.

Go take a look at Electric Eclectic books

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HEADS UP AUTHORS… Ads.txt is here and you NEED to know… ‘WHAT IS THE ADS.TXT PROJECT?

Unlike many/most of my Ramblings I regard this post as something of extream importance, a possible game-changing innovation, one which has wide implications but also one which will be of particular interset for indie authors

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As part of a broader effort to eliminate the ability to prointerest counterfeit inventory in the open digital advertising ecosystem, Ads.txt provides a mechanism to enable content owners to declare who is authorized to sell their inventory.

The mission of the ads.txt project is simple: Increase transparency in the programmatic advertising ecosystem. Ads.txt stands for Authorized Digital Sellers and is a simple, flexible and secure method that publishers and distributors can use to publicly declare the companies they authorize to sell their digital inventory.

By creating a public record of Authorized Digital Sellers, ads.txt will create greater transparency in the inventory supply chain, and give publishers control over their inventory in the market, making it harder for bad actors to profit from selling counterfeit inventory across the ecosystem. As publishers adopt ads.txt, buyers will be able to more easily identify the Authorized Digital Sellers for a participating publisher, allowing brands to have confidence they are buying authentic publisher inventory.

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ADS.TXT HELPS PUBLISHERS

Counterfeit inventory comes in many forms, but it typically results in real media spend not reaching legitimate and deserving publishers. Ads.txt helps publishers reclaim control of their media, brand, and rate card. This means more of an advertisers spend can get to the domain owner through their approved sales channels, and not be wasted on counterfeit inventory.

Check out the PDF

https://iabtechlab.com/wp-content/uploads/2017/09/IABOpenRTB_Ads.txt_Public_Spec_V1-0-1.pdf

Also read: https://iabtechlab.com/how-to-ads-txt/

This post is brought to you by CQ International Publishing, Electric Eclectic books and iab Tech Lab

 

FREE promotion & marketing

In this post I take a divergent path, away from my regular ramblings about writing, to speak of something which is usually just as close to any indies heart.

Promotion.

The reason is, no matter how good a writer you may be, how wonderful and eye catching you books cover is… if no one is ever going to see it, or hear about it, no one shall ever buy it, let alone read it.

Every indie I know who has written a book, even a short novelette, agrees the hard work starts once the book has been published.

An almost consecutive issue which is consistently raised, is the seemingly ongoing quest for the ultimate marketing tool. The ‘Eureka’ gift that will sell hundreds, if not thousands, of books each month with very little work or effort on the part of the author themselves.

Wake up, smell the coffee. There is no such thing.

Even should someone find an amazing algorithm, or system for doing just so, within moments the entire world will be climbing on the waggon, the uniqueness would dissolve in those few moments, to become nothing more than the norm.

The quest would then start over.

BUT… (there is always a but.)

There are a whole host of ‘Alternative’ marketing solutions. Or at least, people marketing a whole host, of supposed solutions.

Many asking for a substantial fee, without any guarantee of success.

HOWEVER… (there is always an however too.)

The world, (the cyberworld and the meat-space), is full of groups of writers and authors who work together, share knowledge, experience and aid one another to achieve the best.19553170_10155611739634994_248869669_n

I am a proudto be a founder member of one such group, the Authors Professional Co-Operative.

Another I belong to, The Awethors, have collectively produced four books. Not bad, for an association of people who live thousands of miles apart and in different countries.

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Working closely and introducing new people to our communities, gives each of us a wider opportunity to help others. Some authors use their experience to professionally assist others in marketing, book cover design, formatting, publishing and so forth. Author Assist, Plaisted publishing house and Metamorph Publishing are just three to mention.

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Others run newsletters, email campaigns, blogs, vlogs, webinar’s and radio shows. Each designed to help all who wish to partake.

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GoIndieNow is one, The Ronnie Shaw Show another, then there is  all run by or for the indie community, as is CQ International Magazine.

 

Not surprisingly, it is this last one, CQ International Magazine, I want to talk about most, simply because this is my own publication!

CQ was never planned to be.

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You see, it all started when I wrote a very posh looking newsletter, I called it ‘Rambling Away’, to keep a link to the blogs I ran at the time.

