I was going to call this post something simple, like ‘somewhere’ or ‘place’, but then I thought that it may be a little to oblique, so I ended up with the rather long title above.
Pretty much is the same with content. To make this as comprehensive as possible without (I hope) getting boring, I have had to write far more than I do in many of my other posts. I am sure you will see why as you read through.
Simply put, this post is all about creating a setting, or many settings, for you story. Somewhere your characters can live, somewhere they can go about their business in a way that helps bring them to life, a way that makes them ‘real’ people to your readers. Which is what we all should be seeking to achieve, a sort of Holy Grail for writers!
Let’s take a look at the three basic options we have.
The first is to use a Real Location.
This could be a village, a town, even a city, say Paris or London, or it could be somewhere much humbler like a hotel, a café, your kitchen or maybe a cellar?
Whilst the ‘where’ has to blend into you story while enhancing the readers pleasure, that is not the initial prime concern one should have. If you are using a real setting the most important aspect is to ensure accuracy.
This means research.
Even if you live in the place you intend to feature. Misrepresentation, whether it is a matter of geography, culture, or something in between, will be considered a travesty, it will be a failure in your story.
Make sure, when you include a detail or piece of information, that it is correct, or at least feasible. It must makes sense, be credible and contribute to the image you are portraying.
Go there! If at all possible go to the location, find details, talk to local people. Look about, notice how the buildings stand, what transport is available, what colour is it? Consider the language, do they have a dialect or use slang? What are the most noticeable aspects of the culture?
Now you have acquired this information you have to write it in a way that builds, or recreates that place for the reader. If the reader has never been there you must lead them in, be their guide in introducing them to the place. If they know the place already then your part is to re-create their memories.
To do this you must ‘show’ them, give strong sensory detail, get them involved and interested, especially in places unfamiliar. Make them feel they are getting to know it and you have them feeling you are portraying it accurately.
Don’t be afraid to use dialect. I would not recommend attempting to write a dialect, a least a phonetic representation, as this shouts doom! But be aware of such in dialogue; for instance what do the people in this location call a long sandwich? Is it a Sub…or a Hoagie, a Hero….maybe it a Baguette?
Getting ofay with the vernacular could make or break your story. But be careful, a misplaced slang word can throw you readers sense of place haywire.
Remember, not every story will fit into every setting. As with the characters and the plot the setting should be a living part of the story, it should interact with everything else on the page. If you tale is not working here, try a new location, or place a new section of the plot in this setting. If you have a disconnect you work may just collapse.
Now we move on…
The Fictional Location.
Here, wherever here may be, you are in total control. Nothing can be here, nothing can exist without your consent. This is you world where you can construct anything you like to be part of your story, even if it is a far-fetched creation.
But let’s start a little simpler. If you need to create a school or a restaurant or some regular societal value, you have no worries if somewhere similar exists, because ‘yours’ is purely fictitious.
A simple example could be an underground railway. If you have no idea of how the London Underground operates, so what? You can design and create your own public transportation system, one that fits into your plot, one that works with your characters schedules. It does not have to be an accurate representation of anything from the real world.
Please do not allow these facts to preclude your story from remaining realistic in terms of how certain types of place operate on a general basis. You still have a duty to your readers to portray a believable scenario.
The location may be best suited if, say for a town, it can be placed near somewhere in the real world. Possibly south of Huston, or just over the Tyne river outside of Newcastle. This will aid your story in finding its cultural roots.
Now the third of our three.
A Fictional setting in the Real World.
This is a far from unusual tactic employed by authors. There are many novels set in small fictitious towns which are then placed in a real counties or countries.
If you aim to do this then your town should be, at least in its initial appearance, similar to real towns in that region. This is to create believability. Yet by creating your own town as a setting you have almost as much freedom as you would with one set in a total fantasy.
Another benefit is that the townsfolk and/or your main characters can have specific feelings or views about this setting. Such as ‘it is haunted’ or ‘or it is a dying town’. No one can refute this, because the place does not actually exist.
This format works well when creating locations which do not exist, within one that is real. For example you may need to have your characters meet in a bar. Create a bar rather than using one that is real. This solves and can also absolve you from future problems.
Of course one area that fake settings placed in the real world are great is in the realm of fantastical realities. Think vampires, ghosts and Harry Potter! Here one uses the real world to disguise something hidden or a secret.
Let us go a little further.
You are writing a romantic novel and in all good tradition and faith you choose Paris as the main setting of the book. It would therefore be wise to assume that, most of your readers will have a strong conception, a healthy mental image of Paris before they read a single word of your novel.
If the words ‘the Eiffel Tower’ are spoken your reader will automatically conjure up a mental image. The same goes for ‘the Statue of Liberty’. All you need to do is paint the picture of how, at that particular moment, the city lights refract from the River Seine. Now your reader can picture your character in that setting.
Now consider that your novel is in a fictional city.
Firstly you will need describe the city in far more detail, including the landmark ‘tower’ your character is to propose on. This will take a lot more writing, which is not necessarily a bad thing, especially if you need the word count!
Also it is not always to your benefit if the readers are familiar with the setting. After all many readers perception may be based on, or limited to, the ‘picture-postcard’ vision of a city and it is possible that you wish to portray a very different side of that metropolis.
So your descriptions will have to be vivid enough to dispel false perception while constructing a new mental image to bring the reader closer to the one in your own mind.
While in a totally fictitious location the reader can bring no preconceptions with them. You will, therefore, have a blank canvas on which to paint your words.
To wind all this up…
If you are to set your location in an actual place, a real setting, then detailed knowledge or meticulous research will be demanded. The payback for this is that a romantic novel set in Paris has far stronger ‘shelf-appeal’ than one set in a fake city. A place no one has heard or knows of.
The same is true if your novel is set in New York, New Deli or cruising along the Nile. Choose a place lesser known and the majority of your readers would not have heard of it anyway!
In writing, particularly in the case of a full length novel, it is evocation of place and atmosphere. It is almost impossible to deal with these as separate elements. Place can and does determine atmosphere. For example where else could Stephen Kings ‘The Shining’ have been set? It had to be that isolated, snow-bound hotel on a mountain.
Some writers have the tenacity and patience to craft meticulous settings, they build amazing and entire worlds. Others approach by the minimalistic route, sprinkling few, but highly suggestive details into the narrative.
It matters not what genre, or what style you use your story will take place somewhere. A small room, a foreign country, another planet. Your setting can be a backdrop or a character itself.
But take a while, take a look. If most of the novels in your genre are set in a particular kind of location, say a shed, a farmstead kitchen or a city tower, that is a good indication that is what readers of that genre expect, possibly demand.
It does not mean that you have to stick with tradition or stay with the norm. That is your decision, to go with the run of the mill or similar, or do you strive for something new? Maybe you will compromise, add that slight twist?
Whatever you are writing consider the scope you have for creating the right setting. You may want to have a small room or you might want your novel to spread across galaxies, even the entire universe.
Whatever you choose I hope that in some small way this has given you an insight to possibilities not before considered.
Oh, just before you leave I would like to say you can check the setting and locations I have used in my books by visiting my website at
Thank you for reading yet another of my Ramblings, Paul.