I designed my newsletter to look like a glossy magazine. The type of magazine I was involved with, when I worked in the publishing business in London.

That first, short (and honestly not too well constructed), newsletter eventually grew into CQ International Magazine, which has an established readership in 84 countries around the globe and, at the last count, is read by an excess of 50 thousand people.

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Click image to read the current edition of CQ

CQ Magazine continues to promote and support indie writers, yet has expanded to include all forms of independent artists, from painters and illustrators, to musician and theatre, dance and performance arts, sculpture and digital creatives. If fact, anything independent, artistic, artisan or creative is welcome within the covers of CQ Magazine.

As part of our ongoing commitment to promote the indie world, CQ Magazine has recently created the C-club. This is where, for a single annual membership fee of £5(UK), indies from all walks of life, can take advantage by advertising in, or having features and promotions in, CQ International Magazine throughout the entire year, at not cost at all.

That’s right, FREE promotion and marketing to the whole world. Well, a big chunk of it anyway.

What’s more, by joining the C-club, you will be helping us to help others, by contributing to the ‘Inspiration & Encouragement fund’.

Full details about CQ International Magazine and how you can become a C-club member, can be found on CQ International’s blog, RIGHT HERE.

Go take a peek now.

I look forward to welcoming you aboard.

Paul.


LOVE MUSIC?  LOVE ART?

Then you will love ICONIC, a tribute to some of the worlds greatest musical artists who ever lived.

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Order your copy today

https://www.peecho.com/checkout/14716200169619823/279042

Say what you mean

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This blog, as its sub-title states, is where I write about writing for writers.

When I do so, I want to make it clear what each of my posts are about, so you can choose to indulge in my words, or skip on to something else which blows your frock up in the moment.

The point is ‘CLARITY’.


Allow me to explain where my thoughts are…

I read an awful lot of stuff about writing and being an indie author; articles, blogs, books, newspapers, social media posts, written by other writers, authors and publishers with the intent of giving advice or insight into the ‘black art‘ of a writer’s life.

Generally… and I know one should not generalise by right, but on this occasion, I shall… Generally, all these posts are written with a single perception in mind, that of fiction writer.

It is assumed, by most authors of these posts, articles and essays that ‘writing’ or being a ‘writer’ means you are working on a fictional novel.

Do not simply take my word, browse away all you like, look for yourself.

I can understand why.

Most of these articles are written, with good intent, by authors of fiction, reaching out to help others. Sharing knowledge and accumulated wisdom. Something which is rarely done in other areas where another person could be perceived as being and often is your competition.

This is one matter where the indie writer’s community excels. It is supportive and encouraging to all whom venture within the dark realms of the quill.

Yet the terms writer means so much more and covers a far wider sphere, than fiction alone.

I try to be as inclusive as possible in my own posts.

If I am not writing directly about a particular aspect of fiction, I try to make my posts content as equally applicable to those writing a blog, a historical article, poetry, or a non-fictional account, as I am to the writers of fiction alone.

A writer could be a reporting journalist, a diarist, a playwright, or engaged in composing a technical manuscript as well as engaging in stories of fantasy and fiction.

So, come on all you other bloggers who tap away on your keyboards. Make it clear from the outset of you post if it is about something which affects all forms of writing, such as grammar, or your view on the loneliness a writer may endure.

Please alert people if it is specific to a certain genre or area of writing, like romantic fiction, historical recording, technical manuscripts or horror. ZGPIAp

Why?

Well, I for one do not want to start reading your post, which I am sure you will have made as interesting and comprehensive as possible, to find, a few paragraphs in, it is covering a subject which I have no connection with and is therefore of absolutely no interest to me.

Being unnecessarily drawn into such, will only make me disregard any future article you post, even if it then covers a subject I am concerned about.

You can still have a ‘catchy’ headline or title if you don’t want a fully descriptive header. Just ensure, for those browsing a subject they want to read, that you clarify, in the first few lines, the subject matter of the post.

It will help the reader find what they want and it will help you gain followers who like your subject matter.

That’s all I have to say for now.

Enjoy the rest of your day, Paul.

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New home for Wild Geese

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I have moved my travel blog ‘Wild Geese’ to WordPress.

I am busy re-writing and re-posting all that was on the old site and I have a shed-load of new stuff, from my recent travels to share with you too.

I welcome any comments on how the blog is looking so far.

Oh yes, feel free to follow/subscribe if you will https://wildgeesetravel.wordpress.com

Many thanks, Paul

 

Harper Lee has nothing on me! Miriam’s Hex…….the truth behind the story.

It may have taken about fifty years for ‘Go set a Watchman’ to be published, because of Harper Lee’s uncertainties!

It has also taken an awfully long time for ‘Miriam’s Hex to be published too.

This is the story behind the book.

EEMIRIAM NEW

About four years ago in 2013, while having a household de-clutter I found an old cardboard folder in a box in my loft.

This folder contained many poems I wrote in the late 1970’s & 1980’s. Many were hand-scribbled, most were type-written, yes I did say type-written.

In this folder were notes for use in, or as, ‘possible and potential’ stories, old abandoned writings, half started tales, partial paragraphs and such like. It really was a rather eclectic combination of various scribblings.

I was filled with personal wonderment when I read the sheets of yellowing paper. Here were my thoughts, my emotions, my ideas of a lifetime ago.

Some of the writings and poetry I recalled instantly, others staggered out from the mists of amnesia. I was amused by some, horrified by others; the amateur nature, the naivety, the bad grammar and mis-spellings.

All, however, transported me back to another time, another world, another life which was connected yet somehow detached from myself. It was like an out-of-body experience, but somehow less direct, less united.

Possibly that is the effect of passing years?

Bunched at the back of this folder was a wad of A4 sheets held together by a rusting paperclip. I started to read, it was an untitled story. A light-hearted black comedy, if it is at all possible, of selfishness, of greed, of impatience and latent curses.

Despite many changes, the crossing-outs and the pencilled notes, the story drew me in. As I read through, small pinpricks of memory began to seep back. This was a story, one of the few I wrote at that time, which had a beginning, a middle and an end of sorts. (Although throughout there were still many threadbare patches).

You see, I first scribbled out a rough draft of a storyline in 1978 according to the dates on the draft. This (first?) draft had no title and no end.

In 1980 I reviewed and re-wrote it, apparently. (I found a few margin notes to confirm this), although I cannot recall doing so. At this I must have added the final few paragraphs so there was now an ending… of sorts.

It was thirty-five years later, after I become a professional writer and published author, I rediscovered this early work, first started when I was in my late teens.

At first, I simply returned the manuscript to its folder, the archives if you wish. But something was nagging at me. This story was, in fact pretty good, it was something different, there was an originality about it.

So, I pulled the manuscript from the dusty cardboard folder once more and began, letter by letter, word by word, to type it onto the computer, to re-write certain parts, to edit and eventually to complete the story. All the time I was doing the re-write I was conscious of not changing the basic story, not to expand or cut too much. I wanted, I felt I needed to keep the piece as close to the original draft, my teenage life draft, as possible while making it readable.

Once I was as happy as I was ever going to be, I gave the work a title for the first time. I called it Miriam’s Hex.

In November 2014, thirty-six years from its conception, I self-published Miriam’s Hex as an eBook.

Which brings this story up to date… almost… because now, right at the beginning of 2018 Miriam’s Hex has been re-edited and the cover slightly altered so it can be one of the amazing and wonderful Electric Eclectic Novelettes.

Electric Eclectic Novelettes are brilliant stories, told by some of the best indie authors in the world. They are designed to give readers looking for their next favourite read or seeking a new author to follow an insight into the authors writing style and narration. They are introductory books if you wish.

Check out Miriam’s Hex here and Electric Eclectic here.

Personally, I would love you to read Miriam’s Hex, not only because I am certain you will enjoy it, but because of this, the story behind the story of the book.

I hope it will not only add a provenance to Miriam’s Hex but will lend encouragement to all the writers among you who, at times, have doubts and worries about their own works and the time it takes to produce a great story.

Harper Lee…..phiff!

Thank you for reading my story